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SUMMARY:Tanya Tucker
DESCRIPTION:Update: 9/6/23\nThis show has been rescheduled for December 7th\, 2023.\nHey y’all. I had a procedure on my neck last month and need more time to recover to give you the show you deserve. It pains me to do this\, but I need to reschedule our date at December 7th 2023. All previously purchased tickets will be honored for the new date. Please reach out to your point of purchase with any questions. -Tanya\nSweet Western Sound Tour\nTanya Tucker performing songs from her new album Sweet Western Sound\, plus all of the hits.\n  \nOutlaws. Movie stars. Washed out rodeo cowboys. Songwriters. Fashion designers. Guitar pickers. Real people. Late-night denizens. Superbowl Half-Time shows. Studio 54. Honky Tonks. Sedona. The Opry. Austin. Music City. New York City. Madison Square Garden and Carnegie Hall. Awards in the ‘70s\, ‘90s\, and ‘20s\, #1 records in every decade but the 2010s. \nOnly Tanya Tucker can claim a resume like that: one long on living\, not judging\, creating\, not looking back. When 2019’s acclaimed While I’m Livin’ won the GRAMMY for Best Country Album\, and its poignant single “Bring My Flowers Now\,” not only won Best Country Song but was also nominated in the all-genre Song of the Year category\, it was a powerful statement about authenticity\, about staying power and about greatness. But that doesn’t always make the follow-up any easier. \nTanya Tucker has seen\, done and been places most people can’t imagine\, and she’s done it at a pace that would kill mere mortals. A child thrust into stardom with a series of precocious hits\, the iconic “Delta Dawn\,” “Would You Lay With Me\,” and “Blood Red & Goin’ Down\,” among them\, she then released a pair of wild and brash rock records at 18\, then returned to country music in her 20s to ultimately take the CMA Female Vocalist of the Year Award in 1991. Along the way\, she’s been a cutting horse champion\, played dives\, arenas\, stadiums\, and the Houston Rodeo\, created headlines\, and wrung out the absolute last drop out of every moment. \nAnd that approach to living is what makes her new album\, Sweet Western Sound (Fantasy) such a tour du force. Building on her collaboration with Brandi Carlile and Shooter Jennings (who co-produced Livin’)\, they dug deeper into the caverns and canyons of Tanya’s life. This time the music is bigger and more immediate\, the reckonings more profound; but as always\, the heart is strong\, honest\, and willing to tell the truth about it all. \n“Kristofferson\, Jessi Colter\, they know I’m a good person and have a good heart\,” she explains. “I didn’t really know them coming up\, though I was close to Waylon. It takes a few years maybe to get through the reputation\, you know? Was it that bad? I don’t know…” She pauses\, then adds with a chuckle\, “But I tell ’em all\, my bad reputation has made me a damn good living. So\, don’t screw that up for me now!” \nOnly Tanya Tucker could inspire the revered late outlaw songwriter Billy Joe Shaver to leave a tribute song on her voicemail. And only the copper-haired icon would think to keep Shaver’s legacy alive by bookending Sweet Western Sound’s journey through the emotional plains of her life with his acapella homages celebrating her essence. \nThough known as a wildcat vocalist\, in truth\, the Outlaw Myth has always been more attitude than lifestyle. It sprang out of Willie and Waylon’s unique brand of country\, one where the spirit is free\, the songs and performances melt stylistic rules and laughter abounds. \nIndeed\, Tanya’s career\, and its renaissance comes from a willingness to expose those deeper places\, to write her own story and draw on writers who have come to know her intimately. It’s there in the existentialist drifter’s postcard\, “Breakfast In Birmingham\,” a duet with Carlile\, which the 9-time GRAMMY winner wrote with Bernie Taupin. It’s also there in\, “Ready As I’ll Never Be\,” another slice of irresistible hard-spun wisdom Tanya co-wrote with Carlile. Carlile’s longtime collaborators\, Tim\, and Phil Hanseroth\, contributed “Kindness\,” a tender and empathetic acknowledgment of the understanding one only comes to through hard patches\, tough fates\, and busted dreams. \n“For me\, songwriting’s a release\,” explains the woman nominated for her first GRAMMY at 14. I finally finished “Bring My Flowers Now\,” 30\, 40 years down the road. My problem is I spit it out\, and I can’t retain it. I always tell people\, ‘If it comes out\, you better get it ‘cause I won’t remember it later.’ Brandi understands that\, puts in a few other lines\, and remembers things I’ve told her.” \n“I’m a Sunday writer\,” Tucker continues. “I’m gonna come over and eat some cornbread with ya\, laugh\, talk a bit and maybe we’ll write a song. If we talk about it\, set a time\, it’s too serious. The whole idea of ‘Get together at 10 o’clock in the morning\,’ where’s the inspiration in that?” \nInspiration for Tucker\, Carlile\, Jennings\, and the assembled musicians was everything. Though sessions were delayed by the increased demand for all three\, when they finally reconvened in the studio\, their passion was on full display. “I just go in and try to do the best vocal possible\,” she adds. “I put all the feeling I can into the songs. My Dad taught me from the youngest age\, that’s what you need to do.” \nYou can hear it in the soulful\, “City of Gold\,” the gorgeous gospel tune written by JT Nero of Birds of Chicago. It’s imbued in the Carlile/Hanseroth/Hanseroth confessional\, life-measuring “That Wasn’t Me\,” then it washes over Shooter Jennings’ stately piano in his “Waltz Across A Moment\,” which delivers the album’s title in a bouquet of life’s experiences. \n“Come and meet me in the shadows of this drunk and broken sound\,” she intones on the track\, voice all hickory smoke\, candle glow\, and Spanish leather\, “Don’t curse your mind with yesterday\, or the love we could have found/ Just waltz across the moment to that… sweet… Western sound.” In a moment\, all that she is\, delivered. A blessing\, a benediction\, an embrace\, a reason to believe when all’s gone wrong. To know how to hope in the face of darkness is the mark of true wisdom. For a woman still too young for Social Security\, it was earned by persevering\, by living. \n“Letter To Linda\,” was taken from an actual letter Tanya penned a few years ago on the news of her hero’s health struggles. “I walked into the Troubadour and heard (her version of) ‘Desperado\,’ and it all came rushing back\,” Tanya marveled. “I remember the first time I heard Heart Like A Wheel with that righteous combination of country\, pop\, and rock. It was everything I wanted to do… I only met her once\, but I wanted her to know how I felt.” \nPowered by a deep well of self-awareness\, “The List\,” a romping kiss-off Tucker/Carlile composition\, is another example of the fire that burns within. With her singular sardonic ‘get in line buddy’ tone\, Tanya impales the pettiness of those who think their judgments can hurt more than her own do. “My old friends have heard me say that for years\,” Tucker says. “I always know where it comes from\, who instigated it\, and whatever else. But I’ve always said I don’t care\, because I know my list\, my self-reckoning is going to be longer and harsher than theirs.” \nStay open\, cause sometimes life and art collide in unforeseen ways. “When The Rodeo Is Over (Where Does The Cowboy Go?)\,” is an elegy for a way of life\, but not a man willing to stop living. Against the vistas of Sedona\, the old rodeo rider lives out his days smoking cigarettes “he can’t afford” and picking turquoise\, an allegory perhaps for so many compadres the audacious artist has come to know. “I was in LA\, the night before the first session started. Brandi sent me a song\, saying ‘If you like it\, we’ll start with it…’\,” Tucker recalls. “I gave it to Craig (Dillingham\, Tanya’s boyfriend) to listen to. He comes back in a minute\, and I asked him\, ‘Did you like it?’ and he says\, ‘Like it? Hell\, I wrote it!’ He’d never pitched it to me\, but Brandi did. It’s one of those songs that just stays with you.” \nStaying with you is the essence of how Tanya Tucker endures. You hear that whiskey voice\, which cuts straight to your most vulnerable places\, and you’ll never forget. She’s lived life on her terms\, her way\, and that speaks volumes for a gypsy soul just looking to sing her songs and let the chips fall where they may. “I’m not a cowboy giddy-up\, kind of western movie\, like Slim Whitman\,” she says of her cinematic journey. “But those kids\, those 70’s west coasters in their funky hats and cowboy boots\, and jeans? You know\, that’s what I relate to\, this is a sweet western sound for them…” \n“I’ve got a lot to say\,” she concludes. “They say praying is talking to God\, that meditating is listening to God. And I do a lot of listening.” \n  \nOpening Act:  Jake Clayton\n \nCOUNTRIFRIED ROCK ‘N’ ROOTS\n\nWhen it comes to live music\, it’s hard to find someone with the amount of experience that Jake Clayton has. Having performed live since a kid\, Jake made his way to Nashville before the age of 21. Since then\, Jake has become highly recognized as a pro Nashville musician that can play over 20 Instruments exceptionally well. Because of that talent\, Jake has now traveled around the globe as a utility musician performing on tours headlined by Country Music stars such as Garth Brooks\, Jason Aldean\, Miranda Lambert\, Bob Segar\, Dierks Bentley\, and Alan Jackson (to name a few). He has performed on-stage with Brad Paisley\, Keith Urban\, & Trisha Yearwood\, and he’s played on legendary stages like The Grand Ole Opry & Madison Square Garden. Most recently\, Jake appeared as a musician alongside Country Music legend Tanya Tucker on CMT’s “Summer Sessions”\, The CMA Awards\, CMT’s “Smashing Glass”\, The CMT Awards\, Austin City Limits\, & Jimmy Fallon. \nAs an artist\, Jake Clayton has spent the last decade crafting his own unique blend of Country Music that mixes amped up guitars and hi-energy drumming with a full arsenal of roots-based Instruments like fiddle\, dobro\, mandolin\, & banjo. Having music infused with Country\, Rock\, Bluegrass\, Americana\, and even some worldly sounds\, Jake can comfortably spend time inside and outside of the box. With his own band\, Jake Clayton has opened shows for hit makers Cole Swindell\, Jon Pardi\, Granger Smith\, Kane Brown\, Tanya Tucker\, Colt Ford\, and David Allan Coe. Most recently\, he performed before bluegrass favorites Yonder Mountain String Band in Casper\, Wyoming. In 2022\, Jake was a main stage Artist on StarVista’s Country Music Cruise. Performing on the ship as a stripped down acoustic trio\, Jake Clayton proved that even his acoustic shows can pack more punch than a full-on band. When Jake is not on the road\, you can often find him in the Nashville honky-tonks\, where he keeps his pulse on what Country Music fans worldwide love to hear. \nWith Jake Clayton\, not only do you get one of the most uniquely talented artists out today\, you also get a seasoned performer that has been on stage with some of the best\, and an entertainer that knows how to connect with the audience in front of him. Jake has music to please the hardcore Tanya Tucker fans or the rocker at a Hardy show\, and if let off his leash\, he can be a crowd-pleaser at a bluegrassy jam band festival. \n\n  \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/tanya-tucker-2023/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231201T180000
DTEND;TZID=America/New_York:20231201T213000
DTSTAMP:20231016T120017Z
CREATED:20231016T120017Z
LAST-MODIFIED:20231016T120017Z
UID:16082-1701453600-1701466200@peoplesbanktheatre.com
SUMMARY:Peoples Bank Theatre's Annual Christmas Auction and Gala
DESCRIPTION:Annual Christmas Tree Auction & Gala\nJoin us for our 2023 Christmas tree auction to benefit the Hippodrome/Colony Historical Theatre Association on Friday\, December 1st starting at 6:00. This event helps support the HCHTA’s preservation of our historic theatre and its continued mission to bring the performing arts and interactive arts education experiences to our community. Decorated trees and wreaths will be on display Monday\, November 20 through Friday\, December 1 at Peoples Bank Theatre and The Stage Door. \nSpecial thanks to Ullman Auctions and Appraisals. \n  \nDecorating Guidelines\n• Trees should be no larger than 8’ in height. \n• Decorated items should be appropriate for public display \n• Please attach all decorations safely and securely \n• Items will be moved several times throughout the process. Please make sure any and all decorations \nare installed to travel. \n• Items should be designed to travel through a 36”w x 80”h opening \n• NO live trees or wreaths. \n• Passiflora Studio is available for consultations and decorating services (740-350-4905). \n  \nIf interested in contributing an item\, please email Miranda Duty\, Theatre General Manager\, at miranda@peoplesbanktheatre.com by November 9th and please drop off your item by Friday\, November 17th. \n  \nAUCTION & GALA SCHEDULE\n\n6:00-Doors open\n6:30 pm – Auction preview & refreshments\n7:30 pm – Auction\n8:30-Music and reception\n\n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/peoples-bank-theatres-annual-christmas-auction-and-gala/
LOCATION:Main Header
CATEGORIES:Other,Theatre
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DTSTART;TZID=America/New_York:20231201T180000
DTEND;TZID=America/New_York:20231201T213000
DTSTAMP:20231015T120003Z
CREATED:20231015T120003Z
LAST-MODIFIED:20231015T120003Z
UID:12541-1701453600-1701466200@peoplesbanktheatre.com
SUMMARY:2023 Christmas Auction & Gala
DESCRIPTION:Annual Christmas Tree Auction & Gala\nJoin us for our 2023 Christmas tree auction to benefit the Hippodrome/Colony Historical Theatre Association on Friday\, December 1st starting at 6:00. This event helps support the HCHTA’s preservation of our historic theatre and its continued mission to bring the performing arts and interactive arts education experiences to our community. Decorated trees and wreaths will be on display Monday\, November 20 through Friday\, December 1 at Peoples Bank Theatre and The Stage Door. \nSpecial thanks to Ullman Auctions and Appraisals. \n  \nDecorating Guidelines\n• Trees should be no larger than 8’ in height. \n• Decorated items should be appropriate for public display \n• Please attach all decorations safely and securely \n• Items will be moved several times throughout the process. Please make sure any and all decorations \nare installed to travel. \n• Items should be designed to travel through a 36”w x 80”h opening \n• NO live trees or wreaths. \n• Passiflora Studio is available for consultations and decorating services (740-350-4905). \n  \nIf interested in contributing an item\, please email Miranda Duty\, Theatre General Manager\, at miranda@peoplesbanktheatre.com by November 9th and please drop off your item by Friday\, November 17th. \n  \nAUCTION & GALA SCHEDULE\n\n6:00-Doors open\n6:30 pm – Auction preview & refreshments\n7:30 pm – Auction\n8:30-Music and reception\n\n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/2022-christmas-tree-fundraiser/
LOCATION:Main Header
CATEGORIES:Other
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DTSTART;TZID=America/New_York:20231130T183000
DTEND;TZID=America/New_York:20231130T200000
DTSTAMP:20230726T152820Z
CREATED:20230726T152820Z
LAST-MODIFIED:20230726T152820Z
UID:15405-1701369000-1701374400@peoplesbanktheatre.com
SUMMARY:November Song Colony Workshop
DESCRIPTION:The Song Colony with Todd Burge takes place inside The Stage Door at 224 Putnam Street in Marietta. \nThe mission of these monthly workshops is to encourage creation and collaboration. We aim to sustain\, expand\, and encourage songwriting talent and performance in the Mid-Ohio Valley. You do not have to be musically inclined to participate in this group. \nAdmission is free\, with no tickets needed to attend. Due to limited space\, attendees must register in advance by emailing toddburgemusic@gmail.com. \nActivities and topics covered often include: \n\nSongwriting (how to get started\, how to eliminate blocks\, etc.)\nDeveloping mentoring (pairing seasoned songwriters with up-and-comers)\nHow to write for others\nHow to write for yourself\nSong review sessions (writers will bring in songs for positive review)\nPerformance technique discussions\nCo-writing songs as a group\n\nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/november-song-colony-workshop/
LOCATION:Main Header
CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20231117T200000
DTEND;TZID=America/New_York:20231117T220000
DTSTAMP:20230911T120055Z
CREATED:20230911T120055Z
LAST-MODIFIED:20230911T120055Z
UID:15662-1700251200-1700258400@peoplesbanktheatre.com
SUMMARY:Chris Isaak: It's Almost Christmas Tour
DESCRIPTION:Over the course of his forty-year career\, Platinum-selling and GRAMMY-nominated singer & actor Chris Isaak has performed to sold-out crowds across the globe with his longtime band Silvertone. His music and film credits include thirteen critically acclaimed studio albums\, twelve chart-topping singles along with several motion pictures\, such as The Silence of the Lambs and That Thing You Do!. His work has also taken him behind the scenes\, creating music for multiple film soundtracks\, including Eyes Wide Shut\, True Romance\, Wild at Heart\, and Blue Velvet. Isaak has starred in his own critically acclaimed television series The Chris Isaak Show on SHOWTIME\, has previously served as a judge on The X Factor Australia\, and hosted the music talk show\, The Chris Isaak Hour on BIO. 2019 marked the 30th Anniversary of Isaak’s beloved Heart-Shaped World album\, which includes his breakthrough classic “Wicked Game”. Newly released Everybody Knows It’s Christmas is Isaak’s second career Christmas album and features 13 tracks of originals and covers. Isaak was recently honored with a Lifetime Achievement Award for Performance by the Americana Honors.   \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/chris-isaak/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231030T200000
DTEND;TZID=America/New_York:20231030T220000
DTSTAMP:20230725T140028Z
CREATED:20230725T140028Z
LAST-MODIFIED:20230725T140028Z
UID:15350-1698696000-1698703200@peoplesbanktheatre.com
SUMMARY:Lyle Lovett and Leo Kottke: In Conversation and Song
DESCRIPTION:Lyle Lovett\nA singer\, composer\, and actor\, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling\, the Texas-based musician fuses elements of country\, swing\, jazz\, folk\, gospel\, and blues in a convention-defying manner that breaks down barriers. \nWhether touring as a ‘Duo’ or with his ‘Acoustic Group’ or his ‘Large Band\,’ Lovett’s live performances show not only the breadth of this Texas legend’s deep talents\, but also the diversity of his influences\, making him one of the most compelling and captivating musicians in popular music. \nSince his self-titled debut in 1986\, Lyle Lovett has evolved into one of music’s most vibrant and iconic performers. Among his many accolades\, besides the four Grammy Awards\, he was given the Americana Music Association’s inaugural Trailblazer Award\, and was named Texas State Musician. \nHis works\, rich and eclectic\, are some of the most beloved of any artist working today. \nLeo Kottke\nAcoustic guitarist Leo Kottke was born in Athens\, Georgia\, but left town after a year and a half. Raised in 12 different states\, he absorbed a variety of musical influences as a child\, flirting with both violin and trombone\, before abandoning Stravinsky for the guitar at age 11. \nAfter adding a love for the country-blues of Mississippi John Hurt to the music of John Phillip Sousa and Preston Epps\, Kottke joined the Navy underage\, to be underwater\, and eventually lost some hearing shooting at lightbulbs in the Atlantic while serving on the USS Halfbeak\, a diesel submarine. \nKottke had previously entered college at the U of Missouri\, dropping out after a year to hitchhike across the country to South Carolina\, then to New London and into the Navy\, with his twelve string. “The trip was not something I enjoyed\,” he has said\, “I was broke and met too many interesting people.” \nDischarged in 1964\, he settled in the Twin Cities area and became a fixture at Minneapolis’ Scholar Coffeehouse\, which had been home to Bob Dylan and John Koerner. He issued his 1968 recording debut LP Twelve String Blues\, recorded on a Viking quarter-inch tape recorder\, for the Scholar’s tiny Oblivion label. (The label released one other LP by The Langston Hughes Memorial Eclectic Jazz Band.) \nAfter sending tapes to guitarist John Fahey\, Kottke was signed to Fahey’s Takoma label\, releasing what has come to be called the Armadillo record. Fahey and his manager Denny Bruce soon secured a production deal for Kottke with Capitol Records. \nKottke’s 1971 major-label debut\, “Mudlark\,” positioned him somewhat uneasily in the singer/songwriter vein\, despite his own wishes to remain an instrumental performer. Still\, despite arguments with label heads as well as with Bruce\, Kottke flourished during his tenure on Capitol\, as records like 1972’s “Greenhouse” and 1973’s live “My Feet Are Smiling” and “Ice Water” found him branching out with guest musicians and honing his guitar technique. \nWith 1975’s Chewing Pine\, Kottke reached the U.S. Top 30 for the second time; he also gained an international following thanks to his continuing tours in Europe and Australia. \nHis collaboration with Phish bassist Mike Gordon\, “Clone\,” caught audiences’ attention in 2002. Kottke and Gordon followed with a recording in the Bahamas called “Sixty Six Steps\,” produced by Leo’s old friend and Prince producer David Z. \nKottke has been awarded two Grammy nominations; a Doctorate in Music Performance by the Peck School of Music at the U of Wisconsin\, Milwaukee; and a Certificate of Significant Achievement in Not Playing the Trombone from the U of Texas at Brownsville with Texas Southmost College. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/lyle-lovett-and-leo-kottke/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231026T183000
DTEND;TZID=America/New_York:20231026T200000
DTSTAMP:20230504T154650Z
CREATED:20230504T154650Z
LAST-MODIFIED:20230504T154650Z
UID:14752-1698345000-1698350400@peoplesbanktheatre.com
SUMMARY:October Song Colony Workshop
DESCRIPTION:The Song Colony with Todd Burge takes place inside The Stage Door at 224 Putnam Street in Marietta. \nThe mission of these monthly workshops is to encourage creation and collaboration. We aim to sustain\, expand\, and encourage songwriting talent and performance in the Mid-Ohio Valley. You do not have to be musically inclined to participate in this group. \nAdmission is free\, with no tickets needed to attend. Due to limited space\, attendees must register in advance by emailing toddburgemusic@gmail.com. \nActivities and topics covered often include: \n\nSongwriting (how to get started\, how to eliminate blocks\, etc.)\nDeveloping mentoring (pairing seasoned songwriters with up-and-comers)\nHow to write for others\nHow to write for yourself\nSong review sessions (writers will bring in songs for positive review)\nPerformance technique discussions\nCo-writing songs as a group\n\nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/october-song-colony-workshop/
LOCATION:Main Header
CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20231021T200000
DTEND;TZID=America/New_York:20231021T220000
DTSTAMP:20230801T120053Z
CREATED:20230801T120053Z
LAST-MODIFIED:20230801T120053Z
UID:15388-1697918400-1697925600@peoplesbanktheatre.com
SUMMARY:Jimmy Fortune
DESCRIPTION:Presented by the Washington County Foster Families Foundation\nFeaturing special opening guest: Jake Binegar\nA veteran singer and guitarist who has become one of the mainstays of country music\, Jimmy Fortune spent more than two decades as a member of the vocal group the Statler Brothers before moving on to a solo career. In his solo work\, Fortune’s music is a polished mix of country and Christian influences\, with his expressive tenor voice matched to songs of love and family and clean\, modern traditionalist arrangements. On secular releases such as When One Door Closes (2003) and Lessons (2012)\, the performances are polished while retaining a down-to-earth tone thanks to his family. Meanwhile\, Fortune deals with spiritual themes on 2015’s Hits and Hymns and 2019’s God & Country\, where he generally adds harmonies and uses more acoustic instrumentation while still singing with a significant passion and conviction. \n[av_video src=’https://www.youtube.com/watch?v=etcT7VRIAWA’ mobile_image=” attachment=” attachment_size=” format=’16-9′ width=’16’ height=’9′ conditional_play=” av_uid=” custom_class=”] \n  \nPROCEEDS FROM THIS CONCERT WILL BENEFIT WASHINGTON COUNTY FOSTER CHILDREN AND FOSTER PARENTS.\n“Our vision for this benefit concert is to assist foster parents by providing funding to be used for normal childhood activities not covered by county funds\, in hopes of enhancing these children’s lives.” \n“Foster/adoptive caregivers are concerned individuals who are dedicated to providing the needs of Washington County’s children whose lives have been disrupted due to abuse and neglect. They offer food\, housing\, guidance\, acceptance\, understanding\, and support for children who are unable to stay with their families. Without these committed individuals\, abused and neglected children would not have a safe place to call home.” \n\nJake Binegar\nJake Binegar is a country music artist from Southeastern Ohio. His music is a mix of Appalachian mountain music with a touch of that Nashville twang. He started playing guitar at the age of 13 and leading country bands at the age of 18. His music has been heard all across the east coast with his first radio release single\, “I Wasn’t Me.” \n“Jake is a gifted singer-songwriter. He has a unique way of making you ‘feel’ a song. When you hear Jake\, you hear what’s real. His songwriting captures the moment\, and his vocals compel you to live that moment with him. What you see is what you get and what you get is something special.” -Rodney “The Big O” Ortiz\, US 107 WNUS\, Froggy 99.1 \n \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/jimmy-fortune/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231020T200000
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UID:15620-1697832000-1697839200@peoplesbanktheatre.com
SUMMARY:David Brighton's SPACE ODDITY - The Quintessential David Bowie Experience
DESCRIPTION:SPACE ODDITY is a live\, theatrically staged\, elaborately-costumed multi-media spectacle that transports audiences on a musical journey through the constantly metamorphosing career of David Bowie which was notable for constant reinvention and visual presentation in both his music and on stage. \nOver the last 20 years\, SPACE ODDITY\, starring David Brighton\, has performed throughout the USA\, Canada\, Mexico\, Australia\, Finland\, Germany\, Estonia\, Belgium\, France\, The Netherlands\, Spain\, Luxembourg\, Switzerland\, Portugal\, Israel\, New Zealand and China and is widely considered to be the world’s premier tribute to David Bowie. \nDAVID BRIGHTON\nDavid Brighton is credited as being the world’s best David Bowie impersonator\, with one of the most entertaining acts ever to hit the stage.\nBrighton’s credits include performing side by side with David Bowie himself in the TV commercials for Vittel Mineral Water and for Reality – Bowie’s CD. Brighton has performed as a resident cast member of the world famous Legends In Concert – the Las Vegas production show. He was also cast to portray David Bowie in the Warner Brothers feature film\, The Watchmen. He also appeared as David Bowie on VH-1 television as well as in international pop star Shakira’s concert video.\nBrighton has performed worldwide on bills with some of the biggest acts the world has known\, including: Morrissey\, Elton John\, Devo\, Smash Mouth\, Stevie Wonder\, Kenny Loggins\, Three Dog Night\, Chicago\, Little Richard and Barry Manilow. Brighton has performed at events for Arnold Schwarzenegger and Maria Shriver… Brooke Shields\, Dustin Hoffman\, Sylvester Stallone\, Jay Leno\, David Foster\, Catherine Zeta Jones and Michael Douglas\, Barbara Streisand\, Quincy Jones\, Nicholas Cage… to name a few.\nDavid and the Space Oddity band have been performing throughout the United States\, Canada\, Mexico\, Australia\, and Europe – having just returned from touring Finland\, Germany\, Estonia\, Belgium\, France\, The Netherlands\, Spain\, Luxembourg\, Switzerland\, Portugal\, Israel\, New Zealand and China. \nFOR ADDITIONAL INFORMATION ABOUT BRIGHTON AND HIS BAND:\nhttp://www.davidbowietribute.com/about \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/space-oddity/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231018T200000
DTEND;TZID=America/New_York:20231018T220000
DTSTAMP:20230619T120018Z
CREATED:20230619T120018Z
LAST-MODIFIED:20230619T120018Z
UID:15091-1697659200-1697666400@peoplesbanktheatre.com
SUMMARY:The Wood Brothers
DESCRIPTION:Featuring support by Maya de Vitry \nThe Wood Brothers have learned to trust their hearts. For the better part of two decades\, they’ve cemented their reputation as freethinking songwriters\, road warriors\, and community builders\, creating a catalog of diverse music and a loyal audience who’ve grown alongside them through the years. That evolution continues with Heart is the Hero\, the band’s eighth studio album. Recorded analog to 16-track tape\, this latest effort finds its three creators embracing the chemistry of their acclaimed live shows by capturing their performances in real-time direct from the studio floor with nary a computer in sight. An acoustic-driven album that electrifies\, Heart is the Hero is stocked with songs that target not only the heart\, but the head and hips\, too.  \n“We love records that come from the era of less tracks and more care\,” explains co-founder Oliver Wood. “When you use a computer during the tracking process\, you have an infinite number of tracks at your disposal\, which implies that nothing is permanent\, and everything can be fixed. Tape gives you limitations that force you to be creative and intentional. You don’t look at the music on a screen; you listen to it\, and you learn to focus on the feeling of the performance.”  \nThroughout Heart Is The Hero\, those performances are matched by the visceral storytelling and songwriting chops that have turned The Wood Brothers into Grammy-nominated leaders of American roots music\, even as their music reaches far beyond the genre’s borders. The stripped-down swagger of “Pilgrim” underscores Oliver’s reminder to slow down and experience each moment as an interactive observer\, rather than a passive tourist. A similar theme anchors “Between the Beats\,” where Oliver draws upon a meditation technique — maintaining one’s focus on the space between heartbeats — to reach a new level of presence. The gentle sway of country soul gem “Rollin’ On\,” featuring horns by Matt Glassmeyer and Roy Agee\, expounds on the time-honored tradition of love as the guiding light through darkness\, while ”Mean Man World” finds Chris Wood singing about his responsibilities as a father whose young daughter is poised to inherit an uncertain future. “Line Those Pockets” is a universal call for mercy and understanding over materialism. “Everybody’s just trying to be happy\, so put your money away; line those pockets with grace\,” the band sings in three-part harmony during the song’s chorus\, which emphasizes compassion over cash as the world’s true currency. Together\, these songs offer a snapshot of a spirited\, independent-minded group at the peak of its powers\, always pushing forward and seeking to evolve beyond what’s come before.  \n“There’s still acoustic guitar\, upright bass\, and percussion on this album — things people use all the time — but we’re always thinking\, ‘How can we make this sound like us\, but not like something we’ve already done?'” Oliver says. “Sometimes\, the only way to do that is to get weird.”  \nThat sense of exploration pumps its way through Heart is the Hero like lifeblood. Arriving on the heels of 2019’s Live at The Fillmore\, 2020’s Kingdom In My Mind\, and Oliver Wood’s solo album Always Smilin’ — all of which were released on Honey Jar Records\, the band’s independent label — Heart is the Hero is bold\, bright\, and singularly creative\, a fully realized collective effort ultimately greater than the sum of its parts. Perhaps that’s to be expected from a group whose willingness to experiment has earned acclaim from Rolling Stone and NPR\, as well as an annual touring schedule of sold-out music halls and theaters on both sides of the Atlantic. Ask The Wood Brothers\, though\, and they’ll tell you to expect the unexpected. “We are never satisfied if we are not searching for new musical recipes\,” says Jano Rix\, nodding to the uncharted territory that Heart is the Hero covers. Chris Wood agrees\, adding\, “We are one of those bands that isn’t easily categorized. We know what our strengths are\, but we can’t help but push the envelope\, as well. It’s too much fun.”  \n\nMaya de Vitry\nMaya de Vitry’s dynamic and vibrant voice seems to rise out of some necessity of bringing songs to life\, embracing listeners with what Folk Alley calls a “soulful intimacy.” She grew up in a musical family in Lancaster County\, Pennsylvania\, understanding music to be a place of gathering\, a way to spend a summer night by a campfire. She was surrounded by bluegrass and old-time music\, and country\, gospel\, and folk songs. She took piano lessons from her grandmother\, and took up classical violin in school\, but it was some combination of the groove-centered fiddle music of Appalachia\, the vulnerable poetry in Townes Van Zandt’s songwriting\, and the deeply emotive phrasing of Billie Holiday’s singing that first compelled her to begin creating tunes and songs of her own – and it was around campfires that she slowly found the courage to begin singing them.  \nMaya first traveled and performed as a fiddling street musician\, and then in bars\, theaters\, and on festival stages as a founding member of The Stray Birds. When the trio parted ways in 2018\, Maya embarked on an ever-evolving musical path of solo work and new collaborations. Based in Nashville\, Tennessee\, she enjoys moving between acoustic and electric worlds\, playing in the musical spaces between folk\, country\, and indie rock – although she thinks of it all as “song music”. Her recordings and live performances embody both sincerity and playfulness\, and a compelling reverence for the power of songs to be a place of gathering – whether played on stage\, or around a campfire.  \nMaya tours with her acoustic trio\, and with her electric band\, each featuring a fluid lineup of consistently stellar musicians who create a powerfully dynamic show. An engaging solo performer and an inspired collaborator\, Maya also enjoys the art of warming up the stage for other artists\, and she has been invited to support a variety of tours\, from innovative singer-songwriters like John Craigie and Aoife O’Donovan\, to the roots-minded supergroup Mighty Poplar. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-wood-brothers/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231017T200000
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DTSTAMP:20230327T120046Z
CREATED:20230327T120046Z
LAST-MODIFIED:20230327T120046Z
UID:14387-1697572800-1697580000@peoplesbanktheatre.com
SUMMARY:Styx
DESCRIPTION:  \nThe six men comprising Styx have committed to rocking the Paradise together with audiences far and wide by entering their second decade of averaging over 100 shows a year\, and each one of them is committed to making the next show better than the last. Styx draws from over four decades of barnburning chart hits\, joyous singalongs\, and hard-driving deep cuts. Like a symphony that builds to a satisfying crescendo\, a Styx set covers a wide range of stylistic cornerstones. From the progressively sweeping splendor that is “The Grand Illusion” to the hunker-down fortitude of all that is the “Blue Collar Man\,” from the majestic spiritual love for a special “Lady” to the seething indictment of preening\, primping pageantry for pageantry’s sake of “Miss America\,” from an individual yearning for true connection as a “Man in the Wilderness” to a soul-deep quest to achieve what’s at the heart of one’s personal vision in “Crystal Ball\,” from the regal reach-for-the-stars bravado of “Come Sail Away” to the grainy all-in gallop of that rugged “Renegade” who had it made\, the band draws on an unlimited cache of ways to immerse one’s mind and body in their signature sound. \nStyx hit its stride with guitarist/vocalist Tommy Shaw’s first LP with the band\, 1976’s Crystal Ball\, and then they become the first group to score four triple-platinum albums in a row: The Grand Illusion (1977)\, Pieces of Eight (1978)\, Cornerstone (1979)\, and Paradise Theater (1981). Over the ensuing decade\, Styx weathered the shifting winds of the public’s musical taste\, reconvening for a highly successful 1996 Return to Paradise tour that was expertly documented on both CD and DVD in 1997. With a little help from their many friends in Cleveland’s Contemporary Youth Orchestra\, One With Everything (2006) became a hybrid orchestral rock blend for the ages. And on The Grand Illusion / Pieces of Eight Live (2011)\, the band performed at its peak when tackling every track from a pair of their finest triple-platinum albums back to back. Not only that\, but the band re-recorded two discs’ worth of its classic material with much finesse and musculature\, aptly known as Regeneration Volume I & II (2011 & 2012). Observes Tommy\, “Now you have something you can take home with you and go\, ‘Yeah\, that’s the band I saw last night.’ ” \nAfter more than a decade together on the road\, this incarnation of Styx is looking forward to performing as many shows as it can as long as it can. “It all comes back to the chemistry\,” says bassist/vocalist Ricky Phillips. “The legacy of this band will be that it brought joy to millions of people\,” notes drummer Todd Sucherman. Observes keyboardist/vocalist Lawrence Gowan\, “We’ve always tried to explain why this is this happening. It’s obviously a multitude of factors\, but the main one is that our show is really good! And if it’s really good\, they’re going to come to see it again.” Styx hopes it’s a wave that never crests. “Every night\, we go on that magic carpet ride together\,” observes original bassist Chuck Panozzo\, who joins the band on tour as often as he can. “Music is this amazing force that comes from a higher place. I’m humbled for this band to have the great success that it has\,” says co-founding guitarist/vocalist James “JY” Young. “We just want to keep on doing this\,” asserts Tommy. “We want to let life take its course and let this music continue to be the soundtrack to it. And this band will continue to evolve as long as we live and play this music.” The jig is up\, the news is out: The Esprit de Styx is alive and well\, and now it’s time to see for yourself. Welcome to the Grand Evolution. \n  \n  \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/styx/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231011T200000
DTEND;TZID=America/New_York:20231011T220000
DTSTAMP:20230809T194136Z
CREATED:20230809T194136Z
LAST-MODIFIED:20230809T194136Z
UID:15575-1697054400-1697061600@peoplesbanktheatre.com
SUMMARY:Esbenshade Series: Sarah Vowell
DESCRIPTION:Presented by the Esbenshade Series of Marietta College\nSarah Vowell\, the New York Times bestselling author of seven nonfiction books on American history and culture\, will take the stage at 8:00 p.m.\, Wednesday\, October 11\, at Peoples Bank Theatre as part of Marietta College’s 2023-24 Esbenshade Series. Ticket reservations begin at 10:00 a.m.\, Monday\, September 25. By examining the connections between the American past and present\, she offers personal\, often humorous accounts of American history as well as current events and politics. Her most recent book\, Lafayette in the Somewhat United States\, explores both the ideas and the battles of the American Revolution\, especially the patriot founders’ alliance with France as personified by the teenage volunteer in George Washington’s army\, the Marquis de Lafayette. Vowell’s previous book\, Unfamiliar Fishes\, is the intriguing history of our 50th state\, Hawaii\, annexed in 1898. Replete with a cast of beguiling and often tragic characters\, including an overthrown Hawaiian queen\, whalers\, missionaries\, sugar barons\, Teddy Roosevelt\, and assorted con men\, Unfamiliar Fishes is another history lesson in Americana as only Vowell can tell it — with brainy wit and droll humor. \nThe series\, funded by the Frederica G. Esbenshade Memorial Fund\, will once again feature five performances and all will be free of charge to the public. Ticket reservations begin two weeks before each show date.
URL:https://peoplesbanktheatre.com/event/esbenshade-series-sarah-vowell/
LOCATION:Main Header
CATEGORIES:Esbenshade Series
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DTSTART;TZID=America/New_York:20231008T190000
DTEND;TZID=America/New_York:20231008T210000
DTSTAMP:20230313T120021Z
CREATED:20230313T120021Z
LAST-MODIFIED:20230313T120021Z
UID:14072-1696791600-1696798800@peoplesbanktheatre.com
SUMMARY:Brian Regan
DESCRIPTION:Critics\, fans\, and fellow comedians agree: Brian Regan is one of the most respected comedians in the country\, with Vanity Fair calling Brian “The funniest stand-up alive” and Entertainment Weekly calling him “Your favorite comedian’s favorite comedian.”  Having built his 30-plus year career on the strength of his material alone\, Brian’s non-stop theater tour continuously fills the most beautiful venues across North America\, visiting close to 100 cities each year. \nBrian returns for his third season in Peter Farrelly’s TV series\, Loudermilk\, which premiered on April 27\, 2021\, streaming on Amazon Prime.  Farrelly personally cast Brian in the series alongside Ron Livingston\, Anja Savcic\, Will Sasso\, and Mat Fraser.  Brian is receiving praise for his portrayal of “Mugsy\,” a recovering addict who is estranged from his family.  The first two seasons of Loudermilk originally aired on AT&T’s Audience Network and moved to Amazon Prime on March 12\, 2021. \nOn February 23\, 2021\, Brian premiered his second Netflix stand-up special\, Brian Regan: On The Rocks\, which was shot at Tuachan Center for the Arts\, an outdoor amphitheater in Utah.  Brian’s first Netflix special\, Brian Regan: Nunchucks And Flamethrowers\, premiered to rave reviews on November 21\, 2017\, and is also available as a vinyl album.   \nBrian stars in his own Netflix series\, Stand Up And Away! With Brian Regan\, which premiered on Christmas Eve 2018.  Brian and Jerry Seinfeld Executive Produce the four-episode original half-hour series that combines sketch comedy and stand-up.   \nBrian made his London debut on February 2\, 2019\, at The Leicester Square Theatre\, and he made his Kennedy Center debut with two sold-out shows on March 21 & 22\, 2019.  He appeared at Carnegie Hall on November 11\, 2017\, following years of performances in New York City’s finest theaters\, including Lincoln Center’s Avery Fisher Hall\, The Beacon Theater\, and Radio City Music Hall.  Brian’s tour has included visits to Denver’s legendary 8600-seat Red Rocks Amphitheater and the 12\,500-seat EnergySolutions Arena in Salt Lake City. \nIn 2015\, Brian made history with his stand-up special\, Brian Regan: Live From Radio City Music Hall\, as the first live broadcast of a stand-up special in Comedy Central’s history. \nA regular on The Tonight Show Starring Jimmy Fallon\, Brian is the rare guest who the show invites on for two segments: a performance segment and a segment on the couch to chat with Jimmy.  Previously\, Brian was a regular guest on The Late Show with David Letterman\, making 28 appearances on the CBS show. \nBrian made a scene-stealing cameo in Chris Rock’s film Top Five\, and he is a guest on two episodes of Seinfeld’s Comedians in Cars Getting Coffee\, which is now streaming on Netflix. \nBrian has eight hour-long comedy releases: \nBrian Regan: On The Rocks (2021) – Premiered on Netflix on February 23\, 2021 \nBrian Regan: Nunchucks and Flamethrowers (2017) – Available on Netflix \nBrian Regan: Live From Radio City Music Hall (2015) – Broadcast live on Comedy Central\, now available on CD & DVD and as a video or audio download \nAll By Myself (2010) – Only available as a CD or download only through his website \nThe Epitome of Hyperbole (2008) – Premiered on Comedy Central\, now available on DVD \nBrian Regan Standing Up (2007) – Premiered on Comedy Central\, now available on DVD \nI Walked on the Moon (2004) – Available on DVD or as an audio or video download only through his website \nBrian Regan Live (1997) – Available on CD \nFor more visit Brian’s website and follow Brian on Twitter\, Instagram\, and Facebook. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/brian-regan/
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CATEGORIES:Comedy
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DTSTAMP:20230724T120000Z
CREATED:20230724T120000Z
LAST-MODIFIED:20230724T120000Z
UID:15343-1696708800-1696716000@peoplesbanktheatre.com
SUMMARY:Hank & My Honky Tonk Heroes: 100 Years of Hank Williams
DESCRIPTION:Jason Petty celebrates Hank Williams 100th birthday with his critically acclaimed tribute\, “Hank and My Honky Tonk Heroes.” Williams penned over 400 country songs depicting the trials and tribulations of the common man and woman. Among his timeless classics are Hey Good Lookin’\, Your Cheatin’ Heart\, I’m So Lonesome I Could Cry\, Jambalaya and I Saw The Light. Williams is credited with creating the style that would influence other artists such as Patsy Cline\, George Jones\, Merle Haggard and Elvis Presley. He is considered the single most influential person in country music history and is enshrined in the Country Music Hall of Fame\, the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. \nJason Petty gained national notoriety when he portrayed Hank Williams in the biographical/musical about Williams’ life titled Hank Williams: Lost Highway. Petty first portrayed the country legend on the world-famous Ryman Auditorium stage in Nashville\, TN\, for a 2-year run of the Williams’ production. After 2 national tours\, he landed in New York City where he won the Obie Award for Best Actor in the Off-Broadway production of Hank Williams: Lost Highway. \n Since 2001\, Jason has travelled the continent with his own production called Hank and My Honky Tonk Heroes. Over the years\, Jason had the chance to meet and become friends with those who knew and played with Williams. They shared their stories of what Hank and his music meant to them and to the history of country music. Jason has translated those stories into a beautiful mosaic of live music and storytelling\, taking the audience down history’s memory lane while expertly weaving Williams’ story of triumph and tragedy. \nFor Williams’ 100th birthday celebration\, Jason has put together a package that any size venue can accommodate. From his full band show to a trio to a one-man show\, Jason brings Williams’ legend and music to life with authentic set pieces and period costumes. However\, it is Jason’s easy and insightful storytelling that keeps bringing audiences back time after time. There is no better time to introduce (or re-introduce) yourself to Hank Williams\, and to Jason Petty. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/hank-and-my-honky-tonk-heroes/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231006T200000
DTEND;TZID=America/New_York:20231006T220000
DTSTAMP:20230522T120000Z
CREATED:20230522T120000Z
LAST-MODIFIED:20230522T120000Z
UID:14823-1696622400-1696629600@peoplesbanktheatre.com
SUMMARY:The Doo Wop Project
DESCRIPTION:The Doo Wop Project begins at the beginning: tracing the evolution of Doo Wop from the classic sound of five guys singing harmonies on a street corner to the biggest hits on the radio today. In their epic shows The Doo Wop Project takes audiences on a journey featuring foundational tunes from the Crests\, Belmonts and Flamingos through the vocal artistry of Smokey Robinson\, The Temptations\, and The Four Seasons all the way to DooWopified versions of modern hits from Michael Jackson\, Jason Mraz\, Maroon 5\, and Sam Smith. \nFeaturing stars from the Broadway hits Jersey Boys\, Motown: The Musical\, and A Bronx Tale\, The Doo Wop Project brings unparalleled authenticity of sound and vocal excellence to recreate—and in some cases entirely reimagine—the greatest music in American pop and rock history. \nDominic Nolfi \nDominic Nolfi most recently performed on Broadway in Chazz Palminteri’s A Bronx Tale – The Musical\, directed by Robert DeNiro and Jerry Zaks. As an Original Cast member of A Bronx Tale – The Musical\, Motown: The Musical (Grammy nominated) and Jersey Boys (Grammy Award for Best Cast Album)\, he can be heard on all three soundtracks. Dominic also performed in the World Premiere productions of A Bronx Tale and Jersey Boys at the Paper Mill Playhouse and the La Jolla Playhouse. Dom was born and raised in San Francisco where he studied youth acting at the acclaimed American Conservatory Theatre. He studied Voice at the San Francisco Conservatory and attended the Boston Conservatory on scholarship where he graduated with a BFA in Theater. Upon graduation Dominic joined the European production of Grease. It was there that he met his future wife Sonia Iannetti; they have a daughter Vivienne. Dominic is a founding member of The Doo Wop Project and is unbelievably proud of his association with the other men who helped create the group.  \nCharl Brown \nCharl was nominated for a Tony Award for Best Featured Actor in a Musical for his role as “Smokey Robinson” in Motown The Musical; he reprised this role opening London’s West End production in 2016. He is also featured on the Grammy Nominated Original Broadway Cast recording. In 2014 Charl was honored to work with Stephen Schwartz playing the role of Adam/Noah in Children of Eden in Concert at the Kennedy Center. And returned to Kennedy Center in 2018 as The The Specialist in The Who’s Tommy. Other Credits include; Jersey Boys on Broadway and Las Vegas (Hal Miller) Sister ActBroadway (Officer Eddie Souther\, TJ\, Pablo U/S\, Ensemble) Hair (Hud) European Tour\, Ragtime (Coalhouse Walker Jr) Moonlight Stage\, Smokey Joe’s Cafe (Adrian) The Muny\, The Who’s Tommy(Captain Walker) Denver Center\, Ever After (Captain Laurent) Papermill Playhouse\, Johnny Baseball(Tim Wyatt) ART\, Dreamgirls (Curtis Taylor Jr.) SDMT\, Ragtime (Coalhouse) Performance Riverside\, Six Degrees of Separation (Paul) Long Beach Playhouse\, JC Superstar (Judas) Music at Westwood Theater\, A Chorus Line (Richie) Starlight Theater\, Star Wars Trilogy in 30 Minutes (Lando Calrissian) Edinburgh Fringe Festival. TV: Evil; Madam Secretary; America’s Got Talent (US & UK); Macy’s 85th & 87th Thanksgiving Day Parade\, The 63rd Annual Tony Awards\, A Capitol 4th 2013. Charl is a proud Graduate of the University of Southern California School of Dramatic Arts where he currently sits on the advisory board for the inaugural BFA in Musical Theater Class. \nNicholas Ward \nNicholas Ward is honored to be joining the Doo Wop Family! Recently you might have seen him featured (his 5th Broadway production) in the Hit Broadway Revival Of The Music Man Staring Hugh Jackman and Sutton Foster where he played Oliver Hix (The Baritone in the Quartet). Past credits include: The Lion King (Mufasa)\, Frozen\, (OBC-King Agnarr)\, In Transit (OBC-Chris)\, On The Town (Workman\, Miss Turnstile’s Announcer). Nicholas has also had the great pleasure of performing in 8 New York City Center Encores! productions including: Brigadoon w/ Kelli O’Hara\, Cabin In The Sky w/Chuck Cooper\, Pipe Dream w/Leslie Uggams\, The Golden Apple\, 1776\, Zorba w/ Marin Mazzie\, Paint Your Wagon\, and Annie Get Your Gun. Lincoln Center Productions include Camelot\, and Andrew Lippa’s I am Harvey Milk\, Symphony Space’s A Little Night Music. Touring productions include: Showboat and Porgy & Bess. Film & TV credits include: Shmigadoon\, Frozen 2\, Ricky and the Flash\, The Tony Awards\, The Tonight Show w/ Jimmy Fallon\, GMA\, One Night Only The Best of Broadway\, The Disney Holiday Sing Along\, Rockefeller Center Tree Lighting. Regionally he had been featured in many productions including\, Ragtime\, Man of La Mancha\, Smokey Joe’s Cafe\, and Jesus Christ Superstar. Original Broadway Cast Recordings include: Music Man\, Frozen\, In Transit. Nicholas is grateful to have had such a wonderful career in the performing arts. \nRussell Fischer \nRussell spent six years in the Broadway company of Jersey Boys\, marking his Broadway debut. He is currently enjoying his ninth season recording and touring with The Doo Wop Project. Fischer made his professional stage debut at eight years old in The Sound Of Music starring Debby Boone (“You Light Up My Life”). He starred as Billy in the second national tour of Big: The Musical\, and most recently in Baby Fat\, Act 1: A Rock Opera at NYC’s LaMama E.T.C. Regional credits include Thoroughly Modern Millie\, The Music Man at Chautauqua Opera\, the American premiere/recording of Children of Eden at Paper Mill Playhouse and the Atlanta Musical Theatre Festival premiere of The Collins Boy\, starring opposite Lisa Howard (Spelling Bee\, It Shoulda Been You). Fischer voiced a short on Last Week Tonight with John Oliver and is featured in the HBO documentary\, The Bronx\, USA. He has appeared on the live broadcasts of the 2015 Belmont Stakes\, the 2009 Tony Awards\, and several spots for TVLand’s 60 Second Sitcoms.  IG: @russell.a.fischer \nJohn Michael Dias \nJohn Michael Dias recently appeared on Broadway as Neil Sedaka in the Tony and Grammy Award-winning hit Beautiful: The Carol King Musical. He originated same the role for the Beautiful First National Tour. Dias gained a nationwide following starring as Frankie Valli of the Four Seasons in the smash hit Jersey Boys\, playing the role on Broadway\, as well as in the First National Tour\, Vegas\, and Chicago companies. Concerts: Breaking Up Is Hard to Do: Neil Sedaka’s Greatest Hits!. He can also be seen singing special appearances with the vocal group The Doo-Wop Project. Dias’ solo album\, Write This Way\, which features intimate takes on Broadway and pop favorites like “Can’t Take My Eyes of of You” and “New York State of Mind” is available on iTunes. Dias earned a BFA in musical theatre from Boston Conservatory. \nSonny Paladino \nMusic Supervisor\, Arranger and Orchestrator: A Beautiful Noise (The Neil Diamond Musical)\, and Getting the Band Back Together (Broadway)\, Smokey Joe’s Café (off-Broadway)\, Dion’s The Wanderer (upcoming). Other Broadway: Natasha\, Pierre and the Great Comet of 1812 (Music Supervisor)\, POTUS (Music Director/Arranger)\, Sting’s The Last Ship and Pippin (Associate Conductor). Arrangements and orchestrations for the Indianapolis\, Baltimore\, Seattle\, Vancouver\, and Detroit Symphony Orchestras and The Philly Pops. Performances with Josh Groban\, Sting\, Patina Miller\, and Matthew Morrison. Record Producer: GTBBT\, The Great Comet\, Soul Vol. 2\, Mistletoe and Carly\, as well as\, all four albums for the hit The Doo Wop Project! \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-doo-wop-project/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20231006T180000
DTEND;TZID=America/New_York:20231006T200000
DTSTAMP:20230320T120051Z
CREATED:20230320T120051Z
LAST-MODIFIED:20230320T120051Z
UID:14353-1696615200-1696622400@peoplesbanktheatre.com
SUMMARY:October First Friday: OYO
DESCRIPTION:This free\, DORA-friendly event will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nBorn on the banks of the Ohio River\, OYO began as a weekly jam session at the justAjar print shop in Marietta\, Ohio. And like that big muddy river\, OYO is fed by many influences and tributaries upstream – American folk music\, bluegrass\, old-school country\, and rock & roll. \nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/first-friday-oct23/
LOCATION:Main Header
CATEGORIES:Music
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CREATED:20230501T120033Z
LAST-MODIFIED:20230501T120033Z
UID:14672-1696082400-1696100400@peoplesbanktheatre.com
SUMMARY:Mutts Gone Nuts - Shows at 2:00 PM & 5:00 PM
DESCRIPTION:Two family-friendly shows at 2:00 pm and 5:00 pm! \nCome see the highest jumping dog in the world and her amazing canine cohorts in an all-star revue of doggie derring-do. They’ll have you at WOOF! \nImagine nine of the world’s most talented four-legged performers in an uproariously funny\, comedy dog spectacular and you get Mutts Gone Nuts! The all-star lineup includes Feather\, the Guinness world record holder for highest jumping canine\, National Champion Frisbee dogs\, a hilarious six pound Pomeranian Pikachu mix\, and a host of previously discarded dogs that will dance\, prance\, flip\, and skip their way right in to your heart. \nThe family friendly show runs about 75 minutes and was created by veteran comedy team Scott and Joan Houghton\, who performed their duo act ‘Jessie & James’ on variety stages from Tokyo to Las Vegas. In 2014\, The Houghtons joined forces with some of the countries top dog trainers\, world-class comedian Jonathan Burns and eight adorable pound puppies to create an action-packed\, comedy dog spectacular.\nMutts Gone Nuts’ dogs were all adopted from shelters or rescues. Sometimes the very behavior that drove the previous owner to relinquish the dog\, becomes the dog’s star quality. Mutts Gone Nuts’ trainers use ‘positive’ force-free training methods. They look for the dog’s natural talents by getting to know their individual personalities. Once they find out what the dog likes to do\, they reinforce those behaviors with treats and/or toys. Co-producer and emcee\, Scott Houghton says “I feel lucky to have come into dog training at a time when force-free\, positive training is the gold standard.” \nPositive training not only helps build the trust bond between you and your dog but it makes it fun for the dog and the trainer. When dogs perform behaviors they are naturally inclined to do\, they are happiest. When not on tour\, Mutts Gone Nuts’ furry cast members have the run of three fenced acres\, and of course they all live in the house (some even sleep in their bed). \nDeemed “A must see!” by the Washington Post the dogs will not only amaze you\, they’ll steal your heart\, and maybe your socks! Mutts Gone Nuts is sure to win Best in Show! \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/mutts-gone-nuts-2023/
LOCATION:Main Header
CATEGORIES:Comedy
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DTSTART;TZID=America/New_York:20230928T183000
DTEND;TZID=America/New_York:20230928T200000
DTSTAMP:20230504T154509Z
CREATED:20230504T154509Z
LAST-MODIFIED:20230504T154509Z
UID:14749-1695925800-1695931200@peoplesbanktheatre.com
SUMMARY:September Song Colony Workshop
DESCRIPTION:The Song Colony with Todd Burge takes place inside The Stage Door at 224 Putnam Street in Marietta. \nThe mission of these monthly workshops is to encourage creation and collaboration. We aim to sustain\, expand\, and encourage songwriting talent and performance in the Mid-Ohio Valley. You do not have to be musically inclined to participate in this group. \nAdmission is free\, with no tickets needed to attend. Due to limited space\, attendees must register in advance by emailing toddburgemusic@gmail.com. \nActivities and topics covered often include: \n\nSongwriting (how to get started\, how to eliminate blocks\, etc.)\nDeveloping mentoring (pairing seasoned songwriters with up-and-comers)\nHow to write for others\nHow to write for yourself\nSong review sessions (writers will bring in songs for positive review)\nPerformance technique discussions\nCo-writing songs as a group\n\nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/september-song-colony-workshop/
LOCATION:Main Header
CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20230914T200000
DTEND;TZID=America/New_York:20230914T220000
DTSTAMP:20230731T120002Z
CREATED:20230731T120002Z
LAST-MODIFIED:20230731T120002Z
UID:15361-1694721600-1694728800@peoplesbanktheatre.com
SUMMARY:Esbenshade Series: Bruce Hornsby & the Noisemakers
DESCRIPTION:Presented by the Esbenshade Series of Marietta College\nBased out of Williamsburg\, Virginia\, Bruce Hornsby first rose to national prominence with “The Way It Is\,” his 1986 Grammy-winning debut album with The Range. The title track became the most-played song on American radio in 1987 while Tupac Shakur’s timeless song “Changes” builds on “The Way It Is” and set the stage for many subsequent versions of the track. \nIn 1991\, Hornsby collaborated with Bonnie Raitt\, playing on her iconic hit “I Can’t Make You Love Me.” Additionally\, Hornsby was a part-time member of the Grateful Dead from September 1990 to March 1992\, performing over 100 concerts in America and Europe. \nThe 13-time Grammy nominee has also solidified his status as a highly sought-after collaborator. Hornsby’s own 23 albums have sold over 11 million copies worldwide\, and he has appeared on over 100 records\, including releases with Bob Dylan\, Don Henley\, the Grateful Dead\, Stevie Nicks\, Ricky Skaggs\, Bob Seger\, Chaka Khan\, Bon Iver\, Brandon Flowers\, Bonnie Raitt\, Sting\, Mavis Staples\, Willie Nelson and more. \nHornsby’s most recent studio album\, “’Flicted\,” was released in May 2022.
URL:https://peoplesbanktheatre.com/event/esbenshade-series-bruce-hornsby/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230910T190000
DTEND;TZID=America/New_York:20230910T210000
DTSTAMP:20230313T120034Z
CREATED:20230313T120034Z
LAST-MODIFIED:20230313T120034Z
UID:14099-1694372400-1694379600@peoplesbanktheatre.com
SUMMARY:Michael Carbonaro
DESCRIPTION:CARBONARO: LIES ON STAGE\nBest known as the star and executive producer of the hit series THE CARBONARO EFFECT on truTV\, Michael Carbonaro has also made frequent television appearances in shows such as Happily Divorced\, 30 Rock\, Grey’s Anatomy\, and CSI Miami. A performing magician since his youth\, Carbonaro went on to study experimental theater at New York University with aspirations of entertaining audiences through a variety of theatrical mediums\, including hidden-camera magic\, which he later showcased frequently on “The Tonight Show with Jay Leno.” \nFollowing Carbonaro’s frequent late-night appearances\, Michael was presented with the opportunity to launch his hit comedic series\, “The Carbonaro Effect\,” which has run for over 100 episodes on truTV and currently airs on HBO Max and in syndication worldwide. In this series\, Michael performs inventive tricks on unsuspecting members of the public who are unaware that he is a magician. Jaws drop when he causes a car to disappear from under a security guard’s nose or makes alien crabs transform into kittens in a science lab. Whether posing as a coffee shop barista\, museum curator\, or seemingly unremarkable store clerk in the REAL world\, Carbonaro’s illusions – along with his absurd\, matter-of-fact explanations – leave REAL people bewildered and families at home laughing out loud. \nIn 2016 Michael embarked on his first theater tour with the widely acclaimed show “Michael Carbonaro Live!” Since its debut\, Michael has performed this show over 200 times to sold-out audiences across the country\, cementing him as one of the most dynamic entertainers of his generation. Now Michael is back with a brand-new show – “Carbonaro: Lies on Stage” – which will continue to showcase his unmatched blend of humor and charisma along with inventive illusions\, which will amaze audiences of all ages. \nVIP includes an after show Meet & Greet with Michael Carbonaro!  Michael will be excited to meet you\, take photos\, and sign an item of your choosing! \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/michael-carbonaro/
LOCATION:Main Header
CATEGORIES:Comedy,Other
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DTSTART;TZID=America/New_York:20230906T200000
DTEND;TZID=America/New_York:20230906T220000
DTSTAMP:20230710T120009Z
CREATED:20230710T120009Z
LAST-MODIFIED:20230710T120009Z
UID:15081-1694030400-1694037600@peoplesbanktheatre.com
SUMMARY:Old Crow Medicine Show
DESCRIPTION:BY KETCH SECOR: Old Crow Medicine Show began in late September of 1998 when a monkey wrench gang of old-time string band musicians\, most of us still in our teens\, left Ithaca\, New York to cross the Canadian border and play our way to the Pacific. We brought our pawnshop fiddles and banjos\, guitars and washboards to downtown street corners across Ontario\, to paper mill towns above Lake Superior\, farmers markets in Manitoba\, Indian reservations in South Dakota\, and out to the streets of Vancouver and Victoria\, Seattle and Portland. Along the way\, we discovered a unique country sound both old and new\, foreign and familiar. We knew we had captured something special. \nThe lineup was fluid\, just hitch up the best available talent around at the time…and if you had a car that was a plus! But right from the start\, it was me in the driver’s seat of that black ’82 Volvo Station Wagon with the flames painted on the side\, Critter Fuqua riding shotgun\, and in the rearview there was Willie Watson riding in Kevin Hayes’ Ford Econoline van (we called it the White Whale). Standing behind the big doghouse bass was founding member Benny Gould and\, when he wasn’t birdwatching\, wily Kevin Ahearn played the banjo. We had painter/poet Jake Hascup along for the ride and Shani Abel\, a sassy Lubbock Texan who sold found objects during our street corner sets. \nAfter recrossing the continent we decided on moving to the mountains of North Carolina to further explore our newfound musical farrago. Once there\, Old Crow lived off the land\, worked in tobacco fields\, made corn whiskey\, and learned from the old-timers the affairs of plain living. Willie and Benny built banjos. Critter trimmed Fraser firs. Kevin and I shared a cabin deep in a holler with no electricity or plumbing (we did have a sheep\, Daisy\, and a potbelly pig named Jazz). We were a collective\, immersed deeply in the richness of Appalachia\, but more than that we were a pack of friends becoming a band. \nAfter a chance encounter on a downtown curb in Boone\, NC with flat pick legend Doc Watson we were invited to Merlefest where we caught the attention of Nashville\, moving here in 2000\, and bringing in tow buck dancing multi-instrumentalist Matt Kinman. Like in Boone before\, busking continued to bear more than just tips. One night on Lower Broadway\, Morgan Jahnig threw a dollar in the case and 20 years later he’s still our bassist. Gill Landry joined the band in a similar fashion in Jackson Square\, New Orleans. During the early 2000s\, as Critter struggled with addiction\, Old Crow brought in banjo players from Richie Stearns to Dave Rawlings to help plug the gap; even Bucky Baxter played a few shows in the lineup. \nNo matter who was on the stage in support\, there was always Willie and me front and center\, our fiddle and guitar lines weaving and swooping in attack formation. Altogether we built a following around our string band revival sound\, finding a growing legion of fans hungry for roots music and capturing the hearts of acclaimed artists like John Prine\, Gillian Welch\, and Marty Stuart who helped propel our music. We found early exposure from both Garrison Keillor and Conan O’Brian who helped fan the flames we’d been lighting across the country with a relentless touring schedule of club dates and opening slots for artists from Ricky Skaggs to Loretta Lynn to Dave Matthews Band to Willie Nelson. \nWith relentless touring and a growing fanbase\, and with the addition of mandolinist/keyboardist/drummer Cory Younts\, who joined OCMS in 2009\, the band began fusing more and more rock and roll elements\, further intensifying the live show and expanding our range in the recording studio. \nIn 2011\, Willie left the band and Critter returned. Adding West Virginia’s Chance McCoy to the roster helped us become a Grammy Award-winning combination\, one that saw us inducted into the Grand Ole Opry in 2013. \nThe late teens saw more changes to the lineup with the departures of Critter\, Chance\, and guitjo master Kevin Hayes\, and the flourishing of new players like Charlie Worsham\, Joe Andrews\, and Robert Price. In 2019\, percussionist Jerry Pentecost joined the lineup and during the global pandemic we lifted spirits with a trio of songs: “Pray For America”\, “Nashville Rising”\, and the chart-topping “Medicine Man (with Keb’ Mo’)”. Our Saturday night quarantine livestream Hartland Hootenanny was seen by well over 100\,000 viewers\, featuring performances by Billy Strings\, Amythyst Kiah\, Jim Lauderdale\, and dozens more guest artists. The pandemic also brought the addition of slide guitarist Mike Harris and ruby-throated tenor Mason Via. \nIn April 2022\, we released the critically acclaimed Paint This Town\, our first album of all original material in five years\, recorded in our very own Hartland Studios and co-produced with Memphis hitmaker Matt Ross-Spang. The album and title track landed in the top five of Americana Radio’s 2022 Album and Single airplay charts. After Pentecost’s surprise “call up to the major leagues” early in 2023\, Dante’ Pope joined the Old Crow team on drums. Dante’ first sat behind the kit as a special guest back in 2014 and is featured in the “Brushy Mountain Conjugal Trailer” video of that same era. A former member of the Fisk Jubilee Singers\, he brings to the stage more than just a mastery of percussion. Utility player PJ George III also was enlisted. A native of Salem\, Virginia\, and a master on banjo\, accordion\, and mandolin\, PJ is a veteran of the bluegrass and Americana scene and brings a rascally energy to the band not seen since Critter’s departure. Together we’ll be crisscrossing the nation\, connecting with fans who remind us night after night why a life in music is the most rewarding. \nOver the past two-plus decades\, Old Crow Medicine Show has established itself as America’s most beloved Old-Time String Band and one of Nashville’s most revered musical torchbearers. Our travels have included concerts in a dozen foreign countries\, as well as across the United States where we’ve delighted audiences from the Hollywood Bowl to Telluride\, Bonnaroo and the Newport Folk Festival to Jazz Fest. Our signature song “Wagon Wheel” is one of the most widely sung folk songs in history and was recently certified by RIAA as one of the top five country singles of all time. Our influence has been felt across the Americana music genre from the Lumineers to Mumford & Sons. We continue to explore sounds both old and new\, foreign and familiar\, and keep bringing audiences to their feet night after night. The journey that began in a Volvo Station Wagon at the Canadian border in the fall of 1998 continues to unfold in ways unimaginable. Our exploration of the continent’s heritage in song keeps on producing. Until that vein is tapped we’ll probably just keep on digging. And that’ll likely take a good long while. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/old-crow-medicine-show/
LOCATION:Main Header
CATEGORIES:Music
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DTEND;TZID=America/New_York:20230901T200000
DTSTAMP:20230320T120017Z
CREATED:20230320T120017Z
LAST-MODIFIED:20230320T120017Z
UID:14350-1693591200-1693598400@peoplesbanktheatre.com
SUMMARY:September First Friday: DJ Kos
DESCRIPTION:This free\, DORA-friendly event will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nDJ Kos started his journey in 1984. For years\, he has toured across the U.S. headlining events and festivals. His love of music and high energy shines through every song he mixes live. From the classics to the current hits\, this DJ is not to be missed. \nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/first-friday-sept23/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230831T183000
DTEND;TZID=America/New_York:20230831T200000
DTSTAMP:20230504T154335Z
CREATED:20230504T154335Z
LAST-MODIFIED:20230504T154335Z
UID:14746-1693506600-1693512000@peoplesbanktheatre.com
SUMMARY:August Song Colony Workshop
DESCRIPTION:The Song Colony with Todd Burge takes place inside The Stage Door at 224 Putnam Street in Marietta. \nThe mission of these monthly workshops is to encourage creation and collaboration. We aim to sustain\, expand\, and encourage songwriting talent and performance in the Mid-Ohio Valley. You do not have to be musically inclined to participate in this group. \nAdmission is free\, with no tickets needed to attend. Due to limited space\, attendees must register in advance by emailing toddburgemusic@gmail.com. \nActivities and topics covered often include: \n\nSongwriting (how to get started\, how to eliminate blocks\, etc.)\nDeveloping mentoring (pairing seasoned songwriters with up-and-comers)\nHow to write for others\nHow to write for yourself\nSong review sessions (writers will bring in songs for positive review)\nPerformance technique discussions\nCo-writing songs as a group\n\nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/august-song-colony-workshop/
LOCATION:Main Header
CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20230818T200000
DTEND;TZID=America/New_York:20230818T220000
DTSTAMP:20230522T120028Z
CREATED:20230522T120028Z
LAST-MODIFIED:20230522T120028Z
UID:14812-1692388800-1692396000@peoplesbanktheatre.com
SUMMARY:Asleep at the Wheel
DESCRIPTION:For over fifty years\, Asleep at the Wheel’s Ray Benson has been traversing the globe as an ambassador of Western swing music and introducing its irresistible sound to generation after generation. More than 100 musicians have passed through the Wheel\, but Benson remains the front man and the keeper of the vision\, in the process racking up more than 30 albums\, ten Grammy awards and literally millions of miles on the road. \n“I’m the reason it’s still together\, but the reason it’s popular is because we’ve had the greatest singers and players\,” Benson explains. “When someone joins the band\, I say\, ‘Learn everything that’s ever been done\, then put your own stamp on it.’ I love to hear how they interpret what we do. I’m just a singer and a songwriter\, and a pretty good guitar player\, but my best talent is convincing people to jump on board and play this music.” \nAsleep at the Wheel has collaborated on records with genre-spanning friends\, including Willie Nelson on 2009’s Grammy Nominated Willie and the Wheel and other critically acclaimed artists\, including Brad Paisley\, Jamey Johnson\, Merle Haggard\, George Strait\, the Avett Brothers\, Amos Lee\, Old Crow Medicine Show\, and Lyle Lovett on Still the King\, their 2015 critically acclaimed and Grammy-winning tribute to Bob Wills. On their latest release\, Half A Hundred Years\, Asleep At The Wheel continued their contributions to the American music landscape when three original members of Asleep at the Wheel—Chris O’Connell\, Leroy Preston\, and Lucky Oceans—returned after 40 years to lend their voices and musicianship to a number of tracks on the album along with Emmylou Harris\, Lee Ann Womack\, George Strait\, Lyle Lovett\, and Willie Nelson. \nAsleep at the Wheel represents an important cornerstone of American roots music\, even though some of its members and audiences represent a new generation. That far-reaching appeal remains a testament to Benson’s initial vision. “It took me 60 years\, but I’m doing what I’m meant to do—singing and playing and writing better than I ever have. A bandleader is just someone who gathers people around them to play the best music they can play. I just try and make the best decisions possible and kick some ass every night onstage.” \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/asleep-at-the-wheel-2023/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230816T190000
DTEND;TZID=America/New_York:20230816T210000
DTSTAMP:20230313T120040Z
CREATED:20230313T120040Z
LAST-MODIFIED:20230313T120040Z
UID:14189-1692212400-1692219600@peoplesbanktheatre.com
SUMMARY:The CALT Sessions: OYO
DESCRIPTION:Happening inside The Stage Door at 224 Putnam Street in Marietta.\nDoors open at 6:30 pm.\nThis project is made possible through the Central Appalachia Living Traditions Folk & Traditional Arts Experiences program of Mid Atlantic Arts.  \nBorn on the banks of the Ohio River\, Oyo is a dynamic six-piece roots band that formed in the back of Marietta’s JustAJar Design Press over the course of jam sessions\, eventually solidifying original work that utilizes hearty traditional Appalachian instrumentation rife with pulsating rhythm and poignant lyricism. Gathered around a single mic\, Oyo’s high-energy performances are equal parts honky tonk and barn dance\, with an indie-rock undercurrent. Oyo trades off lead vocals between Aaron Martin (fiddle\, mandolin)\, Cole Adair (guitar) and Michael Bond (guitar\, keys\, harmonica\, spoons)\, with Bobby Rosenstock (banjo)\, Drew Tanner (bass)\, and Joe Ryckebosch (drums\, washboard) joining in. \nWhere does the name Oyo come from?\nThe Iroquois referred to the Ohio River as Oyo (OH-yo)\, meaning “beautiful river.” \nThe CALT Sessions (An Appalachian Music Series)\nGrammy Winners\, WV Music Hall of Fame Inductees\, and regional heroes will join us this summer for this entertaining and informative new series made possible by Central Appalachia Living Traditions (CALT) and the Mid Atlantic Arts!  \nThe artists will discuss how Appalachian traditional music and culture have influenced their contemporary works. All the artists will be performing and taking questions from attendees.  \nThe series will take place inside The Stage Door at 224 Putnam Street in Marietta\, in a close\, intimate environment. The events will be free to the public\, but you must have a ticket. Tickets will be released online two days before each event.
URL:https://peoplesbanktheatre.com/event/the-calt-sessions-oyo/
LOCATION:Main Header
CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20230811T200000
DTEND;TZID=America/New_York:20230811T220000
DTSTAMP:20230123T130007Z
CREATED:20230123T130007Z
LAST-MODIFIED:20230123T130007Z
UID:13700-1691784000-1691791200@peoplesbanktheatre.com
SUMMARY:An Acoustic Evening with John Anderson
DESCRIPTION:Featuring an opening performance by special guest Jake Binegar. \nJohn Anderson pushed himself to complete his vocals for Years\, telling producer Dan Auerbach\, “Let’s get everything because I might not wake up.” \nIt’s not an overstatement. In a risky procedure a few months earlier\, when anesthesia was used\, Anderson was told by doctors that he’d died on the operating room table. His wife told him that it had happened three times. That knowledge weighed heavily on the legendary country singer while writing and recording Years because he knew that his next appointment – just a few days after the sessions — would require the same anesthesia.  \nRemarkably\, Anderson kept his health crisis a secret from his touring band and the music industry\, and even now he prefers not to get into all of the details. However\, his recovery has become his testimony. \n“There’s a few things that I came out of this whole deal better with\,” Anderson says. “Part of it is my love for music and part of it is my appreciation for my family. But the biggest part is knowing that I might die here any minute\, for who knows what reason\, but I know that the good Lord already came down and touched me. There’s not a doubt in my mind.” \nDuring his health scare\, he’d lost his sense of pitch and even his ability to recognize his own songs on the radio. At one point\, his hearing left him with what he calls “terrible noise\,” forcing him to come off the road for the first time in 40 years. \nAs a child growing up in Apopka\, Florida\, Anderson remembers humming along to the tone of his father’s boat motor. He started his music career performing solo around Florida before moving to Florida. He worked in construction – he was on the roofing crew for the new Grand Ole Opry House – before landing a contract with Warner Bros. Records. \nAfter charting modestly in the late ‘70s\, Anderson scored No. 1 hits in the ‘80s with “Wild and Blue\,” “Swingin’\,” and “Black Sheep.” After a brief career lull\, he staged a major comeback in 1992 as “Straight Tequila Night” became his first No. 1 single in nine years. That momentum carried him into the 2000s\, giving him 60 charting country singles in four consecutive decades. \n“As a musician who lived this way\, this job has always been so easy and so natural\,” Anderson says. “I always have thanked God for never having to work\, what I called work. I didn’t have to work too hard at it. It was a great way of living for me — and then it went away.” \nMarried since 1983\, with two daughters\, Anderson leaned on his family to push through. For a year and a half\, through innumerable doctor’s visits\, he fought on a daily basis to heal. He remembers at his most desperate moment\, he stood in the front yard of his acreage\, let the rain wash over him\, and told God\, “I don’t really know how much more I can deal with. Please help.” \nLooking back at that moment\, he says\, “It was a matter of 48 hours I started getting better. And I’m telling you\, I’m not here to be anything other than what I am\, but the biggest thing I’ve gotten out of my whole experience is knowing how real my faith is.” \nDuring his period of recovery\, Anderson got a phone call out of the blue from Auerbach\, who was simply calling as a fan\, inspired by a conversation with David Ferguson (co-producer) about great singers. When Anderson later met them both in person at Auerbach’s Easy Eye Sound studio in Nashville\, they clicked as a unit immediately. On the spot\, Anderson – a Nashville Songwriters Hall of Fame inductee — accepted an invitation to write the next day. \nThat first co-write yielded “Years\,” an emotional centerpiece of the album sung from the perspective of a man with some miles on him. “I recall thinking to myself\, ‘This is a pretty good song\,’” Anderson says. “But we know there’s a lot of good songs that get written\, and a lot of them never get heard. Nevertheless it was off to a good start.” \nAuerbach kept setting writing dates with collaborators like Joe Allen\, Pat McLaughlin\, and Paul Overstreet. At Anderson’s request\, Auerbach sang the work tapes. Instantly recognizing the caliber of the songs\, Auerbach offered to make an album with studio players like Gene Chrisman\, Dave Roe\, Russ Pahl\, Billy Sanford\, and Bobby Wood. Although he had produced or co-produced his own albums since 1981\, Anderson put his trust in Auerbach. \n“I booked the session and here I’ve got a room full of musicians\, and I really didn’t know if he was going to be able to hear in the headphones\,” Auerbach remembers. “But we got him behind the microphone\, he started singing and it was pure magic. His voice is like caramel magic coming out of those speakers.” \nListening to Anderson’s vocals on Years\, it would be impossible to guess that anything was amiss. Delivered in that distinctive\, rich baritone\, “Celebrate” provides a perspective of gratitude while “Slow Down\,” “All We’re Really Looking For” and “You’re Nearly Nothin’” are some of the most eloquent love songs he’s ever recorded. \nMeanwhile\, “I’m Still Hangin’ On” conveys the realities of a soldier living with PTSD\, while “Tuesday I’ll Be Gone” – a breezy duet with good friend Blake Shelton – captures the joy of just getting away from it all. The rambling vibe of “Wild and Free” and irresistible rhythm of “What’s a Man Got to Do” feel like they’ve been in Anderson’s repertoire all along. Beyond Years\, the sessions also yielded a rewarding new friendship between the artist and producer. \n“John will sing it as many times as you want. He wants it to be great\, but the thing is\, once he starts singing\, it’s almost right there\, right from the first lick\,” Auerbach says. “I feel incredibly lucky that I even had to the opportunity to make a record with John Anderson\, let alone have all this meaning to it.” \nAnderson adds\, “We went in the studio\, and I remember saying\, ‘I’m going to do this like it might be my last.’ It still could be\, but now the chances of that are getting slimmer and slimmer every day. I’m doing better so I’m not hardly thinking that way anymore. That’s a blessing\, too. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/john-anderson/
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CATEGORIES:Music
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DTSTAMP:20230619T120054Z
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UID:15099-1691776800-1691784000@peoplesbanktheatre.com
SUMMARY:Live on Putnam: Jake Binegar
DESCRIPTION:This free\, DORA-friendly event is held in conjunction with the 2023 Rivers\, Trails\, and Ales Festival. It will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nJake Binegar is a country music artist from Southeastern Ohio. His music is a mix of Appalachian mountain music with a touch of that Nashville twang. He started playing guitar at the age of 13 and leading country bands at the age of 18. His music has been heard all across the east coast with his first radio release single\, “I Wasn’t Me.” \n“Jake is a gifted singer-songwriter. He has a unique way of making you ‘feel’ a song. When you hear Jake\, you hear what’s real. His songwriting captures the moment\, and his vocals compel you to live that moment with him. What you see is what you get and what you get is something special.” -Rodney “The Big O” Ortiz\, US 107 WNUS\, Froggy 99.1 \nFollow Jake Binegar online » \n 
URL:https://peoplesbanktheatre.com/event/live-on-putnam-jake-binegar/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230808T180000
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DTSTAMP:20230308T163725Z
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UID:14084-1691517600-1691524800@peoplesbanktheatre.com
SUMMARY:Sensory Friendly Film Series: Puss in Boots: The Last Wish
DESCRIPTION:Puss in Boots discovers that his passion for adventure has taken its toll when he learns that he has burnt through eight of his nine lives. The swashbuckling hero sets out on an epic journey to find the mythical Last Wish and restore his nine lives. \nRuntime 102 minutes. Rated PG. Released December 2022. \nAbout the Sensory Friendly Film Series\nThe 2023 Sensory Friendly Film Series at Peoples Bank Theatre features adjustments to the everyday cinematic experience to create a positive\, comfortable\, and accepting environment for children and families affected by autism and sensory issues. \nThese adjustments include: \n\nLights left on low\nSound turned down\nNo previews before the film\nStaff trained in autism understanding\nDisabled access\nChill-out zones\n\nIn these special screenings\, attendees are welcome to get up\, move around\, sing\, shout\, and be themselves as they enjoy a carefree evening at our venue. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/puss-in-boots-the-last-wish/
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CATEGORIES:Film
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DTSTART;TZID=America/New_York:20230805T200000
DTEND;TZID=America/New_York:20230805T220000
DTSTAMP:20230313T120022Z
CREATED:20230313T120022Z
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UID:14118-1691265600-1691272800@peoplesbanktheatre.com
SUMMARY:The Linda Ronstadt Experience
DESCRIPTION:The Linda Ronstadt Experience with American Idol Star Tristan McIntosh is the premier touring tribute band showcasing the songs that Linda Ronstadt made famous. The show takes you on a musical journey of smash hit songs\, including “You’re No Good\,” “When Will I Be Loved\,” “That’ll Be the Day\,” and a particularly delicate\, nuanced interpretation of “Blue Bayou\,” among many more. \nThis repertoire spans from the earliest days of Linda’s singing career with the Stone Poneys\, a folk trio formed in Los Angeles in 1965; her first hit song with the band was the evocative “Different Drum.” \nDuring the 1970s\, she helped forge the country-rock sound of the era with classic renditions of songs by the Eagles\, Jackson Brown\, and Warren Zevon; later in the 1980s\, she bridged the new wave sound of the decade into huge hits with her chart-topping tenth album\, Mad Love. Linda’s explosive live shows also included material by the Rolling Stones\, Tom Petty\, Little Feat\, and other contemporaries of the day. \nCome out and revel in the songs Linda Ronstadt brought to life so beautifully\, performed by the Linda Ronstadt Experience. Vocalist Tristan McIntosh (2016 American Idol finalist) takes you on an emotional ride of purity\, power\, and heartbreak as she soars through these songs as though they live inside her. Be part of the experience\, and follow Tristan McIntosh and the Linda Ronstadt Experience as they bring Linda Ronstadt’s music into the 21st century! \nTo convey the majesty and impact of McIntosh’s powerful vocal quality is hard to put into words. She exudes poise and grace\, with a delivery both electrifying and subtle\, by turns. Tristan brings the original singer’s version stunningly alive through her own artful touch. A sea of listeners throughout a theatre can often be heard quietly singing along at the summit of “You’re No Good\,” drawing out that famous\, 8-second vowel. \nThe LRE show is touring widely\, and becoming ever more popular\, earning increasingly sold-out houses. Catch them when—not if—you can. It’s a shining experience that will buoy your days to come. \nThe Band\nComposed of accomplished professionals\, the band includes Berklee alumnus and keyboard virtuoso Brooks Milgate\, along with recent transplant to NYC by way of Nashville\, the guitars and harmony vocals of Bronson Bush. Drummer Ethan Leff keeps the engine room humming alongside veteran bassist Paul “Junior” Boyne\, who is also the band’s founder. Rounding out the band’s sound on alternating shows are seasoned multi-instrumentalists Peter Adams and Andy Santospago\, each contributing pedal steel\, acoustic guitar\, harmonica\, banjo and vocal harmonies. \nPerforming All the Hits and More\nLinda Ronstadt was the rare artist who could comfortably cover a wide variety of musical bases\, including folk\, rock\, country\, jazz standards\, opera and Latin. Her vocal gift had few limitations and she showcased it with every recording and performance. Her incredible vocal instrument\, along with her classic song interpretations\, have earned her countless devoted fans across the world. Sadly\, Linda has been stricken with Parkinson’s disease\, and can no longer sing or perform. The Linda Ronstadt Experience is excited to help keep her legacy alive by continuing to share the joy and beauty of her repertoire to a wide audience. \n“Music is meant to lighten your load. By singing it\, you release the sadness and release yourself.” —Linda Ronstadt \nHow The Linda Ronstadt Experience Came to Be\nIn June 2017\, bassist Junior Cain ran a local ad in the northeast\, seeking a Linda Ronstadt-style singer. He proceeded to assemble a band of players that echoed his love for the artist who had been stricken with Parkinson disease\, leaving her unable to sing or perform. After a few early personnel changes\, Junior decided to place ads in the musical hot spots of Nashville and Austin. \nAfter a few weeks\, Tristan McIntosh’s Nashville management team replied to the ad. It was decided that Tristan’s closest musical collaborator\, Bronson Bush\, would fill out the role as the band’s guitarist. By March 2018\, thirty songs were sent out to the potential band members to learn. \nA few months later\, in June of 2018\, Tristan and Bronson flew to Logan Airport in Boston to rehearse the material\, and then shoot video on day four. It took a tremendous leap of faith on everyone’s part\, but when all the members met\, their chemistry and good vibes were undeniable. When Tristan began to sing\, everyone knew that this was going to be something very special. They arranged the material together\, and by November of that same year\, they were off on their first run of shows. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-linda-ronstadt-experience/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230804T200000
DTEND;TZID=America/New_York:20230804T220000
DTSTAMP:20230123T130021Z
CREATED:20230123T130021Z
LAST-MODIFIED:20230123T130021Z
UID:13693-1691179200-1691186400@peoplesbanktheatre.com
SUMMARY:The Oak Ridge Boys
DESCRIPTION:Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash\, earned them Grammy\, Dove\, CMA\, and ACM awards\, and garnered a host of other industry and fan accolades. Every time they step before an audience\, the Oaks bring four decades of charted singles\, and 50 years of tradition\, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. \n“When I go on stage\, I get the same feeling I had the first time I sang with The Oak Ridge Boys\,” says lead singer Duane Allen. “This is the only job I’ve ever wanted to have.” \n“Like everyone else in the group\,” adds bass singer extraordinaire Richard Sterban\, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” \nThe two\, along with tenor Joe Bonsall and baritone William Lee Golden\, comprise one of Country’s truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira\, as well as Bobbie Sue\, Dream On\, Thank God For Kids\, American Made\, I Guess It Never Hurts To Hurt Sometimes\, Fancy Free\, Gonna Take A Lot Of River\, and many others. In 2009\, they covered a White Stripes song\, receiving accolades from Rock reviewers. In 2011\, they rerecorded a thirtieth-anniversary version of Elvira for a Cracker Barrel Old Country Store project.  \nThe group has scored 12 gold\, three platinum\, and one double platinum album—plus one double platinum single—and had more than a dozen national Number One singles and over 30 Top Ten hits. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-oak-ridge-boys-2023/
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CATEGORIES:Music
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