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DTSTART;TZID=America/New_York:20190621T200000
DTEND;TZID=America/New_York:20190621T213000
DTSTAMP:20181022T140044Z
CREATED:20181022T140044Z
LAST-MODIFIED:20181022T140044Z
UID:4717-1561147200-1561152600@peoplesbanktheatre.com
SUMMARY:Amy Grant [SOLD OUT]
DESCRIPTION:with special guest Joshua Lee\nConventional wisdom has it that Amy Grant put Contemporary Christian Music on the map\, becoming the first CCM artist to have a platinum record\, the first to hit No. 1 on the Pop charts\, and the first to perform at the GRAMMY Awards. Since then\, Amy Grant has been strumming her way through a 30-plus year adventure as a singer-songwriter\, author\, television host and speaker. \nEarly on\, Amy Grant’s iconic voice became instantly recognizable in both the Christian and pop worlds\, some even dubbing her the “Queen of Christian Pop.” Over the years\, she has sold more than 30 million albums worldwide\, including three multi-platinum\, six platinum\, and four gold. Her chart performance has also been consistent throughout her career\, boasting six No. 1 hits\, 10 “Top 40” pop singles\, 17 “Top 40” adult contemporary tracks and multiple contemporary Christian chart toppers. In recognition of such success\, Grant has received 6 GRAMMY Awards and 26 Dove Awards\, a star on the Hollywood Walk of Fame\, and a star on the Music City Walk of Fame. Additionally\, she was most recently inducted into the Gospel Music Hall of Fame in Nashville. \nStepping out from behind her guitar\, Amy Grant found herself hosting the NBC prime time series “Three Wishes” in 2005\, bringing her into millions of living rooms across America every Friday night. The people she met and stories she collected proved to be great inspiration for creating new music and even writing a book. Two years later\, Grant’s first book\, Mosaic: Pieces of My Life So Far\, was published. She continues to share her stories with audiences all over the country as a keynote and inspirational speaker. \nIn April 2016\, Amy Grant celebrated the 25th anniversary of her first pop hit\, “Baby Baby”\, with a worldwide release of a new version of the song featuring pop sensation and fellow Capitol Music Group recording artist Tori Kelly. Growing her wildly popular Christmas brand\, Grant then released “Tennessee Christmas” in October 2016\, her first all-new Christmas album in nearly twenty years. She looks forward to national arena symphony Christmas tours each November and December with long-time friend Michael W. Smith\, as well as an annual Christmas residency at the world-famous Ryman Auditorium in Nashville with country superstar husband Vince Gill. \nGrant resides with her family in Nashville\, Tennessee\, and is widely known for her philanthropy and tireless involvement in local causes and charitable organizations. Her own organization\, The Helping Hands Foundation\, has afforded her the opportunity to identify needs around her and the resources to help meet them\, which has proven to be the sweetest reward of all. \nJoshua Lee\n \nAfter 14 years of fifteen-passenger vans\, tour buses\, and side man gigs\, Joshua Lee left Nashville with his young family and headed to West Virginia\, trading screaming fans for screaming kids. After a difficult transition\, Lee nearly left the music life behind entirely\, but he began to write again and in doing so found his own musical voice. In his old life\, Lee might have sought collaborators to start a band\, but having difficulty finding enough like-minded musicians\, he focused instead on discovering himself as a solo artist\, something he’d never tried before. Playing solo shows in the Ohio Valley area led to a new confidence in his ability as a singer-songwriter and to a new group of musical collaborators. \nOn his debut EP\, Promise Land (June 2017)\, Joshua wrestles with questions of loss and cautiously reaches for hope rather than despair. Recorded mostly at home\, and self-produced along with Trae Gunter (Randy Montana\, Jacob Thomas Jr.)\, he finds himself searching for his own sound by mining the territories of folk rock and heartland rock and blending in synths and ambient guitars. Hints of The National supplement more traditional song forms in the spirit of Ryan Adams and Tom Petty. \nNow based in Marietta\, Ohio\, Joshua Lee is performing solo and full band in the Mid-Ohio Valley region as he’s beginning work on his next project. \nWebsite: http://joshualeemusic.com/ \nFacebook: https://www.facebook.com/imightbejoshualee/ \nInstagram: https://www.instagram.com/imightbejoshualee/
URL:https://peoplesbanktheatre.com/event/amy-grant/
CATEGORIES:2019 Winter-Spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2018/10/Amy-Grant-1500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190511T200000
DTEND;TZID=America/New_York:20190511T213000
DTSTAMP:20181022T140036Z
CREATED:20181022T140036Z
LAST-MODIFIED:20181022T140036Z
UID:4713-1557604800-1557610200@peoplesbanktheatre.com
SUMMARY:Connie Smith
DESCRIPTION:Connie Smith is considered by many to be one of the best vocalists in country music history.  “Once a Day\,” “Just in Time\,” “Then and Only Then\,” and “Ain’t Had No Lovin’\,” are just a few of her many hits.  This Country Music Hall of Fame inductee has earned 11 Grammy nominations\, and landed on the Billboard Top Ten country singles charts 20 times. \nA Hall of Fame Lifetime of Singing\nDolly Parton once noted\, famously\, that there were just three real female singers around—Barbra Streisand\, Linda Ronstadt\, and Connie Smith. “The rest of us\,” she said\, “are only pretending.” It’s less-well known that when Connie Smith was introduced to Keith Richards\, he grabbed fellow Connie Smith fan (and Rolling Stone) Ron Wood and brought him up to meet her\, too\, exclaiming “She’s the real deal!” \nWhat the singers she’s been influencing for decades spot in Connie Smith’s performances—besides her genius for phrasing\, perfect diction and a vocal range which have all long been envied—is her fervent joy in singing itself\, her love for the emotional and physical act of letting loose a song\, which is as evident on her recordings as it is in front of audiences at the Grand Ole Opry\, on RFD TV’s weekly Marty Stuart Show\, or on the road. \nIn 2012\, Connie’s singular contributions to country music were recognized conclusively when she received the field’s highest honor\, induction into the Country Music Hall of Fame. As the Hall’s inductee portrait says of her\, “Smith’s greatness extends beyond vocal brilliance. It encompasses her song selection\, her connection to great musicians (especially steel guitarists)\, her classy demeanor\, and a spiritual bearing that serves as her foundation. Connie Smith is one of country music’s most admired artists not because of one of her talents\, but because of how they form such a distinct whole.” \nMerle Haggard said\, as he conducted her induction her into the\, “I can’t remember any of Connie’s records that I didn’t like. I admire her sincerity and her spirit and her commitment to traditional country music. If you’re talking about a country singer\, there just isn’t any better.” \nMerle singled out “Long Line of Heartaches\,” Connie’s most recent recording\, as a special favorite. In recent decades\, the appearance of a new Connie Smith record has been a rare\, much-anticipated event; Long Line of Heartaches on Sugar Hill\, is her first since 1996 and only her second since 1978\, and her 53rd album to date. Still the urge to sing and share the joy she finds in doing it has never waned. \n“I may have put off making a new record for quite a while\,” Connie says\, “but I still love to sing just as much as I ever did. I really feel that it’s my destiny; I heard the saying\, one time\, ‘Do what God tells you ’til he tells you something else\,’ and He hasn’t told me anything else yet. So I think I’ll still be singing till I hear different!” \nWhat she sings on this return to disc is the same broad range of traditional country moods\, themes\, rhythms and sounds that marked her remarkable run of hit records and classic country albums in the 1960s and ’70s. Keeping that music alive\, well and in the public ear was an important motivation in breaking this most recent recording hiatus: \n“I feel so fortunate to have been introduced to Nashville in the early sixties. It was a magical time in country music; country artists were encouraged to bring their individuality and culture to the microphone\, not to back away from them\, and the songwriters of the era were just the best. But I feel that the music as it was has been slipping away—and much\, much faster than I’m ready for. The only thing I know to do about it now is to keep singing what I’ve always loved.” \nConnie has always been the sort of singer who\, much as Frank Sinatra did in saloon singer pop\, emphasizes crediting the writers who created the emotionally direct songs she chooses to sing. Songs by songwriters she’s long favored\, including icons Bill Anderson\, Harlan Howard\, Johnny Russell\, Kostas\, and Dallas Frazier (whose “A Heart Like You” on this record was one of the first he’d written in 30 years\, and the 69th Frazier song Connie’s had on record) are featured on this new release. Her own songwriting\, which had been something she’d found little time for early in her career\, came more to the foreground when she began co-writing with Marty Stuart; five of their collaborations appear on Long Line of Heartaches\, including the title track. \n“I had written a few of the songs I and others had recorded over the years\, but I’d never even begun to think I could write enough to do a whole album. Marty believed I could. We found other good songs\, too; it can be a bad idea to only do your own songs. I don’t cut a song because Bill\, Harlan\, Dallas or I wrote it\, I cut it because I think it’s the best song that I can find at the time.” \n“If I hadn’t had Marty as producer and Mick Conley\, as outr engineer\, working with me\, this record couldn’t have happened like it did. When we got 5 of the songs Marty and I wrote coupled with the 7 great songs from other writers\, we got serious and knew it was time to record. The songs had to come first. Then the work was just a joy. \nA first-time occurrence on this album is the appearance of Connie’s daughters Julie\, Jeanne and Jodi with her\, adding striking family harmonies to the contemporary hymn “Take My Hand.” “My five kids all know every word to every one of my songs\,” Connie notes\, “and we always sang at home. You’ll hear that my daughters are really good; they just never had the desire to be professionals. Neither did my two sons\, Darren and Kerry\, who also sing well.” \nThat Connie Smith always prioritized family life over career (and with no conflict about that\, she notes) is one reason she may be better known in the households of long-time traditional country music lovers than some others. She’d taken a break from appearances and recording to raise those kids\, and\, as she puts it “never went back into business in full force\,” though she has been a much-loved mainstay at the Grand Ole Opry. \nIt is a Nashville legend that Connie’s first record\, the aching and unforgettable “Once a Day\,” written by Bill Anderson and recorded on July 16\, 1964 when she was just 23\, became one of the most celebrated singles in country music history—the first debut single by a female country singer to go to Number One\, a position it held for eight weeks. Forty-seven years later it is still the only first single ever to have done that. When Connie sang “Once A Day” in the all-star B-movie musical Second Fiddle to a Steel Guitar the following year\, she was introduced on-screen as “The Cinderella of Country Music.” “Once A Day\,” and her stunning rendition of “How Great Thou Art” remain the two most requested songs by her fans to this day. Connie’s memorable string of hits would include “You and Your Sweet Love” “If It Ain’t Love” “Where Is My Castle?” “Run Away Little Tears” “Just One Time” and “I Never Once Stopped Loving You.” \nThe passion for singing and for the songs\, and the singular vocal precision in delivering them that marked those standards-to-be are fully on display in this return to recording. “If you add up all the songs on this album\,” Connie Smith says\, “it would add up to my personality. It’s me talking again\, after so many years\, with a message no different than I’ve always had. It’s just that I love you\, and I want that love to come back.”
URL:https://peoplesbanktheatre.com/event/connie-smith/
CATEGORIES:2019 Winter-Spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2018/10/Connie-Smith-1500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190412T200000
DTEND;TZID=America/New_York:20190412T213000
DTSTAMP:20181022T140059Z
CREATED:20181022T140059Z
LAST-MODIFIED:20181022T140059Z
UID:4705-1555099200-1555104600@peoplesbanktheatre.com
SUMMARY:Lewis Black
DESCRIPTION:The Joke’s On Us Tour\nLewis Black\, Grammy Award-winning\, stand-up comedian\, is one of the most prolific and popular performers working today. He executes a brilliant trifecta as a stand-up comedian\, actor and author. Receiving critical acclaim\, he performs more than 200 nights annually\, to sold-out audiences throughout Europe\, New Zealand\, Canada and the United States. He is one of a few performers to sell out multiple renowned theaters\, including Carnegie Hall\, Lincoln Center\, Brooks Atkinson Theatre\, New York City Center\, the Main Stage at the Mirage in Las Vegas and most recently\, a sold-out Broadway run at the Richard Rodgers Theatre in New York City. \nHis live performances provide a cathartic release of anger and disillusionment for his audience. He is a passionate performer who is a more pissed-off optimist than a mean-spirited curmudgeon. Lewis is the rare comic who can cause an audience to laugh themselves into incontinence while making compelling points about the absurdity of our world. \nWho Is Lewis Black? \nKnown as the king of the rant\, LEWIS BLACK uses his trademark style of comedic yelling and animated finger-pointing to skewer anything and anyone that gets under his skin. His comedic brilliance lies in his ability to make people laugh at the absurdities of life\, with topics that include current events\, social media\, politics and anything else that exposes the hypocrisy and madness he sees in the world. \nReceiving critical acclaim as a stand-up\, actor and author\, Lewis Black has performed for audiences throughout Europe\, New Zealand\, Canada and the United States. In 2012\, he performed eight sell-out shows at Richard Rodgers Theatre on Broadway. \nBorn in Washington D.C. on Aug. 30\, 1948\, Lewis Black was raised in Silver Spring\, Md. Colicky as a baby\, he was destined to be angry and easily irritated. His mother\, a teacher\, and his father\, a mechanical engineer\, instilled the importance of education and the necessity to question authority—lessons that influenced Black throughout his life. He fell in love with the theatre at age 12\, after seeing his first play\, which led to pursuing a career in drama. Degrees followed from the University of North Carolina and Yale Drama School\, with a stint in Colorado owning a theatre with a group of friends in the interim. During his tenure at UNC\, Black ventured into stand-up\, performing at Cat’s Cradle in Chapel Hill. Stand-up was a steady presence as he pursued his career in theatre. \nLewis Black eventually settled in New York City and became the playwright-in-residence at the West Bank Café’s Downstairs Theatre Bar. He oversaw the development of more than 1\,000 plays\, including works by “West Wing” creator Aaron Sorkin\, “American Beauty” writer Alan Ball\, as well as his own original works. In addition to overseeing the works on stage\, Black emceed every show. As the West Bank grew\, so did Black’s stand-up skills. He left the West Bank in the late 1980s to pursue stand-up full time. \nIn 1996\, his friend Lizz Winstead tapped him to create a weekly segment for Comedy Central’s “The Daily Show.” The segment\, a three-minute rant about whatever was bothering him at the moment\, evolved into Back in Black\, becoming one of the most popular and longest-running segments on the show for both the Jon Stewart era\, and now The Daily Show with Trevor Noah.  Black has also taped four specials for the “Comedy Central Presents” series\, co-created “Last Laugh with Lewis Black” and presided over “Lewis Black’s The Root of All Evil.” His popular appearances on Comedy Central helped to win him Best Male Stand-Up at the American Comedy Awards in 2001. \nIncreased exposure from “The Daily Show” generated a record deal with Stand Up! Records. His first CD\, “The White Album\,” was released in 2000 to critical acclaim. Black followed with eight more—six under the Comedy Central Records label. He has received five Grammy® nominations and two wins for his work. The first nomination came in 2006 for “Luther Burbank Performing Arts Center Blues\,” the second in 2009 for “Anticipation.” In 2007 he won the Grammy for Best Comedy Album for “The Carnegie Hall Performance\,” and again in 2011 for “Stark Raving Black.” His 2012 release\, “In God We Rust” (Comedy Central Records) was also nominated for a Grammy. \nLewis Black has filmed two specials for HBO\, including “Black On Broadway” and “Red\, White and Screwed.” The latter was nominated for an Emmy® in 2007. He had a regular feature for two seasons on “Inside the NFL” (for which he earned a Sports Emmy) and in 2006\, he was asked to participate in “Comic Relief.” \nIn 2009 Lewis filmed his first feature length concert film\, “Stark Raving Black\,” at the Fillmore Theatre in Detroit. The film had a limited run in theaters across the U.S. and Canada in the summer of 2010. At the end of the theater run\, premium movie channel EpixHD picked up the film for its channel\, along with the accompanying documentary\, “Basic Black.” Both are aired regularly and can be found in the EpixHD on-demand queue. In 2011\, he produced his second full-length concert\, “In God We Rust\,” which also airs on EpixHD. In August 2013\, Black recorded his ninth stand-up special “Old Yeller: Live At The Borgata.” \nIn 2015\, Black joined the cast of Madoff (ABC mini series). Black portrays  Ezra Merkin\, who\, after investing with Madoff and receiving great returns\, brought many famous and well-to-do Jewish clients\, including Elie Weisel and The Hadassah Organization\, to Bernie’s fold. \nBlack has appeared on “Larry King Live\,” “Piers Morgan Tonight\,” “Late Night with Jimmy Fallon\,” “The Late Show with David Letterman\,” “Late Night with Conan O’ Brian” and “The Late Late Show with Craig Ferguson.” Black has also had numerous appearances on CNN and MSNBC and has occasionally done the weather with Al Roker. \nIn the midst of a rigorous touring schedule\, regular TV appearances and movie roles\, Black has written three best-selling books: “Nothing’s Sacred” (Simon and Schuster\, 2005)\, “Me of Little Faith” (Riverhead Books\, 2008) and “I’m Dreaming of a Black Christmas” (Riverhead Books\, 2010). All garnered critical praise as well commercial success and spent numerous weeks on the New York Times best sellers list. \nBlack has penned more than 40 plays\, many of which have been produced around the country. “The Deal\,” a dark comedy about business\, was made into a short film in 1998 and picked up by the Sundance Channel. In 2011\, his play “One Slight Hitch” was produced at the Williamstown Theatre Festival and then again in 2012 at both the ACT Theatre in Seattle and The George Street Theatre in New Brunswick. \nIn 2006\, Black had a break-out year as an actor\, co-starring with Robin Williams in Barry Levinson’s “Man of the Year” (Universal Pictures). He also appeared as “the fake dean of a fake college” in Steve Pink’s “Accepted” (Universal Pictures) and as the harried airport manager in Paul Feig’s “Unaccompanied Minors” (Warner Bros.). He lent his voice to Jimmy in Bob Saget’s parody “Farce of the Penguins” (Thinkfilm). \nIn 2015\,  Black notably voiced the character “Anger” in the Academy Award winning film from Pixar\, “Inside Out.” The film is about an 11-year-old-girl\, Riley\, who is dealing with a move across the country\, and wrestling with the emotions inside her head: Joy (Amy Poehler)\, Sadness (Phyllis Smith)\, Fear (Bill Hader)\, Disgust (Mindy Kaling) and\, Lewis Black. Early film pitches actually named the comedian to illustrate how an iconic voice like Black’s could bring a character like Anger to life. Black\, who’s a fan of all things Pixar\, calls the opportunity a career-defining role. “I knew from the very beginning that this was going to be special\,” he says. “I’ll be remembered as this little red guy who yells and his head goes on fire.” \nAs a long time mentor with the 52nd Street Project\, Black was roasted in Charred Black 2007\, which drew the largest fundraising numbers in the Project’s history. He’s a member of their advisory board\, is co-chair of their capital campaign\, and in 2000\, the Ron Black Memorial Scholarship Fund was created in memory of his late brother. Black is also committed to raising funds for the Rusty Magee Clinic for Families and Health. He’s a strong supporter of both the Cystic Fibrosis Foundation and Autism Speaks and was honored by The Brady Center for his commitment to ending gun violence. In 2012\, he was honored by the ACLU of Georgia with their National Civil Liberties Award. At the Williamstown Theatre Festival\, he established the William Foeller Fellowship\, having taught and performed at the festival for more than a decade. Black also supports our military personnel and has performed in three tours with the USO\, visiting several Middle Eastern and European military bases with Robin Williams\, Lance Armstrong\, Kid Rock\, Miss America Rachel Smith and Kellie Pickler. \nBlack resides in both Manhattan and Chapel Hill\, N.C. Still loyal to his alma mater\, he’s worked with UNC students to create the Carolina Comedy Festival\, a yearly festival on the UNC campus that highlights performances and provides workshops and lectures for budding comics\, writers and performers. With his involvement at UNC\, Black continues a life-long commitment to education and the arts. He continues to tour heavily\, playing countless dates each year and providing a cathartic release of anger and disillusionment for his audience. In his leisure time\, Black likes to play golf\, even though golf hates him.
URL:https://peoplesbanktheatre.com/event/lewis-black/
CATEGORIES:2019 Winter-Spring,Comedy,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2018/10/LewisBlack-1500v2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190404T200000
DTEND;TZID=America/New_York:20190404T220000
DTSTAMP:20190213T150015Z
CREATED:20190213T150015Z
LAST-MODIFIED:20190213T150015Z
UID:2722-1554408000-1554415200@peoplesbanktheatre.com
SUMMARY:The Oak Ridge Boys
DESCRIPTION:Shine the Light Tour 2019\nTheirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash\, earned them Grammy\, Dove\, CMA\, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience\, the Oaks bring four decades of charted singles\, and 50 years of tradition\, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. \n“When I go on stage\, I get the same feeling I had the first time I sang with The Oak Ridge Boys\,” says lead singer Duane Allen. “This is the only job I’ve ever wanted to have.” \n“Like everyone else in the group\,” adds bass singer extraordinaire\, Richard Sterban\, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” \nThe two\, along with tenor Joe Bonsall and baritone William Lee Golden\, comprise one of Country’s truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira\, as well as Bobbie Sue\, Dream On\, Thank God For Kids\, American Made\, I Guess It Never Hurts To Hurt Sometimes\, Fancy Free\, Gonna Take A Lot Of River and many others. In 2009\, they covered a White Stripes song\, receiving accolades from Rock reviewers. In 2011\, they rerecorded a thirtieth anniversary version of Elvira for a Cracker Barrel Old Country Store project. \nThe group has scored 12 gold\, three platinum\, and one double platinum album—plus one double platinum single—and had more than a dozen national Number One singles and over 30 Top Ten hits.
URL:https://peoplesbanktheatre.com/event/oak-ridge-boys/
CATEGORIES:2019 Winter-Spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/oak-ridge-boys-1500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190323T200000
DTEND;TZID=America/New_York:20190323T213000
DTSTAMP:20181022T140034Z
CREATED:20181022T140034Z
LAST-MODIFIED:20181022T140034Z
UID:823-1553371200-1553376600@peoplesbanktheatre.com
SUMMARY:Ricky Skaggs & Kentucky Thunder
DESCRIPTION:With Johnny Staats & The Delivery Boys to open \nFourteen-time GRAMMY Award-winner Ricky Skaggs’ career is easily among the most significant in recent country music history. If Skaggs’ burgeoning trophy case full of awards wasn’t already enough evidence enough of that fact\, consider that legendary guitarist Chet Atkins once credited Skaggs with “single-handedly saving country music.” His life’s path has taken him to various musical genres\, from where it all began in bluegrass music\, to striking out on new musical journeys\, while still leaving his musical roots intact. Skaggs legendary album\, Bluegrass Rules! swept major music awards\, topped the charts\, and cemented his reputation for bringing the genre to the masses. He\, along with Kentucky Thunder\, are 8-time winners of the International Bluegrass Music Association Instrumental Group of the Year. Skaggs struck his first chords on a mandolin over 50 years ago\, and he continues to do his part to lead the recent roots revival in music. Clearly his passion for it puts him in the position to bring his lively\, distinctively American form of music out of isolation and into the ears and hearts of audiences across the country and around the world. Ricky Skaggs is always forging ahead with cross-cultural\, genre-bending musical ideas and inspirations. \nA Lifetime of Music\nWith 12 consecutive Grammy-nominated classics behind him\, all from his own Skaggs Family Records label (Bluegrass Rules! in 1998\, Ancient Tones in 1999\, History of the Future in 2001\, Soldier of the Cross\, Live at the Charleston Music Hall\, and Big Mon: The Songs of Bill Monroe in 2003\, Brand New Strings in 2005\, Instrumentals in 2007\, Salt of the Earth with The Whites in 2008\, Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947 in 2009 and Ricky Skaggs Solo: Songs My Dad Loved along with Mosaic in 2010)\, the diverse and masterful tones made by the gifted Skaggs come from a life dedicated to playing music that is both fed by the soul and felt by the heart. \nRicky was born on July 18\, 1954 in Cordell\, Kentucky\, and received his first mandolin at the age of five after his father\, Hobert\, heard him harmonizing with his mother from across the house as he played with his toys. Two weeks after teaching him the G\, C and D chords\, Hobert returned from working out of town shocked to see his young son making chord changes and singing along. He soon earned a reputation among the locals in his community. When the legendary Bill Monroe came to Martha\, Kentucky for a performance\, the crowd wouldn’t let up until “Little Ricky Skaggs” got up to play. The father of bluegrass called six- year-old Skaggs up and placed his own mandolin around his neck\, adjusting the strap to fit his small frame. No one could have imagined what a defining moment that would be in the life of the young prodigy. By age seven\, Skaggs performed with bluegrass legends Flatt & Scruggs on their popular syndicated television show\, for which he earned his first paycheck for a musical performance. \nIn 1971\, he entered the world of professional music full-time with his friend\, the late country singer\, Keith Whitley\, when the two young musicians were invited to join the band of bluegrass patriarch Ralph Stanley. Ricky soon began to build a reputation for creativity and excitement through live appearances and recordings with acts such as J.D. Crowe & the New South. He performed on the band’s 1975 debut album for Rounder Records\, which is widely regarded as one of the most influential bluegrass albums ever made. A stint as a bandleader with Boone Creek followed\, bringing the challenges of leadership while giving him further recording and performing experience. \nIn the late 1970’s\, Ricky turned his attention to country music. Though still in his 20’s\, the wealth of experience and talent he possessed served him well\, first as a member of Emmylou Harris’ Hot Band and later as an individual recording artist on his own. With the release of Waitin’ for the Sun to Shine in 1981\, Skaggs reached the top of the country charts and remained there throughout most of the 1980’s\, resulting in a total of 12 #1 hits. In 1982\, he became a member of the Grand Ole Opry\, the youngest to ever be inducted at that time. As his popularity soared\, he garnered eight awards from the Country Music Association (CMA)\, including “Entertainer of the Year” in 1985\, four Grammy Awards and dozens of other honors. These achievements also placed him front and center in the neo-traditionalist movement\, bringing renewed vitality and prominence to a sound that had been somewhat subdued by the commercialization of the ‘Urban Cowboy’ fad. Renowned guitarist and producer\, Chet Atkins\, even credited Skaggs with “single-handedly” saving country music. \nIn 1997\, after Ricky’s then-current recording contract was coming to an end\, he made the decision to establish his own record label – Skaggs Family Records. Since then\, Skaggs and his band Kentucky Thunder have released an amazing 12 consecutive Grammy-nominated classics (8 of which went on to earn the revered award) while also opening the label to a variety of other musical artists\, all the time keeping emphasis on bluegrass and other forms of roots music. Ricky and Skaggs Family Records have had the privilege of working with many musical talents\, including the Del McCoury Band\, Jerry and Tammy Sullivan\, Blue Highway\, The Whites\, Mountain Heart\, Melonie Cannon\, Ryan Holladay\, Keith Sewell\, Cherryholmes and Cadillac Sky. \nRicky’s first release for Skaggs Family Records\, Bluegrass Rules!\, set a new standard for bluegrass\, breaking new sales records in the genre\, winning Skaggs his sixth Grammy Award and earning the International Bluegrass Music Association’s (IBMA) Album of the Year Award. In 1999\, his second all-bluegrass album\, Ancient Tones\, won a Grammy Award for Best Bluegrass Album – his second consecutive Grammy in that same category. Just one year later\, Ricky won his eighth Grammy Award in the Best Southern\, Country or Bluegrass Gospel Album category for Soldier of the Cross\, his first all-gospel project with his band Kentucky Thunder. \nRicky made further progress with the release of his fourth bluegrass album in 2000\, Big Mon: The Songs of Bill Monroe\, a project which featured an all-star cast of musicians ranging from Dolly Parton\, Patty Loveless and Travis Tritt to Joan Osborne\, John Fogerty and Bruce Hornsby\, and celebrated the music and the life of Ricky’s mentor\, Bill Monroe. Big Mon received much critical acclaim\, including a Grammy nomination for Best Country Collaboration with Vocals. The album was re-released by Lyric Street Records in 2002 under a new name\, Ricky Skaggs and Friends Sing the Songs of Bill Monroe. His fifth bluegrass album\, History of the Future (2001)\, a timeless collection of both traditional bluegrass standards and newly conceived acoustic gems received rave reviews and industry accolades\, including a Grammy nomination for Best Bluegrass Album and an IBMA nomination for Album of the Year\, once again placing Skaggs among the leading innovators in the genre. \nSkaggs’ first all-live album with Kentucky Thunder\, Live at the Charleston Music Hall (2003) led to an IBMA Award for Instrumental Group of the Year – an award Skaggs and Kentucky Thunder has taken home 8 times in the last decade. The decision to record a live album was an obvious one for Skaggs. From a string of high-profile tour dates with the Dixie Chicks in 2000\, to his position as host of the unprecedented “All*Star Bluegrass Celebration” which aired nationwide on PBS in 2002\, to his participation in the wildly successful 41-city ‘Down from the Mountain’ tour – Ricky has become one of bluegrass’ most dynamic and sought-after live performers. Live at the Charleston Music Hall was honored in 2004 with a Grammy Award for Best Country Performance by a Duo or Group for the Harley Allen-penned track\, “A Simple Life.” \nHe counts the current configuration of Kentucky Thunder among the best group of musicians he has ever worked with. “This group of guys meets my approval every night\,” Ricky says. “Each and every one of the pickers in Kentucky Thunder totally amazes me in every show…and that\, to me\, outweighs any award we could ever win.” The all-star lineup of Kentucky Thunder includes Paul Brewster (tenor vocals\, rhythm guitar)\, Russ Carson (banjo)\, Jake Workman (lead guitar)\, Mike Barnett (fiddle)\, Dennis Parker (baritone vocals\, guitar) and Jeff Picker (bass\, bass vocals). \nIn 2005\, Ricky earned his 10th career Grammy (Best Bluegrass Album) for Brand New Strings – a beautiful collection of music featuring four Skaggs originals as well as several tunes by some of his most admired contemporaries\, including Harley Allen\, Guy Clark and Shawn Camp. In 2006\, Skaggs was honored with a Grammy Award – this time in the Best Musical Album for Children category – for his contribution to Songs from the Neighborhood: the Music of Mister Rogers. Greater success followed with the release of Ricky Skaggs and Kentucky Thunder Instrumentals\, an album of all-original\, all- instrumental material in the fall of 2006. Praised by fans and critics alike as a landmark album for Skaggs\, Instrumentals debuted at No. 1 on Billboard’s bluegrass album chart and earned Ricky his 12th career Grammy Award (Best Bluegrass Album). \nCross pollination has been a mainstay throughout Ricky’s career\, from his weekly collaborations with various artists as host of The Nashville Network’s Monday Night Concerts in the 1990’s to his recent pairings with Bruce Hornsby and The Whites. Released in March of 2007\, Ricky Skaggs and Bruce Hornsby (Sony/Legacy) drew from the deep roots in mountain music – adding piano and Hornsby’s inimitable songwriting to the core bluegrass lineup of mandolin\, guitar\, bass\, fiddle and banjo. A major ‘CMT Crossroads’ special coincided with the album’s release. \nHis next recorded project\, released in September of 2007 on Skaggs Family Records\, was a literal family affair. After years of blending their voices from the living room to the stage\, Ricky Skaggs and The Whites teamed up for their first collaborative gospel album\, Salt of the Earth\, which resulted in a 13th career Grammy Award for Best Southern\, Country or Bluegrass Gospel Album\, followed by a Gospel Music Association Dove Award for Bluegrass Recorded Album of the Year and Inspirational Country Music Awards for Musician of the Year as well as Mainstream Country Artist of the Year and Inspirational Bluegrass Artist of the Year (with The Whites). \nIn 2008\, Skaggs paid tribute to the man he has often referred to as his “musical father”\, Bill Monroe\, and the original lineup of the Bluegrass Boys (Earl Scruggs\, Lester Flatt\, Chubby Wise and Howard Watts) with the release of Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947\, earning a 14th career Grammy Award for Best Bluegrass Album. \nA musical father in his own right\, Skaggs continued on the full circle path with the addition of a ReIssue Series of his groundbreaking country music masterworks to the Skaggs Family Records catalog in 2009. Beginning with 1982’s Highways & Heartaches\, and followed by 1981’s Waitin’ for the Sun to Shine and 1983’s Don’t Cheat in Our Hometown\, the ReIssue Series will include nine albums total and includes bonus retrospectives with each release\, which feature Ricky\, in his own words\, sharing never-before-told stories about the making of each project. \nSkaggs’ first-ever solo album\, Ricky Skaggs Solo: Songs My Dad Loved (2009)\, celebrated the man that caused him to fall in love with music – his father\, Hobert Skaggs. He elaborates\, “If I could’ve gotten my dad into the studio\, this is how I would’ve wanted him to sound.” Playing every instrument and singing every note on the album\, Ricky brought raw\, emotional honesty to the songs. By coming home to the music that meant so much to him as a child\, Ricky tapped into a wellspring of passion that is channeled into every tune\, as though he willed himself back to his family’s house in Kentucky. Solo was honored in the American roots field with a Grammy nomination for Best Traditional Folk Album in 2010. \nRicky Skaggs’ album\, Mosaic (2010)\, marked a return to a full band sound that mixed elements of Country music with Beatles-esque melody and lyrics that spoke to Skaggs’ faith\, “making music that is in my head and in my heart\,” as Ricky said. Grammy winning songwriter/producer Gordon Kennedy\, who co-wrote Eric Clapton’s “Change the World\,” was instrumental as co-producer and writer. This most special album hooks the heart\, as the sounds invite you in to take notice and come closer. They blended their talents and love of music with their love for the Lord to create this distinctive collaboration of writing and talent\, unparalleled in strength of genius. The song\, “Return to Sender” from Mosaic was nominated for a Grammy for Best Gospel Song\, and the album was a contender for Best Pop/Contemporary Gospel Album at the 53rd Grammy Awards\, receiving major critical acclaim. \nMarking Ricky’s 50th year in music was the release of Country Hits Bluegrass Style (2011)\, a compilation of many of Skaggs’ #1 country hits and fan favorites played in a bluegrass style. Combining his country and bluegrass roots along with Ricky’s impeccable tenor voice\, his eight time IBMA Instrumental Band of the Year\, Kentucky Thunder\, and some of Ricky’s original award-winning country band alumni together with special friends added to the magic of this release. \nLong awaited by country and bluegrass music fans alike\, Music To My Ears (2012) included fresh new bluegrass tunes co-written by Skaggs along with a brand new instrumental. Many bluegrass standards were incorporated and added to its charm. The album featured a duet with Ricky Skaggs and Barry Gibb (of Bee Gees fame) on deeply moving “Soldier’s Son\,” along with a new bluegrass treasure “You Can’t Hurt Ham\,” inspired by a true story of Mr. Bill Monroe. \nIn 2013\, music legends Ricky Skaggs and Bruce Hornsby came together again for a live album\, titled Cluck Ol’ Hen. Bluegrass treasures and lively expanded hits are to be discovered on this fresh collection of songs from the masterful duo of Skaggs and Hornsby. These live songs were originally recorded when the two music icons first hit the tour circuit together. Hornsby’s spirited piano brings a new dimension to these songs\, with electrifying solos and improvisation thrown in the mix of Skaggs\, Hornsby and Skaggs’ band\, Kentucky Thunder. A string of tour dates coincided with the release\, including a stop at the Ryman Auditorium in Nashville\, Tenn. \nWith the release of Hearts Like Ours (2014)\, a dream came true for Ricky Skaggs and his wife\, celebrated artist Sharon White of The Whites. Previously in 1987 the pair won a CMA Vocal Duo of the Year award for “Love Can’t Ever Get Better Than This\,” but White was touring with her family band and Skaggs was on fire with his solo career\, so releasing a full project wasn’t possible at the time. This first-ever studio album was produced by Skaggs and White and features the couple dueting on handpicked country love songs. \nAs a musician\, Skaggs is a brilliant traditionalist but is also willing to mix genres\, recording and touring with many different artists such as Bruce Hornsby and Ry Cooder. With dates in 2015\, Ry Cooder\, Sharon White and Ricky Skaggs embarked upon the critically acclaimed ‘Cooder-White-Skaggs – Songs for the Good People’ tour that featured the trio singing gospel\, blues and country along with superior musicianship. Backing the trio was Mark Fain on bass\, Ry’s son Joachim Cooder on drums\, with Sharon’s father Buck White on piano and sister Cheryl White’s harmony vocals. Stops crossing the country included Berklee Performance Center in Boston and Carnegie Hall in New York\, with tour dates continuing into 2016. Most recently\, Skaggs has added Country tour dates as he plugs in and plays full shows of his chart-topping hits \nSkaggs has also demonstrated wizardry in the studio\, producing not only his records but sets from acts such as The Whites and Dolly Parton\, as well as the recent Love Remains disc from Hillary Scott & The Scott Family\, which won him his 15th Grammy for Best Contemporary Christian Music Album as a producer. \nAll of these talents and gifts has culminated in country music’s greatest honor\, as Skaggs was chosen to be forever immortalized in the prestigious Country Music Hall of Fame as a member of the class of 2018. \nJohnny Staats & The Delivery Boys\n \nBorn and raised in West Virginia Johnny Staats caught the bluegrass bug early. With his mother playing piano\, his father playing guitar\, and his sister on the banjo\, it seemed only natural that he would get his first mandolin at the age of seven. By the age of nine\, he was in his first band\, and in his teens he began appearing at local competitions. When he graduated from high school in 1988\, he married and took a job as a U.P.S. deliveryman\, but he continued to play and attend bluegrass festivals in his spare time. He won he Ohio State Guitar Championship in 1992 and again in 1993. In 1995\, his Crossroads Band won the band competition at Winterhawk\, NY\, and he won the guitar competition at MerleFest. He took the mandolin championship a the Vandalia Gathering in Charleston\, WV\, in 1996\, 1997\, and 1999; in 1997\, he also won the guitar championship and came in third in the fiddle championship. With that\, he was featured on the Mountain Stage radio series and people in Nashville began touting his talents. After recording a series of demos with Nashville bluegrass stars\, he was signed to Giant Records\, which released his debut album\, Wires & Wood\, in 2000. “Wires and Wood” demonstrates Johnny’s dazzlling mandolin and expressive voice with a stellar cast of bluegrass legends including: John Cowan\, Sam Bush\, Jerry Douglas\, Jim Hurst\, and Tim O’Brien. Other co-stars on the CD were Sara Evans and Kathy Mattea. \nTo date\, Staats continues to head out every day in his big brown UPS truck\, and no matter how busy he gets with his music\, folks around Sandyville\, West Virginia area can still count on Johnny to deliver right on time.
URL:https://peoplesbanktheatre.com/event/ricky-skaggs/
LOCATION:Main Header
CATEGORIES:2019 Winter-Spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2016/06/rickyskagg-1500.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190316T200000
DTEND;TZID=America/New_York:20190316T213000
DTSTAMP:20181022T140013Z
CREATED:20181022T140013Z
LAST-MODIFIED:20181022T140013Z
UID:1090-1552766400-1552771800@peoplesbanktheatre.com
SUMMARY:Runa
DESCRIPTION:**Join us for a traditional Irish buffet before the show! Our Marquee Lounge in Peoples Bank Theatre will open at 6:30 for traditional Irish fare\, including corned beef\, braised cabbage\, and a whiskey mousse dessert for $15. Order by March 14 and select the ‘Dinner’ option when selecting your tickets for this show. Select Irish beers will also be available. (Limited to just 75 tickets. When it’s gone\, it’s gone!) Auditorium doors will open at 7:00 p.m. to start seating for the concert. Curtain is 8:00 p.m.** \nAlbum Release Concert\n \nCelebrating its 10-Year Anniversary as a band\, multi-award winning Celtic Roots “super group”\, RUNA\, releases its sixth album\, TEN: The Errant Night on March 16\, 2019! \nRuna continues to push the boundaries of Irish folk music into the Americana and roots music formats. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz\, bluegrass\, flamenco and blues\, they offer a thrilling and redefining take on traditional music. \nThe group has been honored internationally\, winning Top Group and Top Traditional Group in the Irish Music Awards and three Independent Music Awards including Best LIVE Album\, Best World/Traditional Song\, and Best Bluegrass Song. \n \n“Best of all\, RUNA sounds like no one else!” – Travis Rogers\, Jr.\, Music Life & Times \n“Timeless and flawless…” – Jim Allford\, PA Music Scene \n\n\nSeeking to preserve and continue a traditional culture in a modern age\, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members.  Their strive for excellence and creativity blazes a trail for the future of folk music\, earning them the reputation as one of the most innovative Irish folk groups of this generation. \nRUNA consists of vocalist and step-dancer\, Shannon Lambert-Ryan of Philadelphia\, Dublin-born guitarist\, Fionán de Barra\, Cheryl Prashker of Canada on percussion\, Jake James of New York on the fiddle\, and Caleb Edwards of Nashville on mandolin and vocals. \nRUNA: LIVE\, recorded at the BlackRock Center for the Arts in Germantown\, MD on St. Patrick’s Day 2016.  Receiving lavish praise on both sides of the Atlantic\, the album has been hailed as “an incredible masterpiece” (Marcene Bronson\, The Celtic Crier). \n\n\n\n\n\n\n“Genuine and with endless innovation…” – John O’Brien\, Jr.\, Ohio Irish American News
URL:https://peoplesbanktheatre.com/event/runa/
LOCATION:Main Header
CATEGORIES:2019 Winter-Spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2018/10/RUNA-2019-promo-photo-5-outside-1500.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190309T190000
DTEND;TZID=America/New_York:20190309T213000
DTSTAMP:20181022T140055Z
CREATED:20181022T140055Z
LAST-MODIFIED:20181022T140055Z
UID:1085-1552158000-1552167000@peoplesbanktheatre.com
SUMMARY:Golden Dragon Acrobats
DESCRIPTION:The Golden Dragon Acrobats represent the best of a time honored tradition that began more than twenty-five centuries ago. The Golden Dragons are recognized throughout the United States and abroad as the premiere Chinese acrobatic touring company. The reputation of the company is solidly rooted in a commitment to the highest of production values and an attention to artistic details that is unparalleled in the art form. World renowned impresario Danny Chang and choreographer Angela Chang combine award-winning acrobatics\, traditional dance\, spectacular costumes\, ancient and contemporary music and theatrical techniques to present a show of breathtaking skill and spellbinding beauty. \n \nThe Golden Dragon Acrobats count among their distinctions being a seven-time recipient of the National Association of Campus Activities Entertainer of the Year Award\, the Campus Activities Today’s Performer of the Year Award and\, most recently\, two most prestigious New York Drama Desk Award nominations for their Broadway performances. In recent years\, individual members of the Golden Dragons have been recipients of awards at the Henan Regional Acrobatic Competition\, the China National Acrobatic Competition\, the National Teen Acrobatic Competition\, the Italian National Acrobatic Competition\, the International Young Adult Acrobatic Competition in Japan and the Presidents Award at the International Acrobatic Competition\, and have performed for President Bill Clinton and other leaders at the APEC meeting in Shanghai\, China. \nHistory of the Company\nLien Chi Chang officially established the Chinese Golden Dragon Acrobats in 1967 with his family whose member included Danny Chang\, his sister and other students. From 1967 to 1984\, Lien Chi led the company to numerous performances in different nations. The Chinese Golden Dragon Acrobats dazzled audiences range from 8 years old kids to 80 years old seniors all across the globe. Danny Chang\, often traveled with his father’s Golden Dragon Acrobats\, was later chosen by the National Acrobats Troupe of Republic of China to lead the various world tour produced by the most prestige acrobat school in Taiwan. \nAfter more than 17 years of apprenticeship under his dad and several years of world tour\, Danny Chang was ready to step up as the President of the Golden Dragon Acrobats when Lien Chi Chang accepted the head coaching job at the National Taiwan College of Performing Arts. \nAs a young entrepreneur\, Danny showed tremendous passion toward the acrobatic arts. His first goal was to reorganize the company from a small group to a world renowned production company. He chose the United States of America as his starting point. With Mr. Bill Fegan’s assistances\, the Golden Dragon Acrobats debuted in 1985. \nToday\, the Golden Dragon Acrobats have been recognized as the preeminent Chinese acrobatic company in the United States. As the director and the producer\, Danny Chang has built a solid reputation based on his talents as both an acrobatic performer and artistic director. Every year\, along with the choreographer\, also his wife\, Angela Chang\, attend different acrobatic competitions to constantly select the most elite performers to join the Golden Dragon Acrobats.
URL:https://peoplesbanktheatre.com/event/golden-dragon-acrobats/
LOCATION:Main Header
CATEGORIES:2019 Winter-Spring,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2016/10/golden-dragon-1500.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190301T190000
DTEND;TZID=America/New_York:20190301T203000
DTSTAMP:20181022T140013Z
CREATED:20181022T140013Z
LAST-MODIFIED:20181022T140013Z
UID:4678-1551466800-1551472200@peoplesbanktheatre.com
SUMMARY:Peacherine Ragtime Society Orchestra
DESCRIPTION:Masters of Silent Comedy\nA 1919 Movie Night featuring Charlie Chaplin\, Buster Keaton\, and Laurel & Hardy \nJoin us as we open the annual Colony Short Film Festival with a nod to our historic theatre’s 100th birthday! The Peacherine Ragtime Society Orchestra\, hailed by The Washington Post as “the premier American ragtime ensemble” will take you back in time to experience the movie going experience of the 1910s and 1920s. Laugh out loud to three hilarious silent comedy shorts\, Charlie Chaplin’s “The Pawnshop” (1917)\, Buster Keaton’s “Cops” (1922) and Laurel & Hardy’s “Big Business” (1929)\, all accompanied live with their historic orchestral scores\, as they would have been in the days of Marietta’s New Hippodrome Theatre! Between the films\, hear Peacherine and Director Andrew Greene play the rollicking rhythms of the early 20th century\, featuring favorites by Scott Joplin\, Irving Berlin\, and the creators of America’s first popular music: Ragtime. Fun for the whole family! \n \n“The premier American ragtime ensemble.” – The Washington Post \n“They are\, quite simply\, one of the finest ragtime orchestras in the world.” – Rivermont Records \n“Plenty of variety played in a sparkling fashion which positively exudes good spirits… evocative of the sound that once would have been heard emanating from a park bandstand on a balmy summer’s afternoon.” – Barry McCanna\, Sounds of Yesteryear \n“The finest group of its kind… impeccably performed.” – The Syncopated Times \nAbout the Peacherine Ragtime Society Orchestra\n\nThe Peacherine Ragtime Society Orchestra is “the premier American ragtime ensemble” as hailed by the Washington Post\, and is rapidly becoming the leading professional ragtime orchestra in the United States. Formed by young virtuoso Andrew Greene at the University of Maryland in 2010\, the Peacherine Ragtime Society Orchestra recreates the syncopated stylings of a bygone era – Ragtime\, Theater\, and Dance music\, along with underscoring classic silent movies using an immense archive of over 12\,000 original orchestral scores. \nThe PRSO has repeatedly appeared at leading venues including The Kennedy Center\, The Library of Congress\, The American Film Institute\, historic theaters\, state-of-the-art performing arts centers\, colleges\, universities\, and concert associations across the United States. The PRSO’s work has been featured in documentaries\, online video\, and is frequently heard on radio and podcast programs\, including Hot Jazz Saturday Night (WAMU 88.5\, Washington\, DC)\, Ragtime America (KGNU 88.5\, Boulder\, CO)\, and Rapidly Rotating Records (KISL 88.7\, Catalina Island\, CA). \nPRSO’s concert programs highlight the music of the late 1800s and early 1900s\, with selections by composers such as Irving Berlin\, George Gershwin\, W.C. Handy\, Victor Herbert\, George M. Cohan\, and of course\, the King of Ragtime\, Scott Joplin. Marches\, two steps\, waltzes\, one steps\, theatre selections\, classical parodies\, popular songs\, and of course\, rags\, are just some of the many selections you’ll hear in their concerts. \nIn addition to their concert programs\, Mr. Greene and the PRSO underscore classic silent movies featuring the biggest names of the day: Charlie Chaplin\, Buster Keaton\, Harold Lloyd\, Laurel & Hardy\, Douglas Fairbanks\, and others. Mr. Greene also has the distinction of rebuilding the original compiled scores for Buster Keaton’s THE GENERAL (1927)\, COLLEGE (1927)\, and Charlie Chaplin’s SHOULDER ARMS (1918)\, and others from the PRSO’s collection of over 500 original film scores. \nThe PRSO records for Rivermont Records\, whose three albums\, Elite Syncopations\, Step With Pep and That Teasin’ Rag have been called “first class”\, “wonderful\, toe tapping fun”\, and “the most satisfying ragtime orchestra collections available.” \n\n\nPRSO’s Founder and Conductor\, Andrew Greene\n\nConductor Andrew Greene is the leading young authority on orchestral ragtime and silent film accompaniment in the United States. Mr. Greene founded the PRSO while a freshman at the University of Maryland\, hoping to draw attention to this neglected but historically important music. \nHe is the curator of the Johnny Maddox\, Arthur C. Ziegler\, E.J. McBride\, Katherine Lingham\, Louis H. Burns\, Palm Leaf Ragtime Orchestra\, and Silver Cornet Ragtime Orchestra collections\, along with his own personal collection of of orchestrated ragtime\, silent movie music\, theater and dance selections\, piano solos\, and records. The collection totals over 12\,000 selections of music from 1862 to 1930. \n\n\n\n\nMr. Greene has appeared at leading venues including The Kennedy Center\, The Smithsonian Institution\, The Library of Congress\,  and The American Film Institute\, among others. His lecturing and performance activities have taken him across the United States\, including engagements with the South Dakota Symphony Chamber Orchestra\, The Fremont Symphony Orchestra\, the Scott Joplin International Ragtime Festival\, The West Coast Ragtime Festival\, the Central Pennsylvania Ragtime Festival\, and many others.
URL:https://peoplesbanktheatre.com/event/peacherine-ragtime-society-orchestra/
CATEGORIES:100th Anniversary,2019 Winter-Spring,Film,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2018/10/Peacherine-1500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180623T200000
DTEND;TZID=America/New_York:20180623T200000
DTSTAMP:20171008T191514Z
CREATED:20171008T191514Z
LAST-MODIFIED:20171008T191514Z
UID:2734-1529784000-1529784000@peoplesbanktheatre.com
SUMMARY:The Texas Tenors
DESCRIPTION:With special guest Anthony Mossburg. \nSince their whirlwind debut nine years ago on NBC’s hit show\, America’s Got Talent\, The Texas Tenors have accumulated a long list of awards\, accolades and an enthusiastic fan base\, which includes 3 Emmy Awards for their first PBS special\, You Should Dream. This Fall\, TTT debuted their second PBS special\, Rise\, in addition to the release of their brand new album of the same name. Rise has been a Billboard chart topper since its premiere. The group has performed more than 1000 concerts around the world including a 24-city tour in the UK and China\, and have collaborated with some of the most prestigious symphony orchestras in the US\, which include the Cleveland Pops\, House Symphony and the Pittsburgh Symphony to name a few. They were recently named the #10 Classical Artists in the world\, according to Billboard Magazine. \n \n \nFrom Bruno Mars to Puccini\, Marcus Collins\, John Hagen and JC Fisher treat audiences to a unique blend of country\, classical\, Broadway and current pop music. They use breathtaking vocals\, humor and a touch of cowboy charm to create an unforgettable live show. \nThe Texas Tenors have also used their talent beyond concert halls. They have been featured entertainers on NBC’s The Today Show\, Hallmark’s Home and Family and The 28th Annual Cinematheque Awards honoring Matthew McConaughey\, to name a few. Other notable performances have included NBA games\, the PBR World Championships in Las Vegas and a variety of charity events. John\, Marcus and JC are always ready to give back and promote awareness for organizations near and dear to their hearts including The Child Fund International\, Homes for our Troops and The Mission Project. \nThe Texas Tenors proudly remain self produced and managed with a commitment to quality\, family entertainment for all ages. Whether it be stage\, television\, recording or multi-media projects\, these “three friends with a dream” never forget their roots. \n  \nThe Child Fund International: childfund.org \nHome for our Troops: hfotusa.org \nThe Mission Project: themissionproject.org \nFor more information about The Texas Tenors’ tour\, charts and milestones please visit: www.thetexastenors.com \n  \nThe Texas Tenors are:\nJOHN HAGEN\nJohn has been described as\, “astonishing\, a superb tenor of deep musicality.” He made his Lincoln Center debut in New York City in Teatro Grattacielo’s mounting of Mascagni’s Gulglielmo Ratcliff. Mr. Hagen created 3 tenor roles in the world premier of The Lost Dauphane for Pamiro Opera airing on PBS. He has performed a vast array of operatic roles ranging from Alfredo in La Traviata\, to the title role of Otello for Cleveland Opera on tour. Mr. Hagen is highly regarded for his performances of the Verdi Requiem and Beethoven’s Symphony No. 9\, having performed these works with more than a dozen symphonies across the United States. He has received many awards throughout his career including finalist in the New Jersey Opera Association of Verismo Opera competition held at Carnegie Hall\, Metropolitan Opera Auditions Regional Finalist\, and winner of numerous other competitions. John has taught voice and vocal pedagogy at Wartburg College and at his alma mater\, the University of Northern Iowa. \nMARCUS COLLINS\nMarcus was born in a small town and began performing at the age of 4. He first learned how to sing by emulating his favorite artists like Garth Brooks\, George Michael and Freddie Mercury before training classically in college. Marcus has performed throughout the world on cruise ships and numerous stage productions including a performance in Times Square with the Broadway cast of Hairspray\, Off-Broadway’s Altar Boyz as Matthew\, and Permission: A Rock Musical. He also starred in multiple productions of The Sound of Music in the roles of Kurt\, Rolf and Uncle Max. Beyond music he has worked extensively as an actor with appearances in more than 100 episodes of network television and 25 films including P.S. I Love You\, Semi-Pro\, Delirious\, 30 Rock\, Sex and the City\, recurring roles on One Life To Live and As The World Turns\, and a Guest VJ on MTV’s TRL. One of his favorite roles was appearing as Edward Carnby in the video game Alone in the Dark for Eden Games in 2008. \nJC FISHER\nJC has entertained audiences around the world for the past 15 years. In high school\, he had a passion for sports and also enjoyed singing in church. He discovered a deeper love for singing at Wichita State University where he earned his Bachelor’s Degree in Music. JC performed various roles including Rodolfo in La Boheme\, Tamino in The Magic Flute\, Ernesto in Don Pasquale\, Henrick in A Little Night Music and even Miss America’s duet partner at the 1997 Miss Kansas Pageant.         After college\, JC traveled to Lucca\, Italy where he sang in the Puccini festival under the direction of acclaimed Italian maestro Lorenzo Malfatti. He then created a home base in Katy\, TX before sailing the high seas aboard more than 75 cruise ships worldwide as a guest entertainer. This allowed JC to create a show featuring many different genres of music and world class arrangements\, which eventually led to his idea of forming The Texas Tenors. After many years of traveling and concerts\, his most memorable performance is still one from college where he found his future wife. Jennifer Vannatta\, Miss Kansas 1998\, married JC in 2004 and they have three children. \n \nSpecial Guest: Anthony Mossburg\nSix years. Four original albums. Thousands of shows around the country. \nThree years after picking up a guitar in a college dorm room\, Anthony Mossburg left the stability of a full-time job to chase after the only thing that made him feel alive; music. \nWhat followed over the next four years was a series of accolades\, achievements\, risks\, near-misses\, and setbacks that indefinitely shaped him as an artist and a person. With several bootstrap tours and three independent albums under his belt\, Anthony is now living in Columbus\, Ohio\, and is headlining shows around the country. \nHis breakthrough song\, “Whiskey and Wine”\, introduced a new sound to his avid fanbase\, and shed a light into his evolution as an artist. The hard work and risks didn’t go unnoticed. Early in 2015\, the song broke into the Top 10 on coveted iTunes Singer/Songwriter category. \nNow\, he is squaring his sights on introducing his soulful voice\, gutsy lyrics\, and melodic tones into a new direction that will push his creative talent like never before. This is just the beginning.
URL:https://peoplesbanktheatre.com/event/the-texas-tenors/
CATEGORIES:2018-winter-spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/TTT-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180608T200000
DTEND;TZID=America/New_York:20180608T200000
DTSTAMP:20171008T191526Z
CREATED:20171008T191526Z
LAST-MODIFIED:20171008T191526Z
UID:2729-1528488000-1528488000@peoplesbanktheatre.com
SUMMARY:Blood Sweat & Tears
DESCRIPTION:Featuring Bo Bice\nIt’s been five decades since drummer/producer Bobby Colomby and friends assembled the first group to successfully blend rock and jazz into a genre-crossing sound and style. So successfully in fact\, that the band’s second album\, Blood\, Sweat & Tears\, topped the Billboard charts for many weeks and beat out the Beatles’ Abbey Road for the prestigious Album of the Year Grammy award. That album produced three major hit singles: “You Made me so Very Happy\,” “Spinning Wheel\,” and “And When I Die.” \nBut now Colomby is looking for much more as he develops Blood Sweat & Tears into a contemporary voice\, one that reaches beyond a single\, nostalgic audience. \n \n“I no longer want to target just one generation. That would be a mistake. With this updated version\, I want this band to gain recognition with a wider audience. I want people of all ages to experience what this music has to offer. \nWill Blood\, Sweat & Tears have any of the original members? \n“Not a chance\,” says Colomby\, who last performed with BS&T in 1976. I think of this band like baseball’s Yankees. “When you’re at a Yankee game you’re not going to see Babe Ruth\, Mickey Mantle or Lou Gehrig. What you do come to expect is a team of top-notch players upholding a tradition of winning. That’s the Yankee legacy. It’s what people expect from BS&T as well . . . brilliant musicians\, singers\, songs and arrangements. \n“During the early years of Fox’s hit TV show American Idol (that just ended its 15 year production) Colomby received many phone calls from friends telling him to check out singer Bo Bice\, saying that his was a fresh voice and that he did a masterful job singing “Spinning Wheel.” He is a well seasoned southern rock singer with a great stage presence. Many of my more musically knowledgeable buddies also suggested that I ask Bo to join the band. I’m pleased to say that that’s exactly what happened and by the reaction of audiences world wide it was a great match.” \n \nSpecial Guest: Of The Dell\nOf The Dell was founded by brothers Corey and Cody Hatton\, of Huntington\, West Virginia. “Young\, restless and useless rock N roll created by four rough\, rowdy and semi conscious West Virginia natives.”
URL:https://peoplesbanktheatre.com/event/blood-sweat-tears/
CATEGORIES:2018-winter-spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/BST-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180525T200000
DTEND;TZID=America/New_York:20180525T200000
DTSTAMP:20171008T191516Z
CREATED:20171008T191516Z
LAST-MODIFIED:20171008T191516Z
UID:2725-1527278400-1527278400@peoplesbanktheatre.com
SUMMARY:America - SOLD OUT
DESCRIPTION:The year 2015 marked the 45th Anniversary of perennial classic-rock favorite\, America. Founding members\, Gerry Beckley and Dewey Bunnell (along with former band mate Dan Peek) met in high school in London in the late 1960s and quickly harmonized their way to the top of the charts on the strength of their signature song “A Horse With No Name”. America became a global household name and paved the way with an impressive string of hits following the success of their first #1 single.  Forty plus years later\, these friends are still making music together\, touring the world and thrilling audiences with their timeless sound. \n \nAmerica’s journey has found them exploring a wide variety of musical terrain.  Their best-known tunes\, which also include “I Need You\,” “Ventura Highway\,” “Don’t Cross The River\,” “Tin Man\,” “Lonely People\,” and “Sister Golden Hair” were cornerstones of 1970’s Top 40 and FM rock radio. Yet beyond their impressive catalog of hits\, listeners would discover there was always much more to America than surface perceptions. The combination of Gerry Beckley’s melodic pop rock and Dewey Bunnell’s use of folk-jazz elements\, slinky Latin-leaning rhythms and impressionistic lyric imagery contrasted well with Dan Peek’s more traditional country-rock leanings and highly personal lyrics. \nAmerica’s albums–six certified gold and/or platinum\, with their first greatest hits collection\, History\, hitting four plus million in sales–displayed a fuller range of the trio’s talents than did their singles. Their material encompassed an ambitious artistic swath; from effects-laden rockers to oddball medleys to soul-bearing ballads\, America displayed a flawless blend of disparate genres and styles as wide-open as the great American plains. \nEnjoying massive success early in their career\, America earned their stripes as musical soldiers on the battlefield amidst the excess\, craziness and chaos of the 70’s. The trio won the Grammy® for Best New Artist in 1972 and began\nworking with George Martin and Geoff Emerick in 1974.  This successful team\nwent on to record seven albums and several Top Ten hits\, including “Tin Man” and “Sister Golden Hair”. \nBy the mid-70s\, inter-band conflicts combined with an exhaustive touring and recording schedule exacted its toll on the group. With Peek’s departure from the fold in 1977\, Gerry Beckley & Dewey Bunnell rose to the challenge and carried on as a duo. Shifts in sound and direction\, changes in producers and managers\, and a renewed dedication to the craft of songwriting helped rocket America to the upper reaches of the pop charts in 1982 with their smash single\, “You Can Do Magic.”  During this tumultuous time in their career\, Beckley and Bunnell immersed themselves in their craft\, infusing a newfound maturity into their rich body of work. Their growth as singers\, songwriters and musicians has continued into the present day as illustrated by landmark releases such as 2000’s Highway 3-disc box set\, 2002’s Holiday Harmony\, an album comprised of seasonal classics and live showcases\, 2007’s Here & Now\, 2009’s Live In Concert: Wildwood Springs and 2011’s Back Pages.
URL:https://peoplesbanktheatre.com/event/america/
CATEGORIES:2018-winter-spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/America-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180414T190000
DTEND;TZID=America/New_York:20180414T190000
DTSTAMP:20171008T191535Z
CREATED:20171008T191535Z
LAST-MODIFIED:20171008T191535Z
UID:2718-1523732400-1523732400@peoplesbanktheatre.com
SUMMARY:Annie: The Musical - SOLD OUT
DESCRIPTION:Under the direction of Aurora Held-Dodd\, the Theatre Department at Marietta College will perform Annie: The Musical on the stage of Peoples Bank Theatre. Annie is a Broadway musical based upon the popular Harold Gray comic strip Little Orphan Annie\, with music by Charles Strouse\, lyrics by Martin Charnin\, and book by Thomas Meehan. This family-friendly 1977 Tony Award-winner for Best Musical is based on Harold Gray’s popular comic strip “Little Orphan Annie\,” which he started in the 1920s.  Little orphan Annie is taken from her orphanage\, and the clutches of evil Miss Hannigan\, to stay at billionaire Oliver Warbuck’s mansion for the holidays. When Annie wins the hearts of Warbucks and his staff\, they set out on an epic mission to find Annie’s parents. Meanwhile\, Miss Hannigan\, in partnership with her brother Rooster and his girlfriend Lily\, attempt to make some money out of this unique situation. The stories become intertwined as the lovable Annie’s story hits the national spotlight.
URL:https://peoplesbanktheatre.com/event/annie-the-musical/
CATEGORIES:2018-winter-spring,Spotlight Series,Theatre
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/annie-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180324T200000
DTEND;TZID=America/New_York:20180324T200000
DTSTAMP:20171008T191559Z
CREATED:20171008T191559Z
LAST-MODIFIED:20171008T191559Z
UID:2709-1521921600-1521921600@peoplesbanktheatre.com
SUMMARY:The Chipper Experience!
DESCRIPTION:Where COMEDY & MAGIC Collide!\nChipper Lowell comes to Marietta for an evening of side-splitting comedy\, magic\, and fun-filled surprises!  Chipper has appeared multiple times on NBC’s THE TONIGHT SHOW\, THE DISNEY CHANNEL\, AMERICA’S FUNNIEST PEOPLE!\, & DON’T BLINK!\, as well as all four seasons of the CW’s hit series: “MASTERS OF ILLUSION.”   Described as a “Cyclone of high-energy wit & laughs\, and jaw-dropping magic!” Chipper has performed all over the world\, including the U.S.\, Canada\, Mexico\, England\, Malaysia\, Australia\, and New Zealand. Audiences and critics alike continue to rave about his hilarious one man show and onstage antics.   Suitable for ages 9 and up\, Chipper’s show is a nonstop roller coaster of edgy comedy\, original magic\, and even a bit of dangerous juggling stunts thrown in for good measure.  Come join us!  And make sure to bring your family and friends!  You’re in for a laugh-filled and memorable evening of absolute fun! \n \n\n\n“Hilarious! A Crowd Pleaser!” – Los Angeles Times“Delightfully Funny!” – Sacramento BeeAmong the “Top Funniest Magicians Performing Today” – MAGIC Magazine\n“Absolutely Hilarious!” – American Entertainment Awards\n“Entertainment Pick of the Week!” – Inland Empire Weekly\n“Awesome! One of the coolest things we’ve seen!” – CBS News\n“SHOW PICK OF THE WEEK!” – Reno News & Reviews\n\n\nWith an unusual blend of stand-up\, improvisation\, and twisted visual magic\, Chipper has been twice awarded “Comedy Magician of the Year!”  He was also named as one of the “Top Funniest Magicians” performing today by Magic Magazine\, and received “Specialty Act of the Year!” from the Tahoe Daily Tribune. \nHis childhood could be considered pretty normal\, if normal was traveling around the world on various circuses and arena shows with his parents.  His mother performed as a dancer and aerialist\, while his father was a professional clown\, touring “on the road” with shows like Ringling Bros. Barnum & Bailey Circus\, and Disney On Parade.  At around age 16\, Chipper discovered he enjoyed poking fun at all the variety arts that surrounded him\, and he soon developed his own style of mixing comedy into his original magic routines.  Audiences seemed to love it\, but some relatives were not amused and he was promptly removed from their wills. \nHe has performed all over the world\, including the United States\, Mexico\, England\, Canada\, Nassau\, Aruba\, Malaysia\, Dubai\, Australia\, and New Zealand.   His one-man show\, “The Chipper Lowell Experience!” ran for a record-breaking 600 performances in Lake Tahoe\, where he was named one of the “Top Three Live Stage Comedians” for 2006 by the Sacramento Bee\, alongside Lewis Black and Lily Tomlin.  He has also been nominated twice for “Stage Magician of the Year!” by the Academy of Magical Arts/The Magic Castle.  He continues to tour performing arts centers and casino showrooms with his critically acclaimed solo show\, “The Chipper Experience! – Where COMEDY & MAGIC Collide!”\, and most recently appeared with the Osmond Brothers in an all-new stage production called “Moon River & Me:  A Tribute to Andy Williams”\, and with the national touring production of “Masters Of Illusion – LIVE!”. \nHis television appearances include The Tonight Show with Jay Leno\, General Hospital\, The Disney Channel\, The Jerry Lewis MDA Telethon\, all FOUR seasons of Masters Of Illusion\, Show Me The Funny!\, Empty Nest\, Don’t Blink!\, and America’s Funniest People!  Where COMEDY & MAGIC Collide!”
URL:https://peoplesbanktheatre.com/event/the-chipper-experience/
CATEGORIES:2018-winter-spring,Comedy,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/ChipperJUMPING-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180317T200000
DTEND;TZID=America/New_York:20180317T200000
DTSTAMP:20171008T191534Z
CREATED:20171008T191534Z
LAST-MODIFIED:20171008T191534Z
UID:2706-1521316800-1521316800@peoplesbanktheatre.com
SUMMARY:Skipper's Alley
DESCRIPTION:Add dinner to your ticket for $12.00! Our Lobby and Marquee Lounge (upstairs) will open at 6:00 p.m. for a casual buffet dinner of traditional Irish fare\, including shepherd’s pie\, braised cabbage\, soda bread and drink of your choice. Limited to 100 tickets. Auditorium doors will open at 7:00 p.m. to start seating for the concert. Curtain is 8:00 p.m. \nSkipper’s Alley are a modern Irish folk band with an old-school approach. Their influences range from folk revival bands such as Planxty and The Bothy Band to rare\, experimental solo players like Tommie Potts and Séamus Ennis. \nOnce described as “a young Irish ensemble who look like a punk band and sound like The Chieftains” Skipper’s Alley specialise in gritty\, high-octane Irish dance tunes on Uilleann Pipes\, Whistles\, Fiddle\, Bodhrán\, Bouzouki\, Flute and Harp\, with occasional detours into the dark\, sombre melodies of the Irish song tradition. \n \nSince forming in 2013 Skipper’s Alley have garnered wide critical praise\, appeared on national and international TV\, and toured on four continents. \nWrite-ups include The Irish Times (★★★★)\, The Living Tradition\, Folk \nRadio UK\, Folk World\, and Celtic Music Radio (★★★★★). TV appearances \ninclude S4C’s ‘Lorient’ as well as RTÉs ‘Fleadh!’ and The Late Late Show. Festival appearances include Electric Picnic (Ireland)\, Festival Interceltique de Lorient (France)\, The Stan Rogers Folk Festival (Canada)\, Spring Fest (India) and The Dayton Ohio Irish Fest (USA). \nIn 2014\, Skipper’s Alley’s released their self-titled debut album under the production of Trevor Hutchinson (Lúnasa\, The Waterboys\, Sharron Shannon).
URL:https://peoplesbanktheatre.com/event/skippers-alley/
CATEGORIES:2018-winter-spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/Skippers-5-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180127T150000
DTEND;TZID=America/New_York:20180127T170000
DTSTAMP:20171008T191507Z
CREATED:20171008T191507Z
LAST-MODIFIED:20171008T191507Z
UID:2701-1517065200-1517072400@peoplesbanktheatre.com
SUMMARY:Hot Peas 'n Butter
DESCRIPTION:Hot Peas ‘N Butter is an exciting\, multicultural children’s band that has quickly built a devoted following. Created by Danny Lapidus and Francisco Cotto\, these lifelong friends from New York City have combined their talents to bring an innovative\, energetic and interactive musical style on stage. Incorporating 5 languages (English\, Spanish\, French\, Korean and Hebrew) into their performances\, Hot Peas ‘N Butter uses elements of traditional Latin music\, Afro-Caribbean rhythms\, jazz\, folk\, and rock\, bringing fans to their feet. With hit videos like “Number 1” and “Deep Down” being featured on Nickelodeon and Noggin\, Hot Peas ‘N Butter are quickly becoming a family favorite! They are mainstays on Sirius Radio’s “Kids Stuff\,” and XMKids\, and proud recipients of the 2006\, 2008\, 2009 and 2012 Parent’s Choice Awards. \nhttps://youtu.be/lTBq4n-8czU \nGiving back is also very important to Hot Peas ‘N Butter. In support of being a new partner to St. Jude’s Trike-A-Thon\, Hot Peas ‘N Butter presented their song “Different Spokes for Different Folks\,” off their award-winning album\, Volume 4: The Pod Squad. Not surprisingly\, it was an instant hit with St. Jude\, and even spawned a Trike-A-Thon launch in Puerto Rico\, using “Different Spokes for Different Folks.” as its theme song. The original video airs regularly on Nick Jr. /Nickelodeon TV and is also featured on the official Trike-A-Thon DVD. ”Different Spokes for Different Folks” held the number 1 spot for several weeks on Sirius Radio’s “Kids Stuff\,” and continues to reside in the top 100 songs overall on Sirius.
URL:https://peoplesbanktheatre.com/event/hot-peas-n-butter/
CATEGORIES:2018-winter-spring,Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/10/Hot-Peas-N-Butter-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171215T200000
DTEND;TZID=America/New_York:20171215T200000
DTSTAMP:20170419T140053Z
CREATED:20170419T140053Z
LAST-MODIFIED:20170419T140053Z
UID:1840-1513368000-1513368000@peoplesbanktheatre.com
SUMMARY:SOLD OUT - Carol of the King: The Irish Dance Christmas Spectacular
DESCRIPTION:The 2017 Spotlight Series concludes with Carol of the King: The Irish Dance Christmas Spectacular. The performance features the return of Justin Boros and the troupe that brought the popular Rhythm in the Night: The Irish Dance Spectacular to Peoples Bank Theatre’s stage for its inaugural season. Boros\, former lead dancer from Michael Flatley’s Lord of the Dance and founder of Two Step Productions\, leads 20 of the world’s top Irish dancers and musicians in lightning-fast hard shoe rhythms and graceful soft-shoe jigs. Carol of the King brings a Christmas story of love and salvation to life against a backdrop of ancient ruins. \nhttps://youtu.be/5iFmEWV3Dns
URL:https://peoplesbanktheatre.com/event/carol-of-the-king/
CATEGORIES:2017 Summer Fall,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/carol-of-the-king-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171209T190000
DTEND;TZID=America/New_York:20171209T190000
DTSTAMP:20170419T140051Z
CREATED:20170419T140051Z
LAST-MODIFIED:20170419T140051Z
UID:1836-1512846000-1512846000@peoplesbanktheatre.com
SUMMARY:My Father's Dragon
DESCRIPTION:Based on the children stories of Ruth Stiles Gannett\, Enchantment Theatre Company brings “My Father’s Dragon” to life on stage in celebration of the book’s 70th anniversary. \nWhen nine-year old Elmer Elevator hears about a baby dragon who is held captive by the ferocious animals of Wild Island\, he sets off on an adventure to rescue the dragon and return him home. With the help of his friend the Alley Cat\, Elmer packs everything he thinks he’ll need – including chewing gum\, two-dozen lollipops\, seven hair ribbons and a box of rubber bands! With pluck and ingenuity Elmer makes his way to the Island\, outwits the wild animals and saves Boris\, the dragon. But can they find their way back home? As they travel over the ocean they get lost in a storm and discover a magical island of escaped canaries. The resourceful Elmer helps the canaries overcome their “curiosity disease” and uncover a stash of hidden riches. With bags of gold and the canaries’ blessings\, the dauntless duo at last returns home. \n \nWith talking animals\, a daring rescue\, a flying dragon\, buried treasure and lots of humor throughout\, this adventure is brought to the stage in Enchantment Theatre’s distinctive style. Using puppets\, masks\, inventive scenic effects and original music\, Enchantment Theatre Company tells the story of a compassionate and courageous young boy and his unlikely friendship with a splendid yellow and blue striped dragon. \nWhen the book was published in 1948\, The New York Herald Tribune called it\, “A true work of art.” and later named it the best children’s book of the year. \n \nMY FATHER’S DRAGON — HONORS and INCLUSIONS \n\nNewbery Honor Book and an ALA Notable Book\n100 Best Children’s Books of all Time\nNY Public Library 100 Great Children’s Book List\nNEA Teachers’ list of top 100 books for children
URL:https://peoplesbanktheatre.com/event/my-fathers-dragon/
CATEGORIES:2017 Summer Fall,Spotlight Series,Theatre
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/22-Elmer-Rides-Boris-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171104T200000
DTEND;TZID=America/New_York:20171104T200000
DTSTAMP:20170419T140017Z
CREATED:20170419T140017Z
LAST-MODIFIED:20170419T140017Z
UID:1832-1509825600-1509825600@peoplesbanktheatre.com
SUMMARY:One Night in Memphis - SOLD OUT
DESCRIPTION:“One Night in Memphis” is a concert tribute to legendary Sun Records recording artists Carl Perkins\, Johnny Cash\, Jerry Lee Lewis and Elvis Presley\, featuring a full night of rockabilly\, country\, gospel and pure 1950s rock and roll music performed live and backed by an authentic and energetic rockabilly backup band. Created and directed by John Mueller from the highly-acclaimed show\, “Winter Dance Party” the show bears witness to a rock and roll royalty jam session with the music and talent that has stood the test of time\, with favorites including “Blue Suede Shoes\,” “Folsom Prison Blues\,” “Great Balls of Fire\,” “Whole lotta Shaking Going On\,” “Shake\, Rattle and Roll\,” “Don’t Be Cruel\,” “Hound Dog\,” and many more.
URL:https://peoplesbanktheatre.com/event/one-night-in-memphis/
CATEGORIES:Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/memphis-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171103T190000
DTEND;TZID=America/New_York:20171103T190000
DTSTAMP:20170419T140042Z
CREATED:20170419T140042Z
LAST-MODIFIED:20170419T140042Z
UID:1826-1509735600-1509735600@peoplesbanktheatre.com
SUMMARY:Doktor Kaboom!
DESCRIPTION:Live Wire: The Electricity Tour\nDoktor Kaboom! brings his interactive one-man show to Marietta\, blending theatre arts with the wonders of scientific exploration. Imagine Mister Wizard and the Nutty Professor had a rock star German love child. Picture that child\, decades later\, touring the world with a fully-equipped lab and a love of performance. Doktor Kaboom! Takes his audience on an educational tour of the modern scientific method\, using humor and comedy while demonstrating spectacular applications of the physical sciences. \n \nIn Live Wire: The Eletricity Tour (commissioned by the Kennedy Center in 2014) Doktor Kaboom! will explore the fundamentals of electrical energy and the history of humanity’s adventures into its potential.
URL:https://peoplesbanktheatre.com/event/doktor-kaboom/
CATEGORIES:2017 Summer Fall,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/kaboom-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171029T150000
DTEND;TZID=America/New_York:20171029T170000
DTSTAMP:20170419T140030Z
CREATED:20170419T140030Z
LAST-MODIFIED:20170419T140030Z
UID:1823-1509289200-1509296400@peoplesbanktheatre.com
SUMMARY:David Sedaris
DESCRIPTION:Join us for an afternoon with David Sedaris\, featuring material from his new book “Theft By Finding: Diaries 1977-2002\,” an audience Q&A\, and book signings before and after the reading. \nMarietta College Bookstore will have a selection of David Sedaris titles available for purchase in our lobby. \nWith sardonic wit and incisive social critiques\, David Sedaris has become one of America’s preeminent humor writers. He is the master of satire and one of today’s most observant writers addressing the human condition\, especially apparent in his latest book\, a collection of his diaries entitled Theft By Finding: Diaries (1977-2002) (May 2017). \n\n\n\n\nBeloved for his personal essays and short stories\, David Sedaris is the author of Barrel Fever\, Holidays on Ice\, Naked\, Me Talk Pretty One Day\, Dress Your Family in Corduroy and Denim\, When You Are Engulfed in Flames\, Let’s Explore Diabetes with Owls\, and Theft By Finding: Diaries (1977-2002). He is the author of Squirrel Seeks Chipmunk:A Modest Bestiary\, a collection of fables with illustrations by Ian Falconer. Each of these books was an immediate bestseller. He was also the editor of Children Playing Before a Statue of Hercules: An Anthology of Outstanding Stories. His pieces regularly appear in The New Yorker and have twice been included in “The Best American Essays.” There are over ten million copies of his books in print and they have been translated into 25 languages. \n\n\n\n\n\n\n\n\nHe and his sister\, Amy Sedaris\, have collaborated under the name “The Talent Family” and have written half-a-dozen plays which have been produced at La Mama\, Lincoln Center\, and The Drama Department in New York City. These plays include Stump the Host\, Stitches\, One Woman Shoe\, which received an Obie Award\, Inci- dent at Cobbler’s Knob\, and The Book of Liz\, which was published in book form by Dramatists Play Service. \nSedaris’s original audio pieces can often be heard on the public radio show This American Life. He has been nominated for three Grammy Awards for Best Spoken Word and Best Comedy Album. His latest audio recording of new stories (recorded live) is “David Sedaris: Live for Your Listening Pleasure” (November 2009). A feature film adaptation of his story C.O.G. was released after a premiere at the Sundance Film Festival (2013). Since 2011\, he can be heard annually on a series of live recordings on BBC Radio 4 entitled “Meet David Sedaris.” \nAs a companion piece to Theft By Finding\, Jeffrey Jenkins published and edited an art book of Sedaris’s diary covers\, entitled David Sedaris Diaries: A Visual Compendium (October 2017). A forthcoming book of essays entitled Calypso is set to be published June 2018\, and a second volume of his diaries is expected for summer 2019.
URL:https://peoplesbanktheatre.com/event/david-sedaris/
CATEGORIES:2017 Summer Fall,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/Sedaris-DeTour-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171008T150000
DTEND;TZID=America/New_York:20171008T170000
DTSTAMP:20170419T140002Z
CREATED:20170419T140002Z
LAST-MODIFIED:20170419T140002Z
UID:1817-1507474800-1507482000@peoplesbanktheatre.com
SUMMARY:Catapult - SOLD OUT
DESCRIPTION:Catapult Entertainment came into the spotlight as a finalist on NBC’s America’s Got Talent in 2013 and has captivated audiences since with its shadow dancing and the ability of the troupe’s dancers to transform their bodies into seemingly impossible images. \n \nCatapult’s imaginative performances combine the art forms of dance\, story-telling and sculpture. The Catapult dancers work behind a screen to create dancing shadow silhouettes of shapes from the world around us– a mountain\, a full-size elephant\, a helicopter\, a house with a window and people inside the window. \nCatapult has spent the past 3 years touring more than 300 cities in Europe and is now bringing its show back to the U.S.
URL:https://peoplesbanktheatre.com/event/catapult/
CATEGORIES:2017 Summer Fall,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/catapult-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170811T200000
DTEND;TZID=America/New_York:20170811T200000
DTSTAMP:20170419T140005Z
CREATED:20170419T140005Z
LAST-MODIFIED:20170419T140005Z
UID:1814-1502481600-1502481600@peoplesbanktheatre.com
SUMMARY:Ronnie Milsap - SOLD OUT
DESCRIPTION:Presented with support from \n \nRonnie Milsap ranks as the pre-eminent country soul singer of his generation. Over the course of his career\, Milsap has compiled 40 number-one Country hits. His sales have earned him eight gold albums\, and his Greatest Hits release made him one of the first artists in any genre to obtain double-platinum status. Steeped in the mountain music of the North Carolina hills and schooled in classical piano\, Milsap’s early in life found inspiration in a wide variety of music. Even as he mastered Beethoven and Mozart\, his heart belonged to hardcore country and rhythm-and-blues — music he heard beamed from powerful radio stations located in Nashville. Those earthy sounds about life and love provided a young\, impoverished blind boy with a connection to a world beyond the harsh reality of his daily existence. \nWith Special Guest: Sasha Colette\nWith her powerhouse serenade\, singing songwriter Sasha Colette has traveled the East Coast far and wide\, sharing her uniquely famous blend of Kentucky born Rock n’ Soul. Her passion\, typically found only behind a backwoods pulpit\, has led her to share stages with the likes of Ricky Skaggs\, Sundy Best\, Chris Knight\, Tom T. Hall\, Old Crow Medicine Show\, Todd Snider and many more. Packing her banjo and trusty six string\, Sasha Colette is on her way to becoming a household name throughout the Kentucky\, Ohio\, and West Virginia region for her entertaining charm and vocal styling.
URL:https://peoplesbanktheatre.com/event/ronnie-milsap/
CATEGORIES:Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/milsap-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170722T200000
DTEND;TZID=America/New_York:20170722T200000
DTSTAMP:20170419T140008Z
CREATED:20170419T140008Z
LAST-MODIFIED:20170419T140008Z
UID:1810-1500753600-1500753600@peoplesbanktheatre.com
SUMMARY:Steve Earle & The Dukes
DESCRIPTION:With Special Guest: The Mastersons\nSponsored by J.D. Byrider. \n“A formidable performer.” The Guardian\nThree-time Grammy Award recipient and 11-time Grammy nominee Steve Earle is a cornerstone artist of Americana music. One of the most acclaimed singer-songwriters of his generation; he has released twenty albums–a number of them were Steve Earle and the Dukes–one was Colvin and Earle\,one was Steve Earle and the Del McCoury Band etc. Earle’s songs have been recorded by such music legends as Johnny Cash\, Emmylou Harris\, Carl Perkins\, Waylon Jennings\, Vince Gill and Joan Baez. He has created such country successes as “When You Fall in Love\,” “Guitar Town\,” “Goodbye’s All We’ve Got Left\,” “A Far Cry From You” and “Nowhere Road.” During his four-decade career\, Earle has also become a novelist\, a film\, TV and stage actor\, a playwright\, a short-story author\, a record producer and a radio host. Always musically adventurous\, Steve Earle has crafted folk\, blues\, rock\, country\, rockabilly and bluegrass recordings. His diverse collaborators on disc have included such notables as The Pogues\, Lucinda Williams\, Patti Smith\, The Fairfield Four\, The Indigo Girls\, Chris Hillman\, Sheryl Crow and Shawn Colvin. His new Warner Bros. album\, So You Wannabe an Outlaw\, explores his country songwriting roots and includes collaborations with Willie Nelson\, Johnny Bush and Miranda Lambert. \n[soundcloud url=”https://api.soundcloud.com/tracks/333922647″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] \n[soundcloud url=”https://api.soundcloud.com/tracks/334197467″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]
URL:https://peoplesbanktheatre.com/event/steve-earle/
CATEGORIES:Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/SteveEarle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170623
DTEND;VALUE=DATE:20170703
DTSTAMP:20170419T120022Z
CREATED:20170419T120022Z
LAST-MODIFIED:20170419T120022Z
UID:1805-1498176000-1499039999@peoplesbanktheatre.com
SUMMARY:Cabaret
DESCRIPTION:Performances: \n\nJune 23 at 8:00 p.m.\nJune 24 at 8:00 p.m.\nJune 25 at 2:00 p.m.\nJune 30 at 8:00 p.m.\nJuly 1 at 2:00 p.m.\nJuly 2 at 2:00 p.m.\n\n \nPresented with support from \n \nWelcome to the infamous Kit Kat Klub\, where the Emcee\, Sally Bowles and a raucous ensemble take the stage nightly to tantalize the crowd — and to leave their troubles outside. But as life in pre-World War II Germany grows more and more uncertain\, will the decadent allure of Berlin nightlife be enough to get them through their dangerous times? \nCome hear some of the most memorable songs in theatre history\, including “Cabaret\,” “Willkommen” and “Maybe This Time.” Leave your troubles outside — life is beautiful at CABARET\, where you can follow your heart while the world loses its way. \nContent Advisory: Contains adult themes
URL:https://peoplesbanktheatre.com/event/cabaret/
CATEGORIES:Spotlight Series,Theatre
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/CABARET-GRAPHIC.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170616T200000
DTEND;TZID=America/New_York:20170616T200000
DTSTAMP:20170419T140020Z
CREATED:20170419T140020Z
LAST-MODIFIED:20170419T140020Z
UID:1774-1497643200-1497643200@peoplesbanktheatre.com
SUMMARY:Travis Tritt - SOLD OUT
DESCRIPTION:Sponsored by Froggy99\, Grae-Con\, and Huntington Bank. \nWith Special Guests Steve Hussey & Jake Eddy. \nPeoples Bank Theatre opens its Summer-Fall Season with the return of Travis Tritt\, whose solo acoustic performance was part of the theatre’s grand reopening in January 2016. This time\, Tritt returns with his full band\, just after celebrating his 25th Anniversary with the Grand Ole Opry. \nMore than 25 years after Tritt launched his music career\, the Grammy award-winning artist continues to sell-out shows across the globe. A Marietta\, Georgia native\, Travis Tritt is dubbed one of “The Class of ‘89\,” which included Country music superstars Garth Brooks\, Clint Black and Alan Jackson; all of whom dominated the charts in the early 1990s. Among his eleven studio albums and numerous charted singles are nineteen Top 10 hits\, including “Modern Day Bonnie and Clyde\,” “Here’s A Quarter” and “It’s A Great Day To Be Alive.” Over the course of his career\, he has amassed more than 25 million career album sales\, two Grammy award wins and multiple No. 1 singles on the Country radio charts. Most recently\, Tritt released a special live 2-disc CD and DVD\, titled “A Man and His Guitar – Live From The Franklin Theatre.” \nSteve Hussey & Jake Eddy\nSteve Hussey and Jake Eddy originally started working together in 2014\, when Steve hired Jake to record a few songs for Steve’s upcoming wedding. That went so well they continued working together recording a full length LP. The result\, “The Miller Girl\,” draws on their influences in the genre including Old Crow Medicine Show\, the Avett Brothers and Jason Isbell. \nBased out of Washington\, West Virginia\, they form a formidable duo. The album “The Miller Girl” explores themes of the transformational power of love and is dark\, funny\, and wistful by turns and features something that’s lost is a lot of modern music: innocence. \nJake is a West Virginia state flat picking champion and multi-instrumental virtuoso who has played with Bluegrass legend Melvin Goins’ band. He has also played with James King and shared the stage with Idletymes\, Don Rigby\, and Remington Ryde to name a few. \nSteve is a well known regional songwriter best known in the region around West Virginia for his work with the eponymous Steve Hussey Band. A veteran performer\, he has shared the stage with .38 special\, Eddie Money\, and the Davisson Brothers\, among others\, while entertaining crowds at clubs and fairs and festivals all over the region. \n“The Miller Girl” was released November 2016 on their label Merf Records.
URL:https://peoplesbanktheatre.com/event/travis-tritt/
CATEGORIES:Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/travistritt-2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170519T190000
DTEND;TZID=America/New_York:20170519T190000
DTSTAMP:20161031T140045Z
CREATED:20161031T140045Z
LAST-MODIFIED:20161031T140045Z
UID:1093-1495220400-1495220400@peoplesbanktheatre.com
SUMMARY:SOLD OUT - Erth's Dinosaur Zoo - Live!
DESCRIPTION:Sponsored by Mondo Polymer Technologies \n \n \nErth’s DINOSAUR ZOO LIVE guides your family on a breathtaking tour that begins in pre-historic Australia. You’ll observe\, meet and interact with an eye-popping collection of amazingly life-like dinosaurs and other creatures presented in a theatrical performance that will thrill and entertain kids while stimulating their imaginations in ways that will forever connect them to their world. \nBrought to life by a team of skilled performers and puppeteers\, and designed with the help of professional paleontologists\, Erth’s DINOSAUR ZOO LIVE’s puppets are so extraordinarily realistic you may feel the urge to run and hide – but don’t! Because you won’t want to miss a minute of this fun\, unique\, entertaining and educational live show created by Erth Visual & Physical of Sydney\, Australia. While it may indeed have been 65 million years in the making\, we think you’ll agree\, it’s well worth the wait.
URL:https://peoplesbanktheatre.com/event/dinosaur-zoo/
LOCATION:Main Header
CATEGORIES:Other,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2017/04/DINOZOO_2250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170421T200000
DTEND;TZID=America/New_York:20170421T200000
DTSTAMP:20161031T140002Z
CREATED:20161031T140002Z
LAST-MODIFIED:20161031T140002Z
UID:1092-1492804800-1492804800@peoplesbanktheatre.com
SUMMARY:Simon & Garfunkel: Through the Years
DESCRIPTION:Live in Concert\n \n*ON SALE NOW*\nTickets: $15 | $23 | $30 \nSponsored by \nMary Segrest\nFinancial Advisor \nKimberly Wells\nFinancial Advisor \n \nAccompanied by a live string quartet\, Bookends perform the most authentic sounding tribute to the unforgettable music of Simon & Garfunkel. Made up of Dan Haynes and Pete Richards\, Bookends have toured extensively with their concerts being described as ‘simply breathtaking’. \nPerforming the songs in a truly captivating way\, against a backdrop of images and video footage\, their delicate recreation of the unmistakable sound of the American folk-rock duo is something of a masterpiece and has taken Bookends to prestigious venues in the UK and America. \n“One of the greatest tribute shows anywhere in the world” – Stuart Cameron\, BBC and ITV Broadcaster \nHear many of the hits such as ‘The Sound of Silence’\, ‘Mrs Robinson’ and ‘The Boxer\,’ and Bookends’ own beautiful rendition of the unforgettable ‘Bridge Over Troubled Water’ With early folk gems such as the haunting ‘Sparrow’ and wonderfully poetic ‘Bleecker Street’\, alongside music of Simon & Garfunkel’s solo careers\, the concert is must see for any music lover. \n“Warming and beautiful” – Broadway Baby “A masterpiece” BBC Radio
URL:https://peoplesbanktheatre.com/event/bookends/
LOCATION:Main Header
CATEGORIES:Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2016/10/Bookends-1-NoText2200x1500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170409T190000
DTEND;TZID=America/New_York:20170409T190000
DTSTAMP:20161031T140011Z
CREATED:20161031T140011Z
LAST-MODIFIED:20161031T140011Z
UID:1091-1491764400-1491764400@peoplesbanktheatre.com
SUMMARY:Mountain Stage with Larry Groce
DESCRIPTION:Tickets: $20 | $26 | $32 \nSponsored by \n    \nJust added: John Németh & The Blue Dreamers! Nominated for the 2017 Blues Music Award – B.B. King Entertainer of the Year. PLUS Edward David Anderson. \nJoin us for the first live recording of “Mountain Stage with Larry Groce” to take place in Marietta\, Ohio! \nFor more than 30 years “Mountain Stage with Larry Groce” has been the home of live music on public radio. The two-hour radio show is produced in West Virginia and distributed by National Public Radio weekly on more than 150 stations across America and around the world via NPR Music and mountainstage.org. The show\, which is recorded before a live audience\, features performances by seasoned legends and emerging stars in genres ranging from folk\, blues and country to indie rock\, synth pop\, world and alternative music\, and beyond. \nSinger/songwriter Larry Groce serves as the show’s host\, artistic director and co-producer. The Mountain Stage house band includes jazz pianist Bob Thompson\, vocalist Julie Adams\, bass player Steve Hill\, drummer Ammed Solomon and guitarists Michael Lipton and Ryan Kennedy. The band is directed by Ron Sowell. \nPeoples Bank Theatre and Mountain Stage with Larry Groce are excited to announce four of the guests for the radio show’s first appearance in the Pioneer City on April 9: John Németh & The Blue Dreamers\, Edward David Anderson\, Shemekia Copeland\, Bridget Kearney\, and The T Sisters. \nJohn Németh \nJohn Németh had already established himself among the very top ranks of blues musicians and modern soul singers when he decided to break the mold with his new record\, FEELIN’ FREAKY. Németh fearlessly crushes all barriers of style and genre with an album of original songs that defies all the usual pigeonholes. Drawing from his strong influences in blues and R&B\, as well as contemporary sounds in hip hop and rock & roll\, John creates music that is personal as well as universal\, and owes its origin to no one but John Németh. John’s songs are groove and melody-driven\, laced with thoughtful lyrics and nuanced humor\, and cover themes from social issues of gun violence and class values to the pure hedonistic joy of dancing\, sexuality and marijuana. He creates his songs from melodies and phrases he draws from the sounds of life\, from early-morning Memphis songbirds to the din of the city. For this album John brought his new songs to his great touring band\, the Blue Dreamers – Danny Banks on drums\, Matthew Wilson on bass and guitar\, and Johnny Rhodes on guitar. \nEdward David Anderson \nEdward David Anderson is one of music’s modern makers\, a rock & roll veteran who spent his formative years fronting the revered Midwest band\, Backyard Tire Fire. Known for infectious melodies and memorable messages Anderson penned 8 albums for the band and played countless shows across the US and Canada. Their eventual hiatus fostered his solo debut\, Lies & Wishes (2014\, Royal Potato Family) working with friend and Grammy winning producer Steve Berlin of Los Lobos.  A serendipitous move south in 2013 introduced him to ‘Lower Alabama’ where he found the culture and beaches provided reprieve from life on the road and a second home. He quickly immersed himself into the rich and welcoming LA music scene where he met producer Anthony Crawford (Neil Young\, Willie Sugarcapps) and recorded Lower Alabama: The Loxley Sessions over the winter of 2014. The album floats melodiously on rivers of fiddle and clouds of pedal steel\, on gentle acoustic guitars and hints of piano\, dusted with some ghostly guitar from Will Kimbrough and striking vocal harmony by Crawford’s wife\, singer Savana Lee. The nine-song collection steps firmly into the Americana world and was hailed “A wonderfully soulful record” by David Dye (NPR’s World Cafe) and “A simply infectious album” by No Depression. \nShemekia Copeland \nWhether she’s belting out a raucous blues-rocker\, firing up a blistering soul-shouter\, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle\, country-tinged ballad\, Shemekia Copeland sounds like no one else. This month\, Shemekia was nominated as the 38th Annual Blues Music Award’s Contemporary Blues Female Artist. Shemekia won that same category in 2016 after the release of Outskirts of Love. Her acclaimed eighth album\, released by Alligator Records in September 2015\, was also nominated for a Grammy Award. \nThe Chicago Tribune says Copeland delivers “gale force singing and power” with a “unique\, gutsy style\, vibrant emotional palette and intuitive grasp of the music.” NPR Music calls her “fiercely expressive.” She has sung with Eric Clapton\, Bonnie Raitt\, B.B. King\, Buddy Guy\, Mick Jagger\, Keith Richards\, Carlos Santana\, James Cotton and opened for The Rolling Stones. \nBridget Kearney \nOver the past 12 years\, Bridget Kearney has toured the world as the bassist of the soul pop sensation Lake Street Dive. An incredibly versatile musician\, Kearney has always been voraciously collaborative\, dabbling in chamber pop with the Brooklyn group Cuddle Magic\, bluegrass with the now defunct Boston outfit Joy Kills Sorrow\, and Ghanian music as part of a duo with fellow songwriter Benjamin Lazar Davis. A past winner of the John Lennon Songwriting Contest\, this year Kearney steps into the spotlight with her first solo effort\, a wry\, big-hearted pop album titled Won’t Let You Down\, scheduled for release in March. \nT Sisters \nThe T Sisters\, born and raised in California and now based in the creative hub of Oakland\, embody harmony. It’s in their blood\, bones\, and history. Erika\, Rachel and Chloe have been singing and writing music together since childhood. Their sound represents a continuum of music\, from traditional to pop influences\, moments of breathtaking a cappella to swells of energetic indie Americana. The T Sisters have appeared at Merlefest\, Hardly Strictly Bluegrass\, Music City Roots\, and Garrison Keillor’s A Prairie Home Companion\, among others. \nStay tuned as more artists will be announced in the coming weeks. Mountain Stage is produced by West Virginia Public Broadcasting and distributed by NPR Music. The event will be recorded for broadcast later this year via 200 NPR stations nationwide.
URL:https://peoplesbanktheatre.com/event/mountain-stage-2017/
LOCATION:Main Header
CATEGORIES:Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2016/10/feature-mountainstage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170316T200000
DTEND;TZID=America/New_York:20170316T200000
DTSTAMP:20161031T140043Z
CREATED:20161031T140043Z
LAST-MODIFIED:20161031T140043Z
UID:1089-1489694400-1489694400@peoplesbanktheatre.com
SUMMARY:Delbert McClinton
DESCRIPTION:Presented with the Mid-Ohio Valley Blues\, Jazz\, & Folk Music Society and the 26th Annual River City Blues Festival \n*ON SALE NOW*\n Tickets: $26 | $32 | $38 | Limited VIP Seats $75 \nWith Guest Opener Sadie Johnson \nDelbert McClinton & Self-Made Men with their 2017 album release: Prick Of The Litter \nThere are two kinds of people in the world: those who love Delbert McClinton and those who haven’t heard him yet. Delbert is always working on that second group. \nLyle Lovett has said\, “If we could all sing like we wanted to\, we’d all sing like Delbert.” \nThe multi-Grammy Award winning artist is at the top of his game with his 19th studio album\, Prick Of The Litter (Hot Shot Records/Thirty Tigers). The new offering captures the balance of soulful energy and restraint that the legendary performer has been delivering in his live performances for decades all over the world. On Prick of the Litter\, Delbert incorporates a variety of styles\, and as always\, just enough to keep him comfortably outside the traditional marketing categories. \nPrick Of The Litter blends Delbert’s signature rhythm and blues sound with a newer jazz-influence inspired by Johnny Mercer\, Nat King Cole and other legendary crooners. He includes some upbeat traditional blues (“Don’t Do It”) with a romantic take on Tony Bennett’s San Francisco (“San Miguel”) while “Skip Chaser” paints a vivid picture of the perils of the profession. A highlight is the album’s closer\, the gentle and hopeful “Rosy.” McClinton’s road band\, Self-Made Men provide a hard-driving rhythm section\, powerful guitars and innovative piano\, accented by punched-up horns. Delbert’s definitive vocals and distinct harmonica licks bring it all together. \nDelbert McClinton has been a leading Americana artist since before the genre was established. He has won two Grammy awards in the blues category for Best Contemporary Blues Album; and one in the rock category (Best Rock Performance by a Duo or Group)\, with Bonnie Raitt for “Good Man\, Good Woman”. \nDelbert’s unique musical style grew from his Texas music beginnings. Influenced at a young age by Tejano\, Western Swing\, Rhythm and Blues and War songs\, he developed a signature sound that served him well. \nDelbert grew up around Lubbock and Fort Worth\, and spent his early career in the desegregating roadhouses of Fort Worth’s Jacksboro Highway\, leading the house bands for Jimmy Reed\, Muddy Waters\, Bo Diddley\, and others\, while making a local name for himself. Later\, Delbert traveled to England where he headlined shows with Bruce Channel (“Hey Baby”) with a little-known Liverpool band [The Beatles] as the opening act. He then rolled into Los Angeles as songwriters began to take top billing\, and headed back to Texas for the progressive movement and blues renaissance that helped kick off Austin’s role in American musical history. \nIf you’ve seen a live Delbert McClinton show\, you will recognize the synchronized energy on Prick Of The Litter that comes from thousands of miles of playing together. Delbert feels that his current road band\, Self-Made Men\, is the best band he’s ever had. \n“Jack Bruno [drums] is amazing. He played with Joe Cocker and with Tina Turner for years. I’ve been harder on drummers than anybody in the world\, but Jack is right there where I need him. Dana Robbins [saxophone] and Quentin ‘Q’ Ware [trumpet] punctuate the live performances in just the right places. James Pennebaker [guitar] is family. He’s been playing with me off and on since he was nineteen. Mike Joyce [bass guitar]\, Kevin McKendree [piano]\, and Bob Britt [guitar] are among my best friends\, in addition to being in the band. Mike and Kevin and I write together a lot. We wrote most of the songs on this album together.” \nDelbert\, Kevin and Bob also co-produced Prick Of The Litter. “Going into the studio with a band that’s like family creates real magic\,” says Delbert. “You have the energy of a live band. We feed off of each other. We are better together. And it always feels like they have my back.” Jimmie Vaughan and Lou Ann Barton are an added bonus on the first track. Delbert adds “I am such a fan of Lou Ann and of Jimmie. We needed a female to do a part on ‘Don’t Do It.’ Bob suggested Lou Ann\, and I knew she would be perfect. I have always loved Jimmie and Lou Ann. I had talked to Jimmie about doing something on my last album but it didn’t work out. So this time\, we went to Austin and they both came into the studio. We spent about two hours and had a lot of fun. They are both so talented.” \nDelbert wrote or co-wrote ten of the songs on the album. “By the time we wrote these songs\, Mike\, Bob and Kevin had been in my band for a long time\,” says Delbert. “We got together every Wednesday for several weeks\, and then we went to Mexico and finished writing the rest of the album.” \n2017 is a milestone year for Delbert. In addition to the release of Prick Of The Litter\, a biography is slated for release in September. He has also been nominated for Texas State Musician\, a highly acclaimed state appointment akin to poet laureate. \nPrick of the Litter is a signature project for Delbert McClinton\, and he is proud of it. “We worked hard on this and we got exactly what we wanted\,” he says. “The songs\, the band\, the production. Everything came together. We didn’t leave no chicken on the bone\,” he says. \n“I did what I came to do with this album. I guess I really am One of the Fortunate Few.”
URL:https://peoplesbanktheatre.com/event/delbert-mcclinton/
LOCATION:Main Header
CATEGORIES:Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2016/10/feature-delbert.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170224T200000
DTEND;TZID=America/New_York:20170224T200000
DTSTAMP:20161031T140000Z
CREATED:20161031T140000Z
LAST-MODIFIED:20161031T140000Z
UID:1088-1487966400-1487966400@peoplesbanktheatre.com
SUMMARY:Tommy Dorsey Orchestra
DESCRIPTION:*ON SALE NOW*\n Tickets: $18 | $24 | $30 \nSponsored by The Eye MDs and Morrison Incorporated \n  \nIn Big Band history\, the Tommy Dorsey Orchestra is recognized as one of the best all-around big bands. It could swing with the best of them\, and no other band could come close to Tommy’s when it came to playing ballads. Tommy Dorsey\, “The Sentimental Gentleman of Swing”\, was a master at creating warm\, sentimental\, and always musical moods – at superb dancing and listening tempos. Tommy sustained these moods through the arrangements of the likes of Paul Weston\, Axel Stordahl and Sy Oliver\, and he showcased singers who could project them brilliantly. \nJack Leonard sang with the band for about four years\, recording such fine sides as “Dedicated To You”\, “If It’s The Last Thing I do”\, “Little White Lies”\, “You Taught Me To Love Again”\, “Once In A While”\, and\, probably the most famous of all\, “Marie”. With the band singing vocal riffs as Jack sang the straight lyric\, “Marie” was so successful that he recorded several more standard tunes with the same formula. They include “Who”\, “Yearning”\, and “East Of The Sun”. “Song Of India”\, the other side of “Marie”\, was also a huge Dorsey hit. \nFrank Sinatra’s career blossomed with Dorsey\, and\, with Sinatra’s vocals\, the band became more successful than ever. Frank had often admitted that listening to Tommy helped him develop his phrasing and breathing\, along with his musical taste and knowledge. \nSy Oliver infused the band with a new musical spirit. It was a gentler version of the rocking\, rhythmic sounds that he had created for Jimmy Lunceford\, toned down somewhat and played with more precision by the Dorsey Band. These original tunes included “Easy Does It”\, “Quiet Please”\, “Sing High”\, “Yes\, Indeed”\, “Swingin’ On Nothing”\, “Well\, Git It”\, and “Opus No 1”. Oliver also had a unique way of approaching a straight pop tune\, injecting a soft\, two-beat feeling into. He did this with resounding success in such arrangements as “What Can I Say After I Say I’m Sorry? “\, “For You”\, “Swanee River”\, “Mandy”\, “Make Up Your Mind”\, “Chicago”\, and “On The Sunny Side Of The Street”. \nThe vocalists worked both individually and together\, turning out several hits of superior quality. There was Sinatra’s “This Love of Mine”\, Jo Stafford’s “Embraceable You”\, the Pied Pipers’ and Sinatra’s “There Are Such Things”\, “Just As Though You Were Here”\, “Street Of Dreams”\, and “Oh\, Look At Me Now”. Their biggest hit of all\, the one that established vocal groups forever\, was “I’ll Never Smile Again”. \nThe Band was at its best in this decade. In the summer of 1941\, it outranked every other band to finish first in one of the most indicative of all popularity polls\, Martin Block’s Make Believe Ballroom contest. \nBy late 1946\, it was becoming apparent that the band business was having problems. In December 1946\, eight top bandleaders announced they were calling it quits – Woody Herman\, Benny Goodman\, Harry James\, Les Brown\, Jack Teagarden\, Benny Carter\, Ina Ray Hutton and Tommy Dorsey. Essentially\, this was the official end of the Big Band Era. However\, it was Tommy Dorsey who\, in the years immediately following\, fought the case of the big bands with words and action. Less than two years later\, he was fronting a formidable new group.\nIt’s about time somebody got things going again”\, Tommy said at the time. “You can’t expect to have any real interest in dance bands if the bands don’t go around the country and play for the kids.” \nAnd so it continues. The Tommy Dorsey Orchestra is still traveling throughout the country playing “for the kids” (of all ages).
URL:https://peoplesbanktheatre.com/event/tommy-dorsey-orchestra/
LOCATION:Main Header
CATEGORIES:Music,Spotlight Series
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2016/10/feature-dorsey.jpg
END:VEVENT
END:VCALENDAR