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SUMMARY:Esbenshade Series: Bruce Hornsby & the Noisemakers
DESCRIPTION:Presented by the Esbenshade Series of Marietta College\nBased out of Williamsburg\, Virginia\, Bruce Hornsby first rose to national prominence with “The Way It Is\,” his 1986 Grammy-winning debut album with The Range. The title track became the most-played song on American radio in 1987 while Tupac Shakur’s timeless song “Changes” builds on “The Way It Is” and set the stage for many subsequent versions of the track. \nIn 1991\, Hornsby collaborated with Bonnie Raitt\, playing on her iconic hit “I Can’t Make You Love Me.” Additionally\, Hornsby was a part-time member of the Grateful Dead from September 1990 to March 1992\, performing over 100 concerts in America and Europe. \nThe 13-time Grammy nominee has also solidified his status as a highly sought-after collaborator. Hornsby’s own 23 albums have sold over 11 million copies worldwide\, and he has appeared on over 100 records\, including releases with Bob Dylan\, Don Henley\, the Grateful Dead\, Stevie Nicks\, Ricky Skaggs\, Bob Seger\, Chaka Khan\, Bon Iver\, Brandon Flowers\, Bonnie Raitt\, Sting\, Mavis Staples\, Willie Nelson and more. \nHornsby’s most recent studio album\, “’Flicted\,” was released in May 2022.
URL:https://peoplesbanktheatre.com/event/esbenshade-series-bruce-hornsby/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230910T190000
DTEND;TZID=America/New_York:20230910T210000
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SUMMARY:Michael Carbonaro
DESCRIPTION:CARBONARO: LIES ON STAGE\nBest known as the star and executive producer of the hit series THE CARBONARO EFFECT on truTV\, Michael Carbonaro has also made frequent television appearances in shows such as Happily Divorced\, 30 Rock\, Grey’s Anatomy\, and CSI Miami. A performing magician since his youth\, Carbonaro went on to study experimental theater at New York University with aspirations of entertaining audiences through a variety of theatrical mediums\, including hidden-camera magic\, which he later showcased frequently on “The Tonight Show with Jay Leno.” \nFollowing Carbonaro’s frequent late-night appearances\, Michael was presented with the opportunity to launch his hit comedic series\, “The Carbonaro Effect\,” which has run for over 100 episodes on truTV and currently airs on HBO Max and in syndication worldwide. In this series\, Michael performs inventive tricks on unsuspecting members of the public who are unaware that he is a magician. Jaws drop when he causes a car to disappear from under a security guard’s nose or makes alien crabs transform into kittens in a science lab. Whether posing as a coffee shop barista\, museum curator\, or seemingly unremarkable store clerk in the REAL world\, Carbonaro’s illusions – along with his absurd\, matter-of-fact explanations – leave REAL people bewildered and families at home laughing out loud. \nIn 2016 Michael embarked on his first theater tour with the widely acclaimed show “Michael Carbonaro Live!” Since its debut\, Michael has performed this show over 200 times to sold-out audiences across the country\, cementing him as one of the most dynamic entertainers of his generation. Now Michael is back with a brand-new show – “Carbonaro: Lies on Stage” – which will continue to showcase his unmatched blend of humor and charisma along with inventive illusions\, which will amaze audiences of all ages. \nVIP includes an after show Meet & Greet with Michael Carbonaro!  Michael will be excited to meet you\, take photos\, and sign an item of your choosing! \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/michael-carbonaro/
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CATEGORIES:Comedy,Other
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DTEND;TZID=America/New_York:20230906T220000
DTSTAMP:20230710T120009Z
CREATED:20230710T120009Z
LAST-MODIFIED:20230710T120009Z
UID:15081-1694030400-1694037600@peoplesbanktheatre.com
SUMMARY:Old Crow Medicine Show
DESCRIPTION:BY KETCH SECOR: Old Crow Medicine Show began in late September of 1998 when a monkey wrench gang of old-time string band musicians\, most of us still in our teens\, left Ithaca\, New York to cross the Canadian border and play our way to the Pacific. We brought our pawnshop fiddles and banjos\, guitars and washboards to downtown street corners across Ontario\, to paper mill towns above Lake Superior\, farmers markets in Manitoba\, Indian reservations in South Dakota\, and out to the streets of Vancouver and Victoria\, Seattle and Portland. Along the way\, we discovered a unique country sound both old and new\, foreign and familiar. We knew we had captured something special. \nThe lineup was fluid\, just hitch up the best available talent around at the time…and if you had a car that was a plus! But right from the start\, it was me in the driver’s seat of that black ’82 Volvo Station Wagon with the flames painted on the side\, Critter Fuqua riding shotgun\, and in the rearview there was Willie Watson riding in Kevin Hayes’ Ford Econoline van (we called it the White Whale). Standing behind the big doghouse bass was founding member Benny Gould and\, when he wasn’t birdwatching\, wily Kevin Ahearn played the banjo. We had painter/poet Jake Hascup along for the ride and Shani Abel\, a sassy Lubbock Texan who sold found objects during our street corner sets. \nAfter recrossing the continent we decided on moving to the mountains of North Carolina to further explore our newfound musical farrago. Once there\, Old Crow lived off the land\, worked in tobacco fields\, made corn whiskey\, and learned from the old-timers the affairs of plain living. Willie and Benny built banjos. Critter trimmed Fraser firs. Kevin and I shared a cabin deep in a holler with no electricity or plumbing (we did have a sheep\, Daisy\, and a potbelly pig named Jazz). We were a collective\, immersed deeply in the richness of Appalachia\, but more than that we were a pack of friends becoming a band. \nAfter a chance encounter on a downtown curb in Boone\, NC with flat pick legend Doc Watson we were invited to Merlefest where we caught the attention of Nashville\, moving here in 2000\, and bringing in tow buck dancing multi-instrumentalist Matt Kinman. Like in Boone before\, busking continued to bear more than just tips. One night on Lower Broadway\, Morgan Jahnig threw a dollar in the case and 20 years later he’s still our bassist. Gill Landry joined the band in a similar fashion in Jackson Square\, New Orleans. During the early 2000s\, as Critter struggled with addiction\, Old Crow brought in banjo players from Richie Stearns to Dave Rawlings to help plug the gap; even Bucky Baxter played a few shows in the lineup. \nNo matter who was on the stage in support\, there was always Willie and me front and center\, our fiddle and guitar lines weaving and swooping in attack formation. Altogether we built a following around our string band revival sound\, finding a growing legion of fans hungry for roots music and capturing the hearts of acclaimed artists like John Prine\, Gillian Welch\, and Marty Stuart who helped propel our music. We found early exposure from both Garrison Keillor and Conan O’Brian who helped fan the flames we’d been lighting across the country with a relentless touring schedule of club dates and opening slots for artists from Ricky Skaggs to Loretta Lynn to Dave Matthews Band to Willie Nelson. \nWith relentless touring and a growing fanbase\, and with the addition of mandolinist/keyboardist/drummer Cory Younts\, who joined OCMS in 2009\, the band began fusing more and more rock and roll elements\, further intensifying the live show and expanding our range in the recording studio. \nIn 2011\, Willie left the band and Critter returned. Adding West Virginia’s Chance McCoy to the roster helped us become a Grammy Award-winning combination\, one that saw us inducted into the Grand Ole Opry in 2013. \nThe late teens saw more changes to the lineup with the departures of Critter\, Chance\, and guitjo master Kevin Hayes\, and the flourishing of new players like Charlie Worsham\, Joe Andrews\, and Robert Price. In 2019\, percussionist Jerry Pentecost joined the lineup and during the global pandemic we lifted spirits with a trio of songs: “Pray For America”\, “Nashville Rising”\, and the chart-topping “Medicine Man (with Keb’ Mo’)”. Our Saturday night quarantine livestream Hartland Hootenanny was seen by well over 100\,000 viewers\, featuring performances by Billy Strings\, Amythyst Kiah\, Jim Lauderdale\, and dozens more guest artists. The pandemic also brought the addition of slide guitarist Mike Harris and ruby-throated tenor Mason Via. \nIn April 2022\, we released the critically acclaimed Paint This Town\, our first album of all original material in five years\, recorded in our very own Hartland Studios and co-produced with Memphis hitmaker Matt Ross-Spang. The album and title track landed in the top five of Americana Radio’s 2022 Album and Single airplay charts. After Pentecost’s surprise “call up to the major leagues” early in 2023\, Dante’ Pope joined the Old Crow team on drums. Dante’ first sat behind the kit as a special guest back in 2014 and is featured in the “Brushy Mountain Conjugal Trailer” video of that same era. A former member of the Fisk Jubilee Singers\, he brings to the stage more than just a mastery of percussion. Utility player PJ George III also was enlisted. A native of Salem\, Virginia\, and a master on banjo\, accordion\, and mandolin\, PJ is a veteran of the bluegrass and Americana scene and brings a rascally energy to the band not seen since Critter’s departure. Together we’ll be crisscrossing the nation\, connecting with fans who remind us night after night why a life in music is the most rewarding. \nOver the past two-plus decades\, Old Crow Medicine Show has established itself as America’s most beloved Old-Time String Band and one of Nashville’s most revered musical torchbearers. Our travels have included concerts in a dozen foreign countries\, as well as across the United States where we’ve delighted audiences from the Hollywood Bowl to Telluride\, Bonnaroo and the Newport Folk Festival to Jazz Fest. Our signature song “Wagon Wheel” is one of the most widely sung folk songs in history and was recently certified by RIAA as one of the top five country singles of all time. Our influence has been felt across the Americana music genre from the Lumineers to Mumford & Sons. We continue to explore sounds both old and new\, foreign and familiar\, and keep bringing audiences to their feet night after night. The journey that began in a Volvo Station Wagon at the Canadian border in the fall of 1998 continues to unfold in ways unimaginable. Our exploration of the continent’s heritage in song keeps on producing. Until that vein is tapped we’ll probably just keep on digging. And that’ll likely take a good long while. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/old-crow-medicine-show/
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CATEGORIES:Music
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CREATED:20230320T120017Z
LAST-MODIFIED:20230320T120017Z
UID:14350-1693591200-1693598400@peoplesbanktheatre.com
SUMMARY:September First Friday: DJ Kos
DESCRIPTION:This free\, DORA-friendly event will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nDJ Kos started his journey in 1984. For years\, he has toured across the U.S. headlining events and festivals. His love of music and high energy shines through every song he mixes live. From the classics to the current hits\, this DJ is not to be missed. \nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/first-friday-sept23/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230831T183000
DTEND;TZID=America/New_York:20230831T200000
DTSTAMP:20230504T154335Z
CREATED:20230504T154335Z
LAST-MODIFIED:20230504T154335Z
UID:14746-1693506600-1693512000@peoplesbanktheatre.com
SUMMARY:August Song Colony Workshop
DESCRIPTION:The Song Colony with Todd Burge takes place inside The Stage Door at 224 Putnam Street in Marietta. \nThe mission of these monthly workshops is to encourage creation and collaboration. We aim to sustain\, expand\, and encourage songwriting talent and performance in the Mid-Ohio Valley. You do not have to be musically inclined to participate in this group. \nAdmission is free\, with no tickets needed to attend. Due to limited space\, attendees must register in advance by emailing toddburgemusic@gmail.com. \nActivities and topics covered often include: \n\nSongwriting (how to get started\, how to eliminate blocks\, etc.)\nDeveloping mentoring (pairing seasoned songwriters with up-and-comers)\nHow to write for others\nHow to write for yourself\nSong review sessions (writers will bring in songs for positive review)\nPerformance technique discussions\nCo-writing songs as a group\n\nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/august-song-colony-workshop/
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CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20230818T200000
DTEND;TZID=America/New_York:20230818T220000
DTSTAMP:20230522T120028Z
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LAST-MODIFIED:20230522T120028Z
UID:14812-1692388800-1692396000@peoplesbanktheatre.com
SUMMARY:Asleep at the Wheel
DESCRIPTION:For over fifty years\, Asleep at the Wheel’s Ray Benson has been traversing the globe as an ambassador of Western swing music and introducing its irresistible sound to generation after generation. More than 100 musicians have passed through the Wheel\, but Benson remains the front man and the keeper of the vision\, in the process racking up more than 30 albums\, ten Grammy awards and literally millions of miles on the road. \n“I’m the reason it’s still together\, but the reason it’s popular is because we’ve had the greatest singers and players\,” Benson explains. “When someone joins the band\, I say\, ‘Learn everything that’s ever been done\, then put your own stamp on it.’ I love to hear how they interpret what we do. I’m just a singer and a songwriter\, and a pretty good guitar player\, but my best talent is convincing people to jump on board and play this music.” \nAsleep at the Wheel has collaborated on records with genre-spanning friends\, including Willie Nelson on 2009’s Grammy Nominated Willie and the Wheel and other critically acclaimed artists\, including Brad Paisley\, Jamey Johnson\, Merle Haggard\, George Strait\, the Avett Brothers\, Amos Lee\, Old Crow Medicine Show\, and Lyle Lovett on Still the King\, their 2015 critically acclaimed and Grammy-winning tribute to Bob Wills. On their latest release\, Half A Hundred Years\, Asleep At The Wheel continued their contributions to the American music landscape when three original members of Asleep at the Wheel—Chris O’Connell\, Leroy Preston\, and Lucky Oceans—returned after 40 years to lend their voices and musicianship to a number of tracks on the album along with Emmylou Harris\, Lee Ann Womack\, George Strait\, Lyle Lovett\, and Willie Nelson. \nAsleep at the Wheel represents an important cornerstone of American roots music\, even though some of its members and audiences represent a new generation. That far-reaching appeal remains a testament to Benson’s initial vision. “It took me 60 years\, but I’m doing what I’m meant to do—singing and playing and writing better than I ever have. A bandleader is just someone who gathers people around them to play the best music they can play. I just try and make the best decisions possible and kick some ass every night onstage.” \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/asleep-at-the-wheel-2023/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230816T190000
DTEND;TZID=America/New_York:20230816T210000
DTSTAMP:20230313T120040Z
CREATED:20230313T120040Z
LAST-MODIFIED:20230313T120040Z
UID:14189-1692212400-1692219600@peoplesbanktheatre.com
SUMMARY:The CALT Sessions: OYO
DESCRIPTION:Happening inside The Stage Door at 224 Putnam Street in Marietta.\nDoors open at 6:30 pm.\nThis project is made possible through the Central Appalachia Living Traditions Folk & Traditional Arts Experiences program of Mid Atlantic Arts.  \nBorn on the banks of the Ohio River\, Oyo is a dynamic six-piece roots band that formed in the back of Marietta’s JustAJar Design Press over the course of jam sessions\, eventually solidifying original work that utilizes hearty traditional Appalachian instrumentation rife with pulsating rhythm and poignant lyricism. Gathered around a single mic\, Oyo’s high-energy performances are equal parts honky tonk and barn dance\, with an indie-rock undercurrent. Oyo trades off lead vocals between Aaron Martin (fiddle\, mandolin)\, Cole Adair (guitar) and Michael Bond (guitar\, keys\, harmonica\, spoons)\, with Bobby Rosenstock (banjo)\, Drew Tanner (bass)\, and Joe Ryckebosch (drums\, washboard) joining in. \nWhere does the name Oyo come from?\nThe Iroquois referred to the Ohio River as Oyo (OH-yo)\, meaning “beautiful river.” \nThe CALT Sessions (An Appalachian Music Series)\nGrammy Winners\, WV Music Hall of Fame Inductees\, and regional heroes will join us this summer for this entertaining and informative new series made possible by Central Appalachia Living Traditions (CALT) and the Mid Atlantic Arts!  \nThe artists will discuss how Appalachian traditional music and culture have influenced their contemporary works. All the artists will be performing and taking questions from attendees.  \nThe series will take place inside The Stage Door at 224 Putnam Street in Marietta\, in a close\, intimate environment. The events will be free to the public\, but you must have a ticket. Tickets will be released online two days before each event.
URL:https://peoplesbanktheatre.com/event/the-calt-sessions-oyo/
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CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20230811T200000
DTEND;TZID=America/New_York:20230811T220000
DTSTAMP:20230123T130007Z
CREATED:20230123T130007Z
LAST-MODIFIED:20230123T130007Z
UID:13700-1691784000-1691791200@peoplesbanktheatre.com
SUMMARY:An Acoustic Evening with John Anderson
DESCRIPTION:Featuring an opening performance by special guest Jake Binegar. \nJohn Anderson pushed himself to complete his vocals for Years\, telling producer Dan Auerbach\, “Let’s get everything because I might not wake up.” \nIt’s not an overstatement. In a risky procedure a few months earlier\, when anesthesia was used\, Anderson was told by doctors that he’d died on the operating room table. His wife told him that it had happened three times. That knowledge weighed heavily on the legendary country singer while writing and recording Years because he knew that his next appointment – just a few days after the sessions — would require the same anesthesia.  \nRemarkably\, Anderson kept his health crisis a secret from his touring band and the music industry\, and even now he prefers not to get into all of the details. However\, his recovery has become his testimony. \n“There’s a few things that I came out of this whole deal better with\,” Anderson says. “Part of it is my love for music and part of it is my appreciation for my family. But the biggest part is knowing that I might die here any minute\, for who knows what reason\, but I know that the good Lord already came down and touched me. There’s not a doubt in my mind.” \nDuring his health scare\, he’d lost his sense of pitch and even his ability to recognize his own songs on the radio. At one point\, his hearing left him with what he calls “terrible noise\,” forcing him to come off the road for the first time in 40 years. \nAs a child growing up in Apopka\, Florida\, Anderson remembers humming along to the tone of his father’s boat motor. He started his music career performing solo around Florida before moving to Florida. He worked in construction – he was on the roofing crew for the new Grand Ole Opry House – before landing a contract with Warner Bros. Records. \nAfter charting modestly in the late ‘70s\, Anderson scored No. 1 hits in the ‘80s with “Wild and Blue\,” “Swingin’\,” and “Black Sheep.” After a brief career lull\, he staged a major comeback in 1992 as “Straight Tequila Night” became his first No. 1 single in nine years. That momentum carried him into the 2000s\, giving him 60 charting country singles in four consecutive decades. \n“As a musician who lived this way\, this job has always been so easy and so natural\,” Anderson says. “I always have thanked God for never having to work\, what I called work. I didn’t have to work too hard at it. It was a great way of living for me — and then it went away.” \nMarried since 1983\, with two daughters\, Anderson leaned on his family to push through. For a year and a half\, through innumerable doctor’s visits\, he fought on a daily basis to heal. He remembers at his most desperate moment\, he stood in the front yard of his acreage\, let the rain wash over him\, and told God\, “I don’t really know how much more I can deal with. Please help.” \nLooking back at that moment\, he says\, “It was a matter of 48 hours I started getting better. And I’m telling you\, I’m not here to be anything other than what I am\, but the biggest thing I’ve gotten out of my whole experience is knowing how real my faith is.” \nDuring his period of recovery\, Anderson got a phone call out of the blue from Auerbach\, who was simply calling as a fan\, inspired by a conversation with David Ferguson (co-producer) about great singers. When Anderson later met them both in person at Auerbach’s Easy Eye Sound studio in Nashville\, they clicked as a unit immediately. On the spot\, Anderson – a Nashville Songwriters Hall of Fame inductee — accepted an invitation to write the next day. \nThat first co-write yielded “Years\,” an emotional centerpiece of the album sung from the perspective of a man with some miles on him. “I recall thinking to myself\, ‘This is a pretty good song\,’” Anderson says. “But we know there’s a lot of good songs that get written\, and a lot of them never get heard. Nevertheless it was off to a good start.” \nAuerbach kept setting writing dates with collaborators like Joe Allen\, Pat McLaughlin\, and Paul Overstreet. At Anderson’s request\, Auerbach sang the work tapes. Instantly recognizing the caliber of the songs\, Auerbach offered to make an album with studio players like Gene Chrisman\, Dave Roe\, Russ Pahl\, Billy Sanford\, and Bobby Wood. Although he had produced or co-produced his own albums since 1981\, Anderson put his trust in Auerbach. \n“I booked the session and here I’ve got a room full of musicians\, and I really didn’t know if he was going to be able to hear in the headphones\,” Auerbach remembers. “But we got him behind the microphone\, he started singing and it was pure magic. His voice is like caramel magic coming out of those speakers.” \nListening to Anderson’s vocals on Years\, it would be impossible to guess that anything was amiss. Delivered in that distinctive\, rich baritone\, “Celebrate” provides a perspective of gratitude while “Slow Down\,” “All We’re Really Looking For” and “You’re Nearly Nothin’” are some of the most eloquent love songs he’s ever recorded. \nMeanwhile\, “I’m Still Hangin’ On” conveys the realities of a soldier living with PTSD\, while “Tuesday I’ll Be Gone” – a breezy duet with good friend Blake Shelton – captures the joy of just getting away from it all. The rambling vibe of “Wild and Free” and irresistible rhythm of “What’s a Man Got to Do” feel like they’ve been in Anderson’s repertoire all along. Beyond Years\, the sessions also yielded a rewarding new friendship between the artist and producer. \n“John will sing it as many times as you want. He wants it to be great\, but the thing is\, once he starts singing\, it’s almost right there\, right from the first lick\,” Auerbach says. “I feel incredibly lucky that I even had to the opportunity to make a record with John Anderson\, let alone have all this meaning to it.” \nAnderson adds\, “We went in the studio\, and I remember saying\, ‘I’m going to do this like it might be my last.’ It still could be\, but now the chances of that are getting slimmer and slimmer every day. I’m doing better so I’m not hardly thinking that way anymore. That’s a blessing\, too. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/john-anderson/
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CATEGORIES:Music
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DTSTAMP:20230619T120054Z
CREATED:20230619T120054Z
LAST-MODIFIED:20230619T120054Z
UID:15099-1691776800-1691784000@peoplesbanktheatre.com
SUMMARY:Live on Putnam: Jake Binegar
DESCRIPTION:This free\, DORA-friendly event is held in conjunction with the 2023 Rivers\, Trails\, and Ales Festival. It will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nJake Binegar is a country music artist from Southeastern Ohio. His music is a mix of Appalachian mountain music with a touch of that Nashville twang. He started playing guitar at the age of 13 and leading country bands at the age of 18. His music has been heard all across the east coast with his first radio release single\, “I Wasn’t Me.” \n“Jake is a gifted singer-songwriter. He has a unique way of making you ‘feel’ a song. When you hear Jake\, you hear what’s real. His songwriting captures the moment\, and his vocals compel you to live that moment with him. What you see is what you get and what you get is something special.” -Rodney “The Big O” Ortiz\, US 107 WNUS\, Froggy 99.1 \nFollow Jake Binegar online » \n 
URL:https://peoplesbanktheatre.com/event/live-on-putnam-jake-binegar/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230808T180000
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DTSTAMP:20230308T163725Z
CREATED:20230308T163725Z
LAST-MODIFIED:20230308T163725Z
UID:14084-1691517600-1691524800@peoplesbanktheatre.com
SUMMARY:Sensory Friendly Film Series: Puss in Boots: The Last Wish
DESCRIPTION:Puss in Boots discovers that his passion for adventure has taken its toll when he learns that he has burnt through eight of his nine lives. The swashbuckling hero sets out on an epic journey to find the mythical Last Wish and restore his nine lives. \nRuntime 102 minutes. Rated PG. Released December 2022. \nAbout the Sensory Friendly Film Series\nThe 2023 Sensory Friendly Film Series at Peoples Bank Theatre features adjustments to the everyday cinematic experience to create a positive\, comfortable\, and accepting environment for children and families affected by autism and sensory issues. \nThese adjustments include: \n\nLights left on low\nSound turned down\nNo previews before the film\nStaff trained in autism understanding\nDisabled access\nChill-out zones\n\nIn these special screenings\, attendees are welcome to get up\, move around\, sing\, shout\, and be themselves as they enjoy a carefree evening at our venue. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/puss-in-boots-the-last-wish/
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CATEGORIES:Film
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DTSTART;TZID=America/New_York:20230805T200000
DTEND;TZID=America/New_York:20230805T220000
DTSTAMP:20230313T120022Z
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UID:14118-1691265600-1691272800@peoplesbanktheatre.com
SUMMARY:The Linda Ronstadt Experience
DESCRIPTION:The Linda Ronstadt Experience with American Idol Star Tristan McIntosh is the premier touring tribute band showcasing the songs that Linda Ronstadt made famous. The show takes you on a musical journey of smash hit songs\, including “You’re No Good\,” “When Will I Be Loved\,” “That’ll Be the Day\,” and a particularly delicate\, nuanced interpretation of “Blue Bayou\,” among many more. \nThis repertoire spans from the earliest days of Linda’s singing career with the Stone Poneys\, a folk trio formed in Los Angeles in 1965; her first hit song with the band was the evocative “Different Drum.” \nDuring the 1970s\, she helped forge the country-rock sound of the era with classic renditions of songs by the Eagles\, Jackson Brown\, and Warren Zevon; later in the 1980s\, she bridged the new wave sound of the decade into huge hits with her chart-topping tenth album\, Mad Love. Linda’s explosive live shows also included material by the Rolling Stones\, Tom Petty\, Little Feat\, and other contemporaries of the day. \nCome out and revel in the songs Linda Ronstadt brought to life so beautifully\, performed by the Linda Ronstadt Experience. Vocalist Tristan McIntosh (2016 American Idol finalist) takes you on an emotional ride of purity\, power\, and heartbreak as she soars through these songs as though they live inside her. Be part of the experience\, and follow Tristan McIntosh and the Linda Ronstadt Experience as they bring Linda Ronstadt’s music into the 21st century! \nTo convey the majesty and impact of McIntosh’s powerful vocal quality is hard to put into words. She exudes poise and grace\, with a delivery both electrifying and subtle\, by turns. Tristan brings the original singer’s version stunningly alive through her own artful touch. A sea of listeners throughout a theatre can often be heard quietly singing along at the summit of “You’re No Good\,” drawing out that famous\, 8-second vowel. \nThe LRE show is touring widely\, and becoming ever more popular\, earning increasingly sold-out houses. Catch them when—not if—you can. It’s a shining experience that will buoy your days to come. \nThe Band\nComposed of accomplished professionals\, the band includes Berklee alumnus and keyboard virtuoso Brooks Milgate\, along with recent transplant to NYC by way of Nashville\, the guitars and harmony vocals of Bronson Bush. Drummer Ethan Leff keeps the engine room humming alongside veteran bassist Paul “Junior” Boyne\, who is also the band’s founder. Rounding out the band’s sound on alternating shows are seasoned multi-instrumentalists Peter Adams and Andy Santospago\, each contributing pedal steel\, acoustic guitar\, harmonica\, banjo and vocal harmonies. \nPerforming All the Hits and More\nLinda Ronstadt was the rare artist who could comfortably cover a wide variety of musical bases\, including folk\, rock\, country\, jazz standards\, opera and Latin. Her vocal gift had few limitations and she showcased it with every recording and performance. Her incredible vocal instrument\, along with her classic song interpretations\, have earned her countless devoted fans across the world. Sadly\, Linda has been stricken with Parkinson’s disease\, and can no longer sing or perform. The Linda Ronstadt Experience is excited to help keep her legacy alive by continuing to share the joy and beauty of her repertoire to a wide audience. \n“Music is meant to lighten your load. By singing it\, you release the sadness and release yourself.” —Linda Ronstadt \nHow The Linda Ronstadt Experience Came to Be\nIn June 2017\, bassist Junior Cain ran a local ad in the northeast\, seeking a Linda Ronstadt-style singer. He proceeded to assemble a band of players that echoed his love for the artist who had been stricken with Parkinson disease\, leaving her unable to sing or perform. After a few early personnel changes\, Junior decided to place ads in the musical hot spots of Nashville and Austin. \nAfter a few weeks\, Tristan McIntosh’s Nashville management team replied to the ad. It was decided that Tristan’s closest musical collaborator\, Bronson Bush\, would fill out the role as the band’s guitarist. By March 2018\, thirty songs were sent out to the potential band members to learn. \nA few months later\, in June of 2018\, Tristan and Bronson flew to Logan Airport in Boston to rehearse the material\, and then shoot video on day four. It took a tremendous leap of faith on everyone’s part\, but when all the members met\, their chemistry and good vibes were undeniable. When Tristan began to sing\, everyone knew that this was going to be something very special. They arranged the material together\, and by November of that same year\, they were off on their first run of shows. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-linda-ronstadt-experience/
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CATEGORIES:Music
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UID:13693-1691179200-1691186400@peoplesbanktheatre.com
SUMMARY:The Oak Ridge Boys
DESCRIPTION:Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash\, earned them Grammy\, Dove\, CMA\, and ACM awards\, and garnered a host of other industry and fan accolades. Every time they step before an audience\, the Oaks bring four decades of charted singles\, and 50 years of tradition\, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. \n“When I go on stage\, I get the same feeling I had the first time I sang with The Oak Ridge Boys\,” says lead singer Duane Allen. “This is the only job I’ve ever wanted to have.” \n“Like everyone else in the group\,” adds bass singer extraordinaire Richard Sterban\, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” \nThe two\, along with tenor Joe Bonsall and baritone William Lee Golden\, comprise one of Country’s truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira\, as well as Bobbie Sue\, Dream On\, Thank God For Kids\, American Made\, I Guess It Never Hurts To Hurt Sometimes\, Fancy Free\, Gonna Take A Lot Of River\, and many others. In 2009\, they covered a White Stripes song\, receiving accolades from Rock reviewers. In 2011\, they rerecorded a thirtieth-anniversary version of Elvira for a Cracker Barrel Old Country Store project.  \nThe group has scored 12 gold\, three platinum\, and one double platinum album—plus one double platinum single—and had more than a dozen national Number One singles and over 30 Top Ten hits. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-oak-ridge-boys-2023/
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CATEGORIES:Music
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CREATED:20230320T120051Z
LAST-MODIFIED:20230320T120051Z
UID:14347-1691172000-1691179200@peoplesbanktheatre.com
SUMMARY:August First Friday: Patrick Sweany
DESCRIPTION:This free\, DORA-friendly event will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nNashville-based bluesman Patrick Sweany fuses elements of Americana and southern rock to produce his distinctive\, soulful stylings. He rose to prominence in the late 90’s and later formed the trio\, The Patrick Sweany Band\, featuring Dan Auerbach of The Black Keys among a revolving cast of musicians. He signed with Nine Mile Records in 2006\, to release C’Mon C’Mere\, the first of six albums on the label (two produced by Auerbach). Sweany spends a great deal of time on the road\, having played 48 states and much of Europe. He’s played premiere festivals (Newport Folk Fest\, Merlefest\, Montreal Jazz Fest\, Telluride Blues & Brews) and supported international acts such as The Black Keys\, The Tedeschi Trucks Band\, The Wood Brothers\, Hot Tuna\, and others. \nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/first-friday-aug23/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230804T170000
DTEND;TZID=America/New_York:20230804T180000
DTSTAMP:20230728T160830Z
CREATED:20230728T160830Z
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UID:15500-1691168400-1691172000@peoplesbanktheatre.com
SUMMARY:Brick Street BBQ
DESCRIPTION:We’ve expanded our August 2023 First Friday lineup! Our Brick Street BBQ returns with Jason Ware of The Butchery firing up the smoker to provide an array of meats plus smoked mac & cheese. Baked on Maple is providing desserts! \nAdding to the festivities is a performance by The Corcoran String Trio from 5:00 pm to 5:45 pm on Putnam Street. Stick around afterward for a free\, outdoor performance by Patrick Sweany at 6:00 pm and The Oak Ridge Boys inside the theatre at 8:00 pm.
URL:https://peoplesbanktheatre.com/event/brick-street-bbq/
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CATEGORIES:Other
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DTEND;TZID=America/New_York:20230728T220000
DTSTAMP:20230501T120027Z
CREATED:20230501T120027Z
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UID:14659-1690574400-1690581600@peoplesbanktheatre.com
SUMMARY:Dark Side of the Moon
DESCRIPTION:Dark Side of the Moon\, Ohio’s Pink Floyd Concert Experience\, returns to People’s Bank Theater on July 28th. \nThey will be celebrating the 50th anniversary of the release of their namesake\, Dark Side of the Moon – arguably one of the greatest albums of all time. \nCertified 15 times Platinum in the US alone\, Dark Side of the Moon has graced the Billboard 200 charts for almost 1000 weeks\, including 741 consecutive weeks upon its initial release.  The album found its way into the Top 10 again just earlier this year.  Dark Side of the Moon will be recreating this masterpiece with painstaking accuracy coupled with a full laser\, light and video show.  To round out the evening\, they will also be touching on albums spanning the entire career of Pink Floyd\, making sure to play plenty of your favorites.  Whether you were there when these songs were released or a newcomer to the party\, this is a show not to be missed. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/dark-side-of-the-moon-2023/
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CATEGORIES:Music
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DTSTAMP:20230504T154117Z
CREATED:20230504T154117Z
LAST-MODIFIED:20230504T154117Z
UID:14738-1690482600-1690488000@peoplesbanktheatre.com
SUMMARY:July Song Colony Workshop
DESCRIPTION:The Song Colony with Todd Burge takes place inside The Stage Door at 224 Putnam Street in Marietta. \nThe mission of these monthly workshops is to encourage creation and collaboration. We aim to sustain\, expand\, and encourage songwriting talent and performance in the Mid-Ohio Valley. You do not have to be musically inclined to participate in this group. \nAdmission is free\, with no tickets needed to attend. Due to limited space\, attendees must register in advance by emailing toddburgemusic@gmail.com. \nActivities and topics covered often include: \n\nSongwriting (how to get started\, how to eliminate blocks\, etc.)\nDeveloping mentoring (pairing seasoned songwriters with up-and-comers)\nHow to write for others\nHow to write for yourself\nSong review sessions (writers will bring in songs for positive review)\nPerformance technique discussions\nCo-writing songs as a group\n\nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/july-song-colony-workshop/
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CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20230714T200000
DTEND;TZID=America/New_York:20230714T220000
DTSTAMP:20230621T140800Z
CREATED:20230621T140800Z
LAST-MODIFIED:20230621T140800Z
UID:15172-1689364800-1689372000@peoplesbanktheatre.com
SUMMARY:5Point Adventure Film Festival On The Road
DESCRIPTION:Join us for The Best Of The Flagship Festival! \nFrom the 5PT Adventure Film Festival: \nWe believe that communities are made better when their people pursue adventure and intentionally live their own best stories. That’s why 5Point travels year-round with a selection of the best films from the annual Carbondale festival. Shows are hosted by a variety of organizations\, corporations\, non-profits\, and venues. The intention is to hand our best 5Point films over to these organizations and empower them to host their own show and help bring their community together over an evening of impactful and fun adventure films. \nWe believe the power of film is magnified when a group experiences meaningful stories together. We laugh\, cry\, cheer\, learn\, and explore the world together – and that’s the power of a 5Point show. \nThis event features a 91-minute reel of curated 5Point films. It’s full of inspiration\, adrenaline\, emotion\, and classic 5Point stories. \nFilm Lineup\nTRANSITION \nAfter several years on the freestyle ski cup circuit\, in 2022 Ben decides to take a new turn and a new career start\, Transition. \nLOVE \nAfter a miscarriage and a historic ascent of the famous sport climb Dreamcatcher\, Paige Claassen follows her own path as a professional athlete training through pregnancy\, finding new meaning in strength and identity through the early days of motherhood. \nCREATION THEORY \nWhat is the source of creation? Whether it’s the grandest cosmos or the smallest human idea\, true creation arrives in moments of unexpected convergence— extraordinary synchronicities between space and time\, science and art\, music and mountains and sea. In Creation Theory\, these raw elements converge in the Westfjords of Iceland\, taking us on a journey from the interstellar birth of gravity and rhythm\, to their ultimate human creative expression: surfer on wave\, snowboarder on peak\, and musician on stage. \nFLIP THE SWITCH \nIf you don’t have role models to look up to\, it’s harder to progress as a rider. Georgia Astle grew up chasing her older brother. But when she looked beyond racing\, there weren’t a lot of women pushing the limits of freeride. Until all of a sudden\, there was. \nPROLYFYCK \nTheir route is uphill by design. Through the language of running\, Prolyfyck Run Creww is creating a safe space where Black runners can see themselves represented\, and all runners are welcome\, in Charlottesville\, VA. \nRISE \nRise – A short mountain bike film showcasing 17-year-old Kaidan Ingersoll from North Yarmouth\, Maine. \nTO BE FRANK \nTo Be Frank pivots from social media’s lens and explores authenticity and community in surfing via Frank Paine\, a 73-year-old South Bay icon and humble local legend whose life orbits around a two-block stretch of beach. His unforgettable mustache and magnetic spirit are what most notice first\, but Frank’s deeper layers expose a depth that might answer some questions that we surfers continually ask ourselves. \nMALIK \nA chance encounter changes the course of two men\, Malik Martin\, and Conrad Anker\, to where they find a unique kinship and understanding forged in climbing. \nAFTER YOU’VE GONE \nRachel Finn grapples with life after loss. Showcasing an inspiring perspective on moving forward through trauma in an unapologetically true-to-herself way that brings a smile to everyone who crosses her path. Oh\, and she catches some big F&#@ING fish. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/5point-adventure-film-festival-on-the-road/
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CATEGORIES:Film
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DTEND;TZID=America/New_York:20230712T203000
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CREATED:20230313T120024Z
LAST-MODIFIED:20230313T120024Z
UID:14182-1689188400-1689193800@peoplesbanktheatre.com
SUMMARY:The CALT Sessions: Hilarie Burhans
DESCRIPTION:Happening inside The Stage Door at 224 Putnam Street in Marietta.\nDoors open at 6:30 pm.\nThis project is made possible through the Central Appalachia Living Traditions Folk & Traditional Arts Experiences program of Mid Atlantic Arts.  \nHilarie Burhans has been playing clawhammer-style banjo for 50 years. She is passionate about passing on what she has learned to others\, and thanks to new online platforms\, she now has students all over the world. With her band\, the Hotpoint Stringband\, she built on her foundation of Appalachian reels and hoedown tunes to become one of the leading contemporary American contradance bands in North America. \nFrom Hilarie Burhans: \nI’ve been playing and teaching my driving clawhammer banjo style for more than 45 years.  I’m the co-founder of the nationally-touring Hotpoint Stringband\, with whom I have recorded five albums\, and I’ve collaborated on too many other musical projects to count. A track from my solo CD was featured on an episode of the acclaimed HBO series Deadwood. Well over 5000 subscribers enjoy my YouTube banjo channel\, and my banjo instructional Patreon has more than 500 paid subscribers.  In my younger days\,  I won the Ohio State Banjo Contest nine times\, and am very proud to have placed in the contests at the Appalachian Stringband Festival (Clifftop) a number of times (3rd in Banjo\, and First Place in both the Traditional Band and NeoTraditional Band contests.) \nI love teaching banjo\, and especially love working with beginners and with folks making the transition from learning note-by-note from an instructor or tablature to learning tunes from recordings or “on the fly” at jams.  Check out my lessons page for more info. \nI live in Athens\, Ohio\, and am lucky to be the wife of a fiddler (Mark Burhans) and also the mother of a fiddler (Ry Burhans.) I grew up in Arizona\, Wisconsin\, Karachi in Pakistan\, Massachusetts\, Addis Ababa in Ethiopia\, and then\, after 9th grade\, moved to the college town Athens in the Appalachian part of Ohio. I feel deeply rooted here but have not lost my love for travel\, and have dragged a banjo with me to India\, Nepal\, Australia\, Costa Rica\, Portugal\, England\, France\, and Germany\, and have taught banjo workshops in many of those countries.  \n \nThe CALT Sessions (An Appalachian Music Series)\nGrammy Winners\, WV Music Hall of Fame Inductees\, and regional heroes will join us this summer for this entertaining and informative new series made possible by Central Appalachia Living Traditions (CALT) and the Mid Atlantic Arts!  \nThe artists will discuss how Appalachian traditional music and culture have influenced their contemporary works. All the artists will be performing and taking questions from attendees.  \nThe series will take place inside The Stage Door at 224 Putnam Street in Marietta\, in a close\, intimate environment. The events will be free to the public\, but you must have a ticket. Tickets will be released online two days before each event.
URL:https://peoplesbanktheatre.com/event/the-calt-sessions-hilarie-burhans/
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CATEGORIES:Stage Door
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DTSTAMP:20230227T130021Z
CREATED:20230227T130021Z
LAST-MODIFIED:20230227T130021Z
UID:13952-1689098400-1689105600@peoplesbanktheatre.com
SUMMARY:Sensory Friendly Film Series: Sonic the Hedgehog
DESCRIPTION:The world needed a hero—it got a hedgehog. Powered with incredible speed\, Sonic embraces his new home on Earth—until he accidentally knocks out the power grid\, sparking the attention of uncool evil genius Dr. Robotnik (played by Jim Carrey). Now\, it’s supervillain vs. supersonic in an all-out race across the globe to stop Robotnik from using Sonic’s unique power to achieve world domination. \nRuntime 99 minutes. Rated PG. Released January 2020. \nAbout the Sensory Friendly Film Series\nThe 2023 Sensory Friendly Film Series at Peoples Bank Theatre features adjustments to the everyday cinematic experience to create a positive\, comfortable\, and accepting environment for children and families affected by autism and sensory issues. \nThese adjustments include: \n\nLights left on low\nSound turned down\nNo previews before the film\nStaff trained in autism understanding\nDisabled access\nChill-out zones\n\nIn these special screenings\, attendees are welcome to get up\, move around\, sing\, shout\, and be themselves as they enjoy a carefree evening at our venue. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/sensory-friendly-film-series-sonic-the-hedgehog/
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CATEGORIES:Film
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DTEND;TZID=America/New_York:20230709T210000
DTSTAMP:20230313T120001Z
CREATED:20230313T120001Z
LAST-MODIFIED:20230313T120001Z
UID:14065-1688929200-1688936400@peoplesbanktheatre.com
SUMMARY:Kenny G
DESCRIPTION:The sound of Kenny G’s saxophone is as iconic as his curly coif; indeed\, both are instantly recognizable. His latest release\, New Standards\, the title of his 19th studio album\, fifth for Concord Records and first since 2015’s Brazilian Nights\, could well be used to describe his four-decade body of work\, a vision of jazz that helped launch both a musical genre and radio format. After director Penny Lane’s critically acclaimed HBO documentary\, Listening to Kenny G – which humorously reconsiders the purist critical backlash to his music – and a demand performance on Kanye West’s Grammy-winning Jesus Is King album\, it’s now cool to not only be Kenny G\, but admit you’re a fan of his as well. \n“I didn’t realize how strong the message was until I saw the finished film\,” says Kenny\, who has both the best-selling instrumental album of all time in the Diamond-selling\, 12-times-platinum 1992 Breathless\, earning him his only Grammy Award among 15 nominations\, and the Guinness Book of World Records mark for longest sustained note ever recorded on the saxophone. The feature probes some of the many Kenny G accomplishments\, from his song “Going Home” being used as the official end-of-work-day anthem in China to his skills as a golfer and airline pilot. He was also one of the original 10 investors in his Seattle hometown Starbucks Coffee. \nRecalling his music spawning the “smooth jazz” phenomenon\, Kenny explains\, “I’m proud of the fact it was a new style of music that no one was either playing or writing at the time. And it touched a great many people who weren’t into traditional jazz\, pop or R&B. Somewhere in the middle\, they found something they were looking for and liked.” \nNew Standards continues the musical path that has seen Kenny G sell 75 million albums around the world\, looking back to the classic ‘50s and ‘60s jazz ballads for inspiration\, updating them with new studio technology\, such as the digital ability to piece together songs note by note from different performances. The tracks are almost equally divided between soprano and tenor sax\, with one song\, “Two of a Kind\,” featuring him on both\, duetting with himself\, a slight\, unintended hint of Seals & Crofts’ “Summer Wind” wafting through\, while the wistful\, airy “Moonlight” finds him taking a rare turn on alto sax\, the instrument on which he first learned to play. \n“I wanted to play songs with chord progressions that reflected the classic jazz era of Coltrane\, Charlie Parker\, Sonny Rollins\, Cannonball Adderley and Dexter Gordon\, while doing them my way\, creating new standards\,” he says. \nFor “Legacy\,” he sampled the great Stan Getz playing tenor on a live\, unaccompanied version of “Happy Birthday\,” creating a duet with him on soprano sax. \n“I took those individual notes and turned them into a melody I’m proud of\,” explains Kenny. “I don’t think that’s ever been done before.” \nReminiscent of his global hit duet with a filmed Louis Armstrong on “What a Wonderful World\,” Kenny G expects some jazz buffs night not be happy with his Getz tribute\, even though\, as was the case with the Armstrong song\, he is donating all proceeds to the late musician’s estate and family\, whom Kenny says are delighted with his version. \nKenny performs a sprightly soprano sax on the opening “Emeline\,” named after a close family friend\, while the ultra-romantic “Only You” combines a variety of throwback chord changes with a soaring tenor sax gliding its way on top. \n“Rendezvous” evokes a smoky jazz ballad of the ‘40s with its aching tenor\, the first song Kenny G recorded for the album.“Paris by Night” evokes a foggy night strolling on the bridges across the Seine\, while “Anthem” sports a duet between Kenny G on soprano and cello\, giving the track a hymn-like\, anthemic drive a song Kenny played live with the National Symphony in Nashville in December. \n“Blue Skies” is an airy\, whimsical melody he wrote with piano player Randy Waldman\, a fellow airplane pilot — hence the title — whom he accompanies on soprano sax. “Milestones” offers an homage to classic jazz tropes in name and sound\, while the closing “Waltz in Blue\,” titled for its three-quarter time crossed with a blues beat\, ends the album on a rounded low B-flat\, the perfect answer to the high E which begins the first track\, “Emeline.” \nThe album forms an aural narrative\, which makes it the perfect vehicle to demonstrate to film directors and music supervisors that Kenny G\, the world’s most popular instrumental musician\, is overdue to compose his first movie score. \n“If any director needs a memorable instrumental for their film…” he offers. “I think I’ve proven what I can do.” \nFor the last several years\, Kenny G has taken to the internet with gusto\, his posts becoming memes and going viral\, as he continues to have fun with the whole idea of being his iconic self\, satirized in South Park\, Trolls World Tour (as a frizzy-haired sax player threatens the whole pop music cosmos with his “smooth jazz”) and Saturday Night Live’s Kenan Thompson-hosted “What’s Up With That?” segment\, where Fred Armisen plays a certain frizzy-haired soprano sax player. \n“I don’t know why they just don’t have me do it\,” Kenny G laughs\, perfectly in on the joke. “When I was on the show playing with Foster the People\, I told them\, ‘Hey guys\, I’m right here.’ I can fake playing sax really well.” \nAnd\, as you can hear on the excellent new New Standards\, he does quite fine when he plays for real\, too. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!\n \n 
URL:https://peoplesbanktheatre.com/event/kenny-g-2023/
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DTEND;TZID=America/New_York:20230708T213000
DTSTAMP:20230517T133007Z
CREATED:20230517T133007Z
LAST-MODIFIED:20230517T133007Z
UID:14866-1688844600-1688851800@peoplesbanktheatre.com
SUMMARY:River Cities Symphony Orchestra: Independence Day Concert
DESCRIPTION:Join the River Cities Symphony Orchestra at Peoples Bank Theatre on July 8 for a special Independence Day concert. This Stars and Stripes event with guest violinist Isaiah Biehle will feature patriotic favorites by Copland\, Gershwin\, and Sousa\, plus a special salute to our armed forces. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/river-cities-symphony-orchestra-independence-day/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230707T180000
DTEND;TZID=America/New_York:20230707T200000
DTSTAMP:20230320T120048Z
CREATED:20230320T120048Z
LAST-MODIFIED:20230320T120048Z
UID:14342-1688752800-1688760000@peoplesbanktheatre.com
SUMMARY:July First Friday: Sadie Johnson
DESCRIPTION:This free\, DORA-friendly event will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nSadie Johnson is a singer/songwriter and multi-instrumentalist\, playing everything from folk to funk\, and everything in between. Her percussive and energetic guitar style can only be matched by her soulful and powerful vocals. \nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/first-friday-july23/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230630T190000
DTEND;TZID=America/New_York:20230630T210000
DTSTAMP:20230612T120032Z
CREATED:20230612T120032Z
LAST-MODIFIED:20230612T120032Z
UID:15011-1688151600-1688158800@peoplesbanktheatre.com
SUMMARY:Missoula Children's Theatre: Beauty Lou and the Country Beast
DESCRIPTION:This is a fantastic opportunity to introduce your children to the performing arts!\n\n\n \n\n\nAn audition will be held for the Missoula Children’s Theatre production of BEAUTY LOU AND THE COUNTRY BEAST from 10:00 am to 12:00 pm on Monday\, June 26\, at Peoples Bank Theatre. Those auditioning should arrive at 10:00 am and plan to stay for the full two hours. Most of the chosen cast members will be asked to stay for a rehearsal immediately following the audition.\n\n\n \n\n\nApproximately 50 to 60 roles are available for local students. All students entering 1st through 12th grade are encouraged to audition. No advance preparation is necessary. \n\n\n \n\n\nMost students will rehearse approximately 4 hours and 15 minutes each day\, from Monday\, June 26\, through Friday\, June 30. \n\n\n \n\n\nThe performance is scheduled for 7:00 pm on Friday\, June 30\, at Peoples Bank Theatre.\n\nFor more information on the audition and rehearsal schedule\, please visit our Announcements page. \nShow Synopsis\nMissoula Children’s Theatre presents BEAUTY LOU AND THE COUNTRY BEAST\, an original country western adaptation of the classic fairy tale BEAUTY AND THE BEAST. Beauty Lou is the oldest daughter of the bronc-bustin’ balladeer Buck. At the local county fair\, young Beauty Lou is upset by the ungrateful behavior of a miner who has won the blue ribbon for his beautiful roses. She calls him a beast and wishes that he would look like one too. Years later\, when in danger of losing the family farm\, Buck meets the miner-turned-beast. Beauty Lou agrees to befriend the Beast to save her family. Beauty Lou and the Beast both learn to look beyond appearances and first impressions and to see the beauty that dwells inside. The story\, set in the American West\, also features Beauty Lou’s six sisters\, her Imaginary Friend\, her dog Fleabite Clyde\, farmhands Slim and Dusty\, the neighborly Country Folk\, and the Barnyard Critters. \n  \nAdapted by JIM CARON\nMusic and Lyrics by MICHAEL MCGILL and JIM CARON\nAdditional Music by JON HART and MICHAEL SCHOONER \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!\n \n 
URL:https://peoplesbanktheatre.com/event/missoula-childrens-theatre-beauty-lou-and-the-country-beast/
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CATEGORIES:Theatre
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UID:14735-1688063400-1688068800@peoplesbanktheatre.com
SUMMARY:June Song Colony Workshop
DESCRIPTION:The Song Colony with Todd Burge takes place inside The Stage Door at 224 Putnam Street in Marietta. \nThe mission of these monthly workshops is to encourage creation and collaboration. We aim to sustain\, expand\, and encourage songwriting talent and performance in the Mid-Ohio Valley. You do not have to be musically inclined to participate in this group. \nAdmission is free\, with no tickets needed to attend. Due to limited space\, attendees must register in advance by emailing toddburgemusic@gmail.com. \nActivities and topics covered often include: \n\nSongwriting (how to get started\, how to eliminate blocks\, etc.)\nDeveloping mentoring (pairing seasoned songwriters with up-and-comers)\nHow to write for others\nHow to write for yourself\nSong review sessions (writers will bring in songs for positive review)\nPerformance technique discussions\nCo-writing songs as a group\n\nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/june-song-colony-workshop/
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CATEGORIES:Stage Door
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UID:14132-1686945600-1686952800@peoplesbanktheatre.com
SUMMARY:Bon Journey
DESCRIPTION:Formed in the spring of 2006 in Pittsburgh\, PA\, Bon Journey was the first band of its kind. Paying tribute to two of the biggest arena rock acts in history\, Bon Jovi and Journey\, they bring you the music of these two giant Rock and Roll Hall of Fame-inducted bands. The band quickly became a staple in the local music scene\, winning awards in 2006\, 2007\, and again in 2020. They then began playing nationally\, hitting city after city. \nThe real Bon Journey is often imitated by other bands\, even claiming to be them; though flattering\, it is a bit confusing. It seems every city they played\, a band copied them or wanted to be them. They are the first and original Bon Journey and the only composed of original members. From the first song they play\, there is a difference: Essentially\, there are four lead singers in one band\, which makes Bon Journey a vocal powerhouse that separates them from most other acts! Not only with the incredible talents of lead singer Gary Bickerstaff\, who has the range and soul of Steve Perry with the stage swagger of Jon Bon Jovi\, but the high harmony and searing guitar of Dan Newman\, the tight bottom end and vocal of bassist Rob Shine\, the smooth voice of keyboardist Matt Friday\, and the bombast of an amazing drummer in Justin Walker. The band delivers a show like no other and fans come in droves and never walk away disappointed! \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/bon-journey/
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CATEGORIES:Music
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UID:13970-1686679200-1686686400@peoplesbanktheatre.com
SUMMARY:Sensory Friendly Film Series: Lilo & Stitch
DESCRIPTION:A Disney tale of a young girl’s close encounter with the galaxy’s most wanted extraterrestrial. Lilo is a lonely Hawaiian girl who adopts a small ugly “dog\,” whom she names Stitch. Stitch would be the perfect pet if he weren’t in reality a genetic experiment who has escaped from an alien planet and crash-landed on Earth. Through her love\, faith\, and unwavering belief in ohana\, the Hawaiian concept of family\, Lilo helps unlock Stitch’s heart and gives him the ability to care for someone else. \nRuntime 85 minutes. Rated PG. Released June 2002. \nAbout the Sensory Friendly Film Series\nThe 2023 Sensory Friendly Film Series at Peoples Bank Theatre features adjustments to the everyday cinematic experience to create a positive\, comfortable\, and accepting environment for children and families affected by autism and sensory issues. \nThese adjustments include: \n\nLights left on low\nSound turned down\nNo previews before the film\nStaff trained in autism understanding\nDisabled access\nChill-out zones\n\nIn these special screenings\, attendees are welcome to get up\, move around\, sing\, shout\, and be themselves as they enjoy a carefree evening at our venue. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/sensory-friendly-film-series-lilo-stitch/
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CATEGORIES:Film
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DTSTART;TZID=America/New_York:20230609T200000
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UID:14447-1686340800-1686348000@peoplesbanktheatre.com
SUMMARY:Night Ranger
DESCRIPTION:Heavy-hitting rock legends Night Ranger have sold over 17 million albums worldwide\, performed across more than 4000 stages\, and captivated a radio audience that exceeds 1 billion. The band has transcended the arena rock sound and style well beyond that era and continue to grow their ever-evolving fan-base. Some of their best-selling albums include Dawn Patrol\, Midnight Madness\, 7 Wishes\, Big Life\, and Man In Motion. Night Ranger’s popularity is fueled by a number of instantly recognizable hit singles and signature album tracks\, such as “Sister Christian\,” “Don’t Tell Me You Love Me\,” “When You Close Your Eyes\,” and the anthemic “(You Can Still) Rock In America.” Over the years\, the band’s music has also made notable contributions to and been featured in many different areas of global media and pop culture. Night Ranger has been touring around the globe throughout 2022 and their latest album\, ATBPO(which stands for (And The Band Played On) was released in August of 2021. Night Ranger is Jack Blades (bass\, vocals)\, Kelly Keagy (drums\, vocals)\, Brad Gillis (lead & rhythm guitars)\, Eric Levy (keyboards)\, and Keri Kelli (lead & rhythm guitars). Night Ranger released their first records in the early 80s\, so as they celebrate their 40th Anniversary\, they continue to prove that powerful songs alongside\, incredibly talented musicians and\, most importantly\, having such wonderful fans around the world is the perfect formula for continued success. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!\n \n 
URL:https://peoplesbanktheatre.com/event/night-ranger/
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UID:14644-1686168000-1686175200@peoplesbanktheatre.com
SUMMARY:Don Felder
DESCRIPTION:Special Co-Production Presented By Par Mar Stores\nNo matter how you look at it\, 2023 is shaping up to be the Year of the Fingers — Don “Fingers” Felder\, that is. Felder\, a true American rock and roll guitar hero\, is very much looking forward to building upon his rich legacy as one of the most innovative riff-generating songwriters of the modern rock era while continuing his growth as a featured touring and recording solo artist. \nTo that end\, Felder finds himself most decidedly back in the driver’s seat with the release of his first solo album in seven years\, American Rock ’N’ Roll (BMG). American Rock ’N’ Roll consists of 11 high-energy rockers mixed with touching\, thoughtful ballads. ARnR also boasts a who’s who of A-list guest contributors including Slash\, Sammy Hagar\, Peter Frampton\, Mick Fleetwood\, Joe Satriani\, Orianthi\, Richie Sambora\, Alex Lifeson\, and many\, many more. \nNot only is Felder a proud\, longstanding member of the Rock and Roll Hall of Fame\, having been inducted with the Eagles back in 1998\, he was also inaugurated into the Musicians Hall of Fame and Museum in Nashville in 2016 and the Florida Artists Hall of Fame in 2017. Fact is\, Felder spent 27 years with the Eagles\, who own the fine distinction of recording the top-selling album of all time — Their Greatest Hits (1971-1975)\, which has sold over 38 million copies (and counting). “I’m blessed enough to have contributed to and been a part of a very talented mixture of voices\, writing\, guitar parts\, and production. I’m very proud of that\,” he says of the group.  \nDon left the band in 2001 and has since forged an impressive career as a top-tier solo artist with a three fully realized full-length albums as well and several very successful singles for film scores like Heavy Metal\, 1983’s sonically soaring Airborne and 2012’s multifaceted song-cycle treatise\, Road to Forever and American Rock ‘N’ Roll. Felder added “best-selling author” to his impressive C.V. when his spellbinding 2008 memoir\, Heaven and Hell: My Life in the Eagles (1974-2001)\, became an instant New York Times smash bestseller. \nFelder navigated the burgeoning rock scene in his native Gainesville\, Florida\, in the 1960s\, which included a stint teaching guitar to Tom Petty and learning slide guitar from his longtime friend Duane Allman. His matchless lead-guitar tone added extra fuel to Eagles tracks like “Already Gone\,” “One of These Nights\,” “Take It to the Limit\,” and “New Kid in Town\,” in addition to having co-written “Victim of Love\,” “Those Shoes\,” and his most popular co-creation\, “Hotel California.” Felder has also recorded with and performed alongside top-drawer artists such as The Bee Gees\, Michael Jackson\, Alice Cooper\, Warren Zevon\, Barbra Streisand\, Elton John\, Joni Mitchell\, and Stephen Stills\, whom Don first crossed paths in his first band\, The Continentals in Gainesville in the early 1960s.  \nSpending more and more time on the road as the frontman of his own tight-knit solo band made Felder realize he needed to put in the time to hone his own distinctive voice into a finely tuned instrument. “That’s just how I work\,” Don explains. “A lead vocal has to fit the song — it has to fit the timbre and texture of the song. Otherwise\, you’re a one-note samba.” Felder counts extended runs with Foreigner\, Styx\, Peter Frampton’s Guitar Circus\, and REO Speedwagon as touring highlights. \nWhat’s next for Fingers Felder? Extensive touring is most definitely already locked into place to get behind the majestic sounds and broad shoulders of American Rock ’N’ Roll. In the meantime\, let us continue to admire the essence of Don Felder\, a man who continues to push boundaries and expand horizons. It’s the only way that he can travel down that road. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/don-felder/
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UID:14338-1685728800-1685736000@peoplesbanktheatre.com
SUMMARY:June First Friday: Joshua Lee & The Nice Dream
DESCRIPTION:This free\, DORA-friendly event will be held on Putnam Street in front of Peoples Bank Theatre. No tickets are necessary to attend. Lawn chairs are welcome! \nAfter 14 years of fifteen-passenger vans\, tour buses\, and side man gigs\, Joshua Lee left Nashville with his young family and headed to West Virginia\, trading screaming fans for screaming kids. After a difficult transition\, Lee nearly left the music life behind entirely\, but he began to write again and\, in doing so\, found his own musical voice. In his old life\, Lee might have sought collaborators to start a band\, but initially having difficulty finding enough like-minded musicians\, he focused instead on discovering himself as a solo artist\, something he’d never tried before. Playing solo shows in the Ohio Valley area led to a new confidence in his ability as a singer-songwriter and to a new group of musical collaborators. \nOn his debut EP\, Promise Land (June 2017)\, Joshua wrestled with questions of loss and cautiously reached for hope rather than despair. Recorded mostly at home\, and self-produced along with Trae Gunter (Randy Montana\, Jacob Thomas Jr.)\, he found himself searching for his own sound by mining the territories of folk rock and heartland rock and blending in synths and ambient guitars. Hints of The National supplement more traditional song forms in the spirit of Ryan Adams and Tom Petty. \nNow based in Marietta\, OH\, Joshua Lee is performing solo and as a full band with The Nice Dream (Shane Henthorne\, Justin Arthur\, Dan Lee\, Vinnie Mele\, and Andy Hall) in the Mid-Ohio Valley region as he’s finishing work on his next project to be released in the summer of 2023. \nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://peoplesbanktheatre.com/event/first-friday-june23/
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CATEGORIES:Music
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UID:13710-1685037600-1685052000@peoplesbanktheatre.com
SUMMARY:Rodney Carrington - Shows at 6:00 PM & 8:00 PM
DESCRIPTION:3/27/2023 Update: NEW TIME ADDED! Tickets are available now for the 6:00 pm early show. \nRodney Carrington is a multi-talented comedian\, actor\, singer\, and writer playing sold-out shows around the world as one of the top 10 highest-grossing touring comedians for the past two decades. \nA platinum-recording artist\, Rodney’s recorded eight major record label comedy albums\, followed by three albums on his own record label\, Laughter’s Good Records. Rodney is fresh off the release of his latest album\, “Get Em Out\,” (released 2019) which hit #1 on iTunes. His album “Here Comes the Truth” (released 2017) climbed to #3 on the comedy charts\, accruing tens of millions of streams on Spotify and even spawned a Netflix special. \nRodney broke through with his major label comedy CD debut “Hangin’ With Rodney” in 1998. The next few years saw nine more Top 10 comedy albums: Live\, Morning Wood\, Nutsack\, Greatest Hits\, King of the Mountains\, El Nino Loco\, C’mon Laugh You Bastards\, Laughter’s Good and The Hits\, all of which continue to receive radio airplay and regularly place on the national comedy charts. “Hangin’ With Rodney” and “Morning Wood” earned RIAA gold record certification\, and his Greatest Hits (a double CD) album reached platinum status. Rodney also released “Make it Christmas” which features his original song “Camouflage and Christmas Lights\,” a tribute to our military. \nRodney also added “author” to his list of accomplishments with the release of his book “Rodney Carrington\, Coming Clean” published by Hatchette Books. \nOver the years\, he’s starred in his own TV sitcom\, “Rodney”\, which ran for two seasons on ABC\, co-wrote and co-starred with Toby Keith in the feature film\, “Beer for My Horses\,” which won the Tex Ritter Award from the ACM\, and starred in his own Netflix special “Here Comes The Truth.” Rodney’s also appeared on countless other TV shows\, including the ACA (American Country Awards)\, hosting the American Country New Year’s Eve Live show on FOX\, and won “Supporting Character of the Year” from the CMT Music Video Awards for his appearance on the Trace Adkins’ music video “I Got My Game On.” \nRodney is fresh off the release of his latest single\, “Let Me In\,” (released) October 15\, 2021) and is gearing up for a year of touring in 2023! \nMature Audiences ONLY!\n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/rodney-carrington/
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CATEGORIES:Comedy
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