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SUMMARY:The CALT Sessions: Tim O’Brien & Jan Fabricius
DESCRIPTION:Happening inside The Stage Door at 224 Putnam Street in Marietta.\nDoors open at 6:30 pm.\nThis project is made possible through the Central Appalachia Living Traditions Folk & Traditional Arts Experiences program of Mid Atlantic Arts.  \nBorn in Wheeling\, West Virginia in 1954\, Grammy winning singer-songwriter and multi-instrumentalist Tim O’Brien grew up singing in church and in school. After seeing Doc Watson on TV\, became a lifelong devotee of old time and bluegrass music. Tim started touring nationally in 1978 with Colorado bluegrass band Hot Rize. His songs “Walk the Way the Wind Blows” and “Untold Stories” were bluegrass hits for Hot Rize\, and country hits for Kathy Mattea. Soon more artists like Nickel Creek\, Garth Brooks\, and The Dixie Chicks covered his songs. Over the years\, Tim has collaborated with his sister Mollie O’Brien\, songwriter Darrell Scott\, and noted old time musician Dirk Powell\, as well as with Steve Earle\, Mark Knopfler\, Dan Auerbach and Sturgill Simpson.\nLiving in Nashville since 1996\, O’Brien’s skills on guitar\, mandolin\, fiddle\, and banjo make him an in demand session player. He tours throughout the US and abroad\, most often with his partner Jan Fabricius on mandolin and vocals. His regular band includes Fabricius along with Mike Bub (bass) and Shad Cobb (fiddle). The International Bluegrass Music Association awarded him song of the year in 2006 and named him best male vocalist in 1993 and 2006. He was inducted into the West Virginia Music Hall of Fame in 2013. A voracious reader who loves to cook\, he has two sons\, Jackson (born 1982) and Joel (born 1990). \nNotable O’Brien recordings include the bluegrass Dylan covers of “Red On Blonde”\, the Celtic-Appalachian fusion of “The Crossing”\, and the Grammy winning folk of “Fiddler’s Green”. His duet recording “Real Time” with Darrell Scott is a cult favorite\, and he won a bluegrass Grammy as part of “The Earls Of Leicester”. His 2017 release “Where the River Meets the Road” paid tribute to the music of his native West Virginia. O’Brien formed his own record label\, Howdy Skies Records\, in 1999\, and launched the digital download label Short Order Sessions (SOS) with his partner Jan Fabricius in 2015. \nHis new release “He Walked On” features eight new originals and five covers from R.B. Morris\, Bill Caswell\, Dale Keys\, Yip Harburg\, and mentor J.D. Hutchison. A rhythm section including drummer Pete Abbott and long-time bassist Mike Bub underpins contributions from fiddlers Shad Cobb and Justin Moses\, bassist Edgar Mayer\, gospel singer Odessa Settles\, guitarist Bo Ramsey\, keyboard player Mike Rojas\, as well as vocals and mandolin from Jan Fabricius. Historical and socially conscious themes weave their way through songs about ordinary and not so ordinary people just trying to “keep it between the ditches”. \nThe CALT Sessions (An Appalachian Music Series)\nGrammy Winners\, WV Music Hall of Fame Inductees\, and regional heroes will join us this summer for this entertaining and informative new series made possible by Central Appalachia Living Traditions (CALT) and the Mid Atlantic Arts!  \nThe artists will discuss how Appalachian traditional music and culture have influenced their contemporary works. All the artists will be performing and taking questions from attendees.  \nThe series will take place inside The Stage Door at 224 Putnam Street in Marietta\, in a close\, intimate environment. The events will be free to the public\, but you must have a ticket. Tickets will be released online two days before each event.
URL:https://peoplesbanktheatre.com/event/the-calt-sessions-tim-obrien-jan-fabricius/
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CATEGORIES:Stage Door
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DTSTART;TZID=America/New_York:20230415T200000
DTEND;TZID=America/New_York:20230415T220000
DTSTAMP:20230109T130024Z
CREATED:20230109T130024Z
LAST-MODIFIED:20230109T130024Z
UID:13359-1681588800-1681596000@peoplesbanktheatre.com
SUMMARY:EVIL WOMAN - The American ELO
DESCRIPTION:THE ELECTRIC LIGHT ORCHESTRA EXPERIENCE\nFeaturing\nEVIL WOMAN – The American ELO\n  \nA multi-media concert celebration of the music of ELO. Audiences are left spellbound by the flawless musicianship and vocals of EVIL WOMAN’s 12 musicians\, as well as the fusion of Beatlesque-Pop and classical arrangements where cellos co-exist with guitars\, and where classically tinged rock intersects with pop. “Mr. Blue Sky\,” “Roll Over Beethoven\,” and “Evil Woman” are among a list of over 20 instantly recognizable chart-topping hit songs. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/evil-woman-the-american-elo/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230408T200000
DTEND;TZID=America/New_York:20230408T220000
DTSTAMP:20221031T120012Z
CREATED:20221031T120012Z
LAST-MODIFIED:20221031T120012Z
UID:13000-1680984000-1680991200@peoplesbanktheatre.com
SUMMARY:Ricky Skaggs & Kentucky Thunder
DESCRIPTION:Fifteen-time GRAMMY® Award-winner Ricky Skaggs’ career is easily among the most significant in recent country music history. If Skaggs’ burgeoning trophy case full of awards wasn’t already enough evidence of that fact\, consider that legendary guitarist Chet Atkins once credited Skaggs with “single-handedly saving country music.” His life’s path has taken him to various musical genres\, from where it all began in bluegrass music\, to striking out on new musical journeys\, while still leaving his musical roots intact. \nBorn July 18\, 1954 in Cordell\, Kentucky\, Skaggs showed signs of future stardom at an early age\, playing mandolin on stage with bluegrass pioneer Bill Monroe at 6 and appearing on TV with Lester Flatt & Earl Scruggs at 7. He emerged as a professional bluegrass musician in 1971\, when he and his friend Keith Whitley were invited to join the legendary Ralph Stanley’s band the Clinch Mountain Boys. \nSkaggs then went on to record and perform with progressive bluegrass acts like the Country Gentlemen and J.D. Crowe & the New South\, whose self-titled 1975 Rounder Records debut album was instantly recognized as a landmark bluegrass achievement. He then led Boone Creek\, which also featured Dobro ace and fellow New South alumnus Jerry Douglas. \nBut Skaggs turned to the more mainstream country music genre in the late ‘70s when he joined Emmylou Harris’s Hot Band\, replacing Rodney Crowell. He became a recording artist in his own right in 1981 when his Epic label debut album Waitin’ for the Sun to Shine topped the country charts and yielded a pair of #1 hits. Overall\, his productive stay at Epic Records would result in a total of 12 #1 hits. Additionally\, he garnered eight Country Music Association Awards–including the coveted Entertainer of the Year trophy in 1985. \nSkaggs\, of course\, fit right in with young “new-traditionalist” ‘80s artists like Randy Travis\, and helped rejuvenate the country music genre after the worn-out “Urban Cowboy” period. But\, Skaggs put his own stamp on the country format by infusing his bluegrass and traditional country music roots into the contemporary Nashville sound. \nSkaggs’ 1997 album Bluegrass Rules!\, released on his newly-formed Skaggs Family Records label\, marked a triumphant return to bluegrass—which he’s solidified ever since with a series of GRAMMY® Award-winning albums\, recorded with his amazing bluegrass band\, Kentucky Thunder (8-time winners of the IBMA ‘Instrumental Group of the Year’). Skaggs’ label has also served as a home for similar bluegrass and roots music-oriented artists\, including The Whites. \nIn the past decade\, he has been honored with inductions into the Gospel Music Association’s Gospel Music Hall of Fame and the Musicians Hall of Fame. In 2018\, a landmark year\, Skaggs was also awarded membership into the National Fiddler Hall of Fame\, the IBMA Bluegrass Music Hall of Fame\, and country music’s greatest honor\, the Country Music Hall of Fame. Most recently\, he was awarded the prestigious National Medal of Arts in 2020 for his contributions to the American music industry. \nRicky struck his first chords on a mandolin over 60 years ago\, and he continues to do his part to lead the recent roots revival in music. Clearly\, his passion for it puts him in the position to bring his lively\, distinctively American form of music out of isolation and into the ears and hearts of audiences across the country and around the world. Ricky Skaggs is always forging ahead with cross-cultural\, genre-bending musical ideas and inspirations. \n[av_video src=’https://youtu.be/9dADWLJpqAQ’ mobile_image=” attachment=” attachment_size=” format=’16-9′ width=’16’ height=’9′ conditional_play=” av_uid=” custom_class=”] \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/ricky-skaggs-kentucky-thunder/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230402T190000
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DTSTAMP:20230125T130020Z
CREATED:20230125T130020Z
LAST-MODIFIED:20230125T130020Z
UID:12443-1680462000-1680469200@peoplesbanktheatre.com
SUMMARY:Esbenshade Series: Nai-Ni Chen Dance Company
DESCRIPTION:Choreographer/dancer\, Nai-Ni Chen\, was a unique artist whose work crosses many cultural boundaries. Each of her dances reflect her personal vision as an immigrant and an American female artist with deep roots in Asian culture. From this very personal perspective\, she created new works that reflect current issues with global influences. Some of her works were developed in collaboration with renowned artists such as the Ahn Trio\, Glen Velez\, Joan La Barbara\, Jason Kao Hwang\, Tao Chen\, Tan Dun\, Huang Ruo and the Chinese Music Ensemble of New York. \nBridging the two shores of Asian elegance and American dynamism\, Nai-Ni Chen Dance Company is a premiere provider of innovative cultural experiences that reflect the inspiring hope and energy of the immigrant’s journey. The company’s ground-breaking works have focused on themes from ancient legends that reflect issues of the present to purely abstract\, contemporary dances influenced by the mix of cultures that Nai-Ni Chen experienced in New York. An Asian American company that celebrates cross-cultural experience\, the company’s productions naturally bring forth issues of identity\, authenticity\, and equality. \nThe company has been presented at some of the most prestigious concert halls such as the Joyce Theater\, Lincoln Center\, and Tampa Bay Performing Arts Center. The company appears annually at New Jersey Performing Arts Center\, Queens College\, the College of Staten Island and on Ellis Island. Internationally\, the company has presented at international festivals including Russia’s Open Look Festival\, the Silesian International Contemporary Dance Festival\, Poland’s Konfrontations International Festival\, Korea’s Chang Mu International Dance Festival in Korea\, the Meet in Beijing International Arts Festival\, and the Tamaulipas International Arts Festival in Mexico. \nThe Nai-Ni Chen Dance Company has received more than 20 awards from the National Endowment for the Arts and numerous citations of excellence and grants from the New Jersey State Council on the Arts. Advancing dance education\, the Nai-Ni Chen Dance Company is currently in residence in New Jersey City University’s A. Harry Moore Laboratory School and Regional Day School teaching dance to urban children with disabilities. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/esbenshade-series-nai-ni-chen-dance-company/
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CATEGORIES:Dance,Esbenshade Series
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DTSTART;TZID=America/New_York:20230401T200000
DTEND;TZID=America/New_York:20230401T220000
DTSTAMP:20230109T130043Z
CREATED:20230109T130043Z
LAST-MODIFIED:20230109T130043Z
UID:13404-1680379200-1680386400@peoplesbanktheatre.com
SUMMARY:Croce Plays Croce
DESCRIPTION:A.J. Croce performs Croce Plays Croce\, a special night of music featuring a complete set of classics by his late father Jim Croce\, some of his own tunes\, and songs that influenced both him and his father. This special event features such timeless songs as “Operator\,” “You Don’t Mess Around with Jim\,” “Time in a Bottle\,” (a song written for A.J.)\, “Rapid Roy (The Stock Car Boy)\,” and “Lovers Cross\,” to name a few. Classic covers may include songs by Lieber and Stoller\, Bessie Smith\, and other folk and roots artists. \nJim Croce was an American folk singer with a short-lived professional recording and touring career\, and decades of posthumous fame as one of the greatest songwriters and artists ever. With sales surpassing 50 million records\, including three #1 songs and 10 Top 10 hits\, Jim Croce’s short career and long-lived legacy are well-remembered through his era-defining standards like “Operator\,” Time in a Bottle\,” and “Bad\, Bad Leroy Brown.” \nA.J. Croce’s 30-year touring and recording career has produced ten studio albums that have been released via both major and independent labels\, and have charted 20 Top 20 singles and all ten albums on the radio\, including on Top 40\, Americana\, and Blues. A virtuoso piano player\, he has performed at a TED Talk and gave a master class at the University of Barcelona. Croce has performed on major talk shows and news programs\, including The Late Show\, The Tonight Show\, The Today Show\, CNN\, MTV\, and VH1. He’s toured with such esteemed artists as Willie Nelson\, Lenny Kravitz\, Earth\, Wind\, and Fire\, and B.B. King. While his last album\, Just Like Medicine\, paired him with producer and soul legend Dan Penn and an all-star cast of players and guests like Vince Gill and Steve Cropper\, his new album was born of memories — of favorite artists and shows\, but mostly\, of late-night gatherings with groups of friends\, many of them fellow musicians\, with Croce at the piano taking requests. Croce revisits these musical evenings on By Request (out on Compass Records) with 12 personally curated covers that traverse decades and genres\, propelled by his spirited\, piano mastery and emotive vocals. With a rich catalog of original compositions A.J. first recorded and released a composition of his fathers with a never-before-recorded song “Name of the Game” on his Just Like Medicine release. In 2018 he covered the 1973 hit “I Got A Name” for a Goodyear commercial with Dale Earnhardt Jr. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/croce-plays-croce/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230318T200000
DTEND;TZID=America/New_York:20230318T220000
DTSTAMP:20230109T130048Z
CREATED:20230109T130048Z
LAST-MODIFIED:20230109T130048Z
UID:13369-1679169600-1679176800@peoplesbanktheatre.com
SUMMARY:JUMP - America's Van Halen Experience
DESCRIPTION:After performing sold-out shows across multiple different states\, JUMP has positioned themselves as one of the top up-and-coming Van Halen tributes in the nation. Delivering two hours of classic David Lee Roth era Van Halen\, the band’s lineup is composed of a group of youngsters all born in the mid-late 90s and early 2000s. \nWhile their age offers a visual aesthetic true to Van Halen in their prime\, their sound also reflects the same shredding Eddie guitar solos\, rock solid rhythm section\, and the whaling two-tone screams reminiscent of David Lee Roth’s voice. Featuring a variety of hits and deep cuts off of the first 6 albums\, JUMP’s live show also includes a selection of skits and one-liners portrayed by Van Halen from bootlegs of their live shows between 1978-1984. \nExperience an embodiment of the David Lee Roth era of Van Halen and immerse yourself in YOUTH\, NOSTALGIA\, AND ROCK ‘N ROLL. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/jump-americas-van-halen-experience/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230311T200000
DTEND;TZID=America/New_York:20230311T220000
DTSTAMP:20230123T130058Z
CREATED:20230123T130058Z
LAST-MODIFIED:20230123T130058Z
UID:13671-1678564800-1678572000@peoplesbanktheatre.com
SUMMARY:Kathy Mattea & Suzy Bogguss
DESCRIPTION:Kathy Mattea and Suzy Bogguss have each carved out careers in popular music with country chart hits spanning two decades. Suzy’s “Outbound Plane\,” “Aces\,” and “Someday Soon” are among the many songs beloved by country music fans around the world\, as are “Where’ve You Been?\,” “455 Rocket\,” and “Eighteen Wheels and a Dozen Roses” from Kathy’s deep well of material. Friends since their early days in Nashville\, they had only found a few opportunities to collaborate musically\, notably with “Teach Your Children\,” their Grammy-nominated track from 1994’s Red\, Hot + Country compilation. They have “threatened” for years\, and their many fans have clamored for this pairing. \nNow\, sporting new material developed for the tour\, armed with two careers worth of stories and more hits than they can fit…Kathy & Suzy are “Together At Last”! \n[av_video src=’https://vimeo.com/575962526/5864e99e2c’ mobile_image=” attachment=” attachment_size=” format=’16-9′ width=’16’ height=’9′ conditional_play=” av_uid=” custom_class=”] \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/kathy-mattea-suzy-bogguss/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230305T150000
DTEND;TZID=America/New_York:20230305T170000
DTSTAMP:20230125T130020Z
CREATED:20230125T130020Z
LAST-MODIFIED:20230125T130020Z
UID:12427-1678028400-1678035600@peoplesbanktheatre.com
SUMMARY:Esbenshade Series: Fran Lebowitz
DESCRIPTION:In a cultural landscape filled with endless pundits and talking heads\, Fran Lebowitz stands out as one of our most insightful social commentators. \nHer essays and interviews offer her acerbic views on current events and the media–as well as pet peeves including tourists\, baggage-claim areas\, after-shave lotion\, adults who roller skate\, children who speak French\, or anyone who is unduly tan. The New York Times Book Review calls Lebowitz an “important humorist in the classic tradition.” Purveyor of urban cool\, Lebowitz is a cultural satirist whom many call the heir to Dorothy Parker. \nLebowitz on special interest groups: “Special-interest publications should realize that if they are attracting enough advertising and readers to make a profit\, the interest is not so special.” Lebowitz on frankness: “Spilling your guts is exactly as charming as it sounds.” Lebowitz on herself: “Success didn’t spoil me\, I’ve always been insufferable.” This is Lebowitz off the cuff. Her writing—pointed\, taut and economical—is equally forthright\, irascible\, and unapologetically opinionated. \nLebowitz worked odd jobs\, such as taxi driving\, belt peddling\, and apartment cleaning(“with a small specialty in Venetian blinds”)\, before being hired by Andy Warhol as a columnist for Interview. That was followed by a stint at Mademoiselle. Her first book\, a collection of essays titled Metropolitan Life\, was a bestseller\, as was a second collection\, Social Studies. By turns ironic\, facetious\, deadpan\, sarcastic\, wry\, wisecracking\, and waggish\, Lebowitz’s prose is wickedly entertaining. Her two books are collected in the Fran Lebowitz Reader\, with a new preface by the author. The Fran Lebowitz Reader has been published in nine languages including French\, Korean\, Russian\, Spanish\, and Turkish. Lebowitz is also the author of the children’s book\, Mr. Chas and Lisa Sue Meet the Pandas. \nBetween 2001 to 2007\, Lebowitz had a recurring role as Judge Janice Goldberg on the television drama Law & Order. She also had a part in the Martin Scorsese-directed film\, The Wolf of Wall Street (2013). A raconteur if ever there was one\, Lebowitz has long been a regular on various talk shows including those hosted by Jimmy Fallon\, Conan O’Brien\, and Bill Maher. In an interview with the Paris Review\, Lebowitz said “I’m not a nervous person. I’m not afraid to be on TV. I’m only afraid when I write. When I’m at my desk I feel like most people would feel if they went on TV.” \nShe can also be seen in various documentary films\, including the American Experience series on New York City\, as well as Mapplethorpe: Look at the Pictures (2016)\, Regarding Susan Sontag (2014)\, and Superstar: The Life and Times of Andy Warhol (1990)\, among others. In 2010 Martin Scorsese directed a documentary about Lebowitz for HBO titled Public Speaking. A limited documentary series\, Pretend It’s a City\, also directed by Martin Scorsese\, premiered on Netflix in 2021\, and was nominated for the 2021 Emmys in the Outstanding Documentary Or Nonfiction Series category. In 2021\, she was given the Forte dei Marmi Festival della Satira Lifetime Achievement Award and was a 2021 Foreign Press Honorary Awardee–an award given by the Foreign Press Correspondents Association & Club USA. \nLebowitz was named to Vanity Fair’s International Best Dressed List Hall of Fame in 2008.She remains a style icon. Lebowitz lives in New York City\, as she does not believe that she would be allowed to live anywhere else. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/esbenshade-series-fran-lebowitz/
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CATEGORIES:Esbenshade Series,Other
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DTSTART;TZID=America/New_York:20230302T200000
DTEND;TZID=America/New_York:20230302T220000
DTSTAMP:20220912T120048Z
CREATED:20220912T120048Z
LAST-MODIFIED:20220912T120048Z
UID:12602-1677787200-1677794400@peoplesbanktheatre.com
SUMMARY:Air Supply
DESCRIPTION:Graham Russell & Russell Hitchcock met on May 12\, 1975\, the first day of rehearsals for Jesus Christ Superstar in Sydney\, Australia; they became instant friends with their common love for The Beatles and\, of course\, singing. \nAfter the shows’ performances at 10:30\, they would play pizza parlors\, coffee bars and night clubs with just one guitar and two voices. They quickly gained a reputation for great harmonies and for original songs that Graham was constantly writing. They made a demo on a cassette of two songs\, “Love and Other Bruises” and “If You Knew Me” and took it to every record company in Sydney. Everyone turned it down but one — CBS Records — who admired their unique style. \nThey made a single in one afternoon and it shot to number one on the national charts. Air Supply was born! That same year\, they opened for Rod Stewart across Australia and then throughout the U.S. and Canada playing all of the famous huge venues before Rod would take the stage. They found new fans\, but did not break the U.S. market. \nBack in Australia they had to start again and made a record called Life Support. On this record were some treasures of songs\, including “Lost in Love” which went Top 10 in Australia and somehow found its way to music industry executive Clive Davis in New York. \nClive immediately signed Air Supply to Arista Records and in 1980\, “Lost in Love” became the fastest selling single in the world\, leaping to the top of all of the charts. Now Air Supply was on their way. The second single was “All Out of Love\,” and that went up the charts even quicker. \nSeven top-five singles later\, Air Supply at that time had equaled The Beatles’ run of consecutive top five singles. The albums Lost in Love\, The One That You Love\, Now & Forever\, and The Greatest Hits sold in excess of 20 million copies. “Lost in Love” was named Song of the Year in 1980\, and\, with the other singles\, sold more than 10 million copies. \nThe trademark sound of Russell Hitchcock’s soaring tenor voice and Graham Russell’s simple yet majestic songs created a unique sound that would forever be known as Air Supply. \nHowever\, it is the live shows that always hold audiences captive around the world. They were the first Western group to tour China\, Taiwan\, and countless other countries that before would not allow pop music across their borders. In 1983\, they recorded “Making Love Out Of Nothing At All” by Jim Steinman\, which solidified the group as a permanent force in modern music. This song was released on The Greatest Hits album which soared past 7 million copies. \n“Lost in Love”\, “All Out of Love”\, “The One That You Love”\, “Sweet Dreams”\, and “Making Love Out Of Nothing At All” have each achieved multi-million plays on the radio. \nIn 1986 the group’s music was still playing endlessly on radio. That same year\, Graham was married to actress Jodi Varble from Rochelle\, Illinois\, who also was his leading lady in the video for “Making Love Out Of Nothing At All.” \nAir Supply began to tour with lavish productions in places that no one had been before. In South America and Asia they became a part of everyone’s life. In 1988\, Air Supply was asked to participate in Australia’s bicentennial celebration and to play for HRH Prince Charles and HRH Princess Diana\, where they learned both were already ardent fans. This engagement would be one of their most treasured moments in their career. \nIn 1989\, they recorded “The Earth Is” album selling over a million copies outside of the U.S. This album was followed by “The Vanishing Race” CD and\, with the singles “Goodbye” and “It’s Never Too Late”\, again saw multi-platinum success. The following albums\, “News from Nowhere”\, “Yours Truly”\, and “Across the Concrete Sky” all gave their second greatest hits album multi-platinum status as they traveled the world each and every year. \nIn 2000\, a new production company was founded to be devoted to Air Supply’s entire future product\, called A Nice Pear\, which gave them complete creative control. \nIn July 2005\, their live DVD\, “It Was 30 Years Ago Today” celebrated 30 years of success around the world and in that same month\, Air Supply smashed attendance records when\, in Cuba\, at one show they played to 175\,000 people. Also 2005 saw the release of “The Singer and the Song”\, an acoustic album of many of their big hits which received critical acclaim. \nIn May 2010\, the long-awaited album\, “Mumbo Jumbo” –also the duo’s first studio recording in eight years- was released. Recorded at Graham Russell’s home studio near Park City\, Utah and at Odds On’s state of the art facilities in Las Vegas with top session musicians and an orchestra\, “Mumbo Jumbo” was produced by Russell and engineered by Odds On’s Sean O’Dwyer\, whose credits include Pink Floyd\, Randy Newman and Blink-182. Among the 14-tracks\, released by Odds On’s label\, was the first single “Dance With Me\,” which earned Air Supply a prominent feature article in Billboard Magazine titled “Still Supplying The Hits After 35 Years.” \nJust weeks after composer and vocalist Graham Russell was honored with a BMI Million-Air Certificate recognizing 3 million performances of the duo’s hit “All Out Of Love\,” Air Supply’s new song was the #1 most added track on the FMQB AC40 Chart\, and also one of the most added on the R&R (Radio and Records) AC Chart and the Mediabase AC chart. \nIn 2013\, the duo was inducted into the Australian Recording Industry Association’s Hall of Fame. Air Supply celebrated their 40th anniversary in 2015 and continue to delight audiences all over the world. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/air-supply-2023/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230218T200000
DTEND;TZID=America/New_York:20230218T220000
DTSTAMP:20221010T120041Z
CREATED:20221010T120041Z
LAST-MODIFIED:20221010T120041Z
UID:12866-1676750400-1676757600@peoplesbanktheatre.com
SUMMARY:YYNOT
DESCRIPTION:Classic RUSH Tribute and Prog Rock Originals\nA little more about where we came from. YYNOT® was the coming together of award-winning Guitarist/Songwriter/Producer Billy Alexander (John Waite\, FEEL\, Ron Blair-Tom Petty) and Florida-based virtuoso bassist Tim Starace. In 2015 After seeing Bassist Tim Starace post videos of his mind-blowing and accurate Rush bass covers\, Alexander approached Starace about forming an online collaboration. \nWith the addition of Drummer Mike Hetzel and Vocalist Patty Pershayla YYNOT delivers a well-deserved “throat punch” in both their live shows and recorded material with their original progressive rock and “note for note” vintage RUSH covers while adding their own swagger to the mix. \nTheir debut album and latest release ‘Resonance’ have garnered praise from the rock world including Prog Magazine and Classic Rock Magazine. The records have continued to sell in the U.S.\, Canada\, U.K.\, Brazil and more. YYNOT has accumulated devoted fans all over the U.S. and abroad. \n  \n[av_video src=’https://youtu.be/5iYEOU6T-eE’ mobile_image=” attachment=” attachment_size=” format=’16-9′ width=’16’ height=’9′ conditional_play=” av_uid=” custom_class=”] \n\nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/yynot/
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CATEGORIES:Music
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DTSTAMP:20221017T120026Z
CREATED:20221017T120026Z
LAST-MODIFIED:20221017T120026Z
UID:12930-1676059200-1676066400@peoplesbanktheatre.com
SUMMARY:Chris Janson - LIMITED AVAILABILITY
DESCRIPTION:Featuring special opening guest: Tim Montana\nChris Janson is a “live legacy in the making” (Rolling Stone). Breakout country star Janson is a platinum-selling recording artist\, high-octane entertainer\, multi-instrumentalist\, award-winning singer/songwriter\, and Grand Ole Opry member. The ACM award-winner has collected prestigious accolades that place him among country music greats. His debut single\, “Buy Me A Boat\,” was recognized as the iHeartRadio Music Awards “Country Song of the Year\,” and MusicRow named his poignant single\, “Drunk Girl\,” their “Song of the Year” winner. Bobby Bones named Janson “One of the greatest entertainers in country music.” His big hits include: “Buy Me ABoat” (No. 1\, 3x Platinum); “Fix A Drink” (No. 1\, Gold); “Drunk Girl” (ACM Award-winning\, Gold); “Good Vibes” (No. 1\, Gold); “Done” (multi-week No. 1\, Gold). Janson has earned more than 7.4 BILLION airplay impressions to date and upwards of 1.7 BILLION global career streams. \n[av_hr class=’default’ height=’50’ shadow=’no-shadow’ position=’center’ custom_border=’av-border-thin’ custom_width=’50px’ custom_border_color=” custom_margin_top=’30px’ custom_margin_bottom=’30px’ icon_select=’yes’ custom_icon_color=” icon=’ue808′ font=’entypo-fontello’ av_uid=” custom_class=” admin_preview_bg=”] \n\nTim Montana\nChiefly considered a Country rocker\, Tim Montana is a true Renaissance man\, moonlighting as a TV personality\, marksman\, father\, husband\, grill master\, songwriter\, hot sauce connoisseur\, hell-raiser\, truck driver\, philanthropist\, and businessman. Raised in a single-wide without electricity in the wilds near Butte\, Montana\, Tim Montana (yes\, it’s his real name)\, spent many years grinding it out by taking odd jobs just to pay the bills (like cleaning kennels\, frying chickens\, operating carousel\, being a ranch hand)and racked up lifetimes worth of unbelievable stories. \nWith a mix of innate talent\, unrelenting hustle\, grit\, gasoline\, and magnetic charisma\, Montana is now signed with Music Knox Records/BBR Music Group. Tim released his label debut album (produced by the award-winning Michael Knox)\, Long Shots\, in April 2021 and is already prepared to release its follow-up EP\, Reno. While the Long Shots title served as a nod to the hard road Montana had to take to achieve his dream and how he overcame his struggles against all odds. Reno is a display of gratitude to all of those who have taken a gamble on him and supported him in being his authentic self. The music\, befitting of its lyrical themes\, is Country Rock—but don’t mistake it for Southern. With geography impacting Tim’s musical influences\, he’s located somewhere between Seattle and its grunge\, Texas’ roadhouse\, Nashville’s Country\, Wyoming’s Chris LeDoux\, and the Heartland’s Rock. The music of both projects embraces hard living\, the American experience\, and the blue-collar way—it’s an ode to the underdogs and screams “hard work pays off\,” something Tim knows a lot about. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/chris-janson-2023/
LOCATION:Main Header
CATEGORIES:Music
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DTSTAMP:20221024T120035Z
CREATED:20221024T120035Z
LAST-MODIFIED:20221024T120035Z
UID:12986-1674849600-1674856800@peoplesbanktheatre.com
SUMMARY:Marty Stuart And His Fabulous Superlatives
DESCRIPTION:With legends like George Jones\, Johnny Cash and Merle Haggard all passed on\, country music purists often echo the question Jones himself asked: “Who’s going to fill their shoes?” The answer\, in part\, is Marty Stuart. \nWhile he’s too gracious to admit it himself\, the Grammy-winning singer\, songwriter\, and musician is living\, breathing country-music history. He’s played alongside the masters\, from Cash to Lester Flatt\, who discovered him; been a worldwide ambassador for Nashville\, Bakersfield\, and points in between; and safeguarded country’s most valuable traditions and physical artifacts. Including its literal shoes: Stuart counts the brogan of Carter Family patriarch A.P. Carter and an assortment of Cash’s black boots among his vast collection of memorabilia. \nBut most importantly\, Stuart continues to record and release keenly relevant music\, records that honor country’s rich legacy while advancing it into the future. Way Out West\, his 18th studio album\, hits both of those marks. Produced by Mike Campbell (of Tom Petty and the Heartbreakers)\, the album is a cinematic tour-de-force\, an exhilarating musical journey through the California desert that solidifies Stuart as a truly visionary artist. \nOpening with a Native American prayer\, a nod to Stuart’s affinity for the indigenous people\, particularly the Lakota\, Way Out West transports the listener to the lonely but magical American West. It is\, in its own way\, musical peyote. \n“If you go and sit by yourself in the middle of the Mojave Desert at sundown and you’re still the same person the next morning when the sun comes up\, I’d be greatly surprised\,” says Stuart. “It is that spirit world of the West that enchants me.” \nSpecifically the promised land of California. Growing up in Philadelphia\, Mississippi\, Stuart was taken by the mystique of the Golden State: the culture\, the movies\, and especially the music. “Everything that came out of California captivated my kid mind in Mississippi\,” he says. “It seemed like a fantasy land. Way Out West is a love letter to that.” \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/marty-stuart-and-his-fabulous-superlatives/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20230114T120000
DTEND;TZID=America/New_York:20230114T180000
DTSTAMP:20230110T180103Z
CREATED:20230110T180103Z
LAST-MODIFIED:20230110T180103Z
UID:13627-1673697600-1673719200@peoplesbanktheatre.com
SUMMARY:Marietta Ice Festival
DESCRIPTION:Peoples Bank Theatre is participating in the 2023 Marietta Ice Festival! From 12:00 pm to 6:00 pm on Saturday\, January 14\, stop by our venue at 222 Putnam Street\, check out our freshly carved ice sculpture\, and take a complimentary tour of our historic entertainment destination. \nThis event is free and open to the public. No tickets are necessary to attend. \nAbout the Marietta Ice Festival\nA quickly-growing Marietta favorite\, the Marietta Ice Festival\, brings thousands of locals and tourists downtown to adore 16 ice sculptures on display throughout the historic\, commercial district. In addition to ice sculptures\, highlights include a live ice sculpture carving\, shops & restaurants open\, and more.
URL:https://peoplesbanktheatre.com/event/marietta-ice-festival-2023/
LOCATION:Main Header
CATEGORIES:Other
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DTSTART;TZID=America/New_York:20230113T200000
DTEND;TZID=America/New_York:20230113T220000
DTSTAMP:20221010T120008Z
CREATED:20221010T120008Z
LAST-MODIFIED:20221010T120008Z
UID:12885-1673640000-1673647200@peoplesbanktheatre.com
SUMMARY:THE COMMODORES
DESCRIPTION:For three decades\, the Commodores have remained a force in the music industry. “The Legends of Motown”\, “Hit\, After Hit\, After Hit”\, “Grammy Award Winners”\, “All The Emotion\, All the Excitement”\, “If You Haven’t Seen Them Live\, You Haven’t Heard The Commodores”. \nThe Commodores aren’t just any group. They have staying power. Just like their hit song “Brick House\,” the Commodores have created a foundation that just won’t budge. \nAfter churning out hit after hit in the Motown days\, the Commodores still hadn’t achieved Grammy recognition. This wasn’t to be until 1986\, without Lionel Richie\, when the Commodores released “Night Shift”. \nIn 1968 the group was formed while all the members were in college at Tuskeegee Institute. After being discovered by Berry Gordy\, the Commodores went on to sell over 60 million records for Motown. With hits like “Machine Gun” and “Sail On”\, the Commodores became proven artists. They proved it then. They proved it in 1986 with “Night Shift”\, and now they are ready to prove it again. \nUnlike many other groups\, the Commodores haven’t rested on their early hits. Quite the contrary\, the Commodores have continued to put out quality work. With the creation of their new label\, the Commodores released Commodores Hits Vol. I\, Commodores Hits Vol. II\, Commodores Christmas\, and Commodores XX-No Tricks. The newest CD “Commodores Live” was recorded during the groups 1997 U.S. tour and released in December 1998 along with the TV special of the same name. The Commodores believe in their work\, but they are not the only ones: \n“Seventies phenoms return with a self produced album filled with some great music. The Commodores look set for a fantastic return.”…BRE Music Report \n“Venerable pop/R&B band issues its first single in five years engaging vocals woo with warmth and restraint.”…Billboard \nThe successful Commodores of the present have not only produced six new albums\, and embarked upon a world-wide tour\, but have created their own record label\, Commodores Records and Entertainment. Today the Commodores stand not only as talented and successful musicians\, but as artists determined to continue their success into the future. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-commodores/
LOCATION:Main Header
CATEGORIES:Music
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DTSTAMP:20221017T120011Z
CREATED:20221017T120011Z
LAST-MODIFIED:20221017T120011Z
UID:12955-1673553600-1673560800@peoplesbanktheatre.com
SUMMARY:Josh Turner
DESCRIPTION:Featuring special opening guest: Chris Haddox \nMCA Nashville recording artist Josh Turner\, while a multi-platinum-selling star himself\, is a country music fan first and foremost. He’s even concocted his own version of Mount Rushmore conceived solely of country music legends. Turner’s “Mount Rushmore of Country Music” boasts five faces rather than four (it’s his mountain\, after all) — Randy Travis\, John Anderson\, Johnny Cash\, Vern Gosdin\, and Hank Williams. \nThe giants carved into the granite of Turner’s musical soul form the core of his aptly titled new album\, Country State of Mind. “I’ve always said that any song you hear coming from my voice\, you’re going to hear bits and pieces of those five guys\,” he says. “They taught me how to be Josh Turner.” \nThe dozen songs on Country State of Mind\, including songs from those five legends among others\, span more than half a century of classic country music\, encompassing both well-known standards and deep-catalog cuts. The album shows a singer in dialogue with the songs and the artists that shaped his vision. It’s a conversation — relayed in the distinctive\, resonant baritone that brought Turner #1 hits and five gold and platinum albums — between the past and present of country music. And on half the tracks\, Turner invites other voices — some heroes\, some contemporaries — to join him in the conversation. \n“I knew the artists I wanted to represent\,” explains Turner\, “and I chose songs that exemplified who each of these artists was from my perspective.” The result is a multifaceted album that reflects a distinctive mix of popular and personally meaningful songs. “Forever and Ever\, Amen” marks Randy Travis’ first recording session since an incapacitating 2013 stroke. John Anderson\, who has written and recorded with Turner in the past\, joins him to reprise Anderson’s 1993 hit “I’ve Got It Made.” Early in his career\, Turner often performed Vern Gosdin’s first chart-topping single\, “I Can Tell By the Way You Dance (You’re Gonna Love Me Tonight)\,” and has long dreamed of re-introducing it to a new generation of listeners. Turner plays guitar for the first time on one of his albums on his renditions of Johnny Cash’s “The Caretaker” and Hank Williams’ “Alone and Forsaken” — the album’s oldest\, and darkest\, songs. \n“When I was growing up\, before I moved to Nashville\, I was crazy about sad songs\,” he says. “There has always been a part of my heart that has loved those sad\, lonesome\, and slow songs.” \nTurner chose his guests as carefully as he did his material\, selecting artists who shared his love and respect for the material. “I wanted artists I knew have an appreciation for traditional country music\,” he says. Besides heroes Travis and Anderson\, Turner invited Country Music Hall of Famer Kris Kristofferson to record a new version of his 1973 chart-topper “Why Me” with him. The title track\, originally a 1986 hit for Hank Williams Jr.\, becomes a duet with fellow Grand Ole Opry member Chris Janson. The members of Runaway June take George Jones’ part on “You Don’t Seem to Miss Me\,” and Maddie & Tae sing with Turner on “Desperately\,” a 2004 single for George Strait and the album’s newest song. Country State of Mind also includes songs originally made famous by Keith Whitley (“I’m No Stranger to the Rain”)\, Waylon Jennings (“Good Ol’ Boys” Theme from The Dukes of Hazzard)\, and Alan Jackson (“Midnight in Montgomery”). \nFrom the very start of his career through chart-topping hits like “Your Man\,” “Would You Go With Me\,” “Why Don’t We Just Dance\,” and “All Over Me\,” Turner has immersed himself in country music’s history and its iconic figures. After all\, this is someone who\, as a student at Nashville’s Belmont University\, took an open gate on Johnny Cash’s property as a sign he should knock on the legendary singer’s door and introduce himself. \n“The doorknob wiggles\, the door swings open\, and there stands Johnny Cash\,” Turner recalls. “He and I both jump back\, because he didn’t expect to see me\, and I sure didn’t expect him to answer the door.” \nLater\, as the hits came\, along with multiple GRAMMY\, CMA\, and ACM nominations\, Turner joined the Grand Ole Opry. One of country music’s oldest and most hallowed traditions\, the Opry once counted Hank Williams Sr.\, Johnny Cash\, and George Jones among its ranks; now\, Turner shares membership with heroes like Randy Travis\, Alan Jackson\, and Patty Loveless\, as well as guest Chris Janson. \nFor nearly two decades\, Turner has been one of country music’s most recognizable voices\, selling more than 8.5 million units and amassing more than 2.5 billion global streams. He has never kept his reverence for traditional country music a secret\, but\, with this latest album\, Josh Turner is definitely in a Country State of Mind. \nReally\, though\, he always has been. \n[av_hr class=’short’ height=’50’ shadow=’no-shadow’ position=’center’ custom_border=’av-border-thin’ custom_width=’50px’ custom_border_color=” custom_margin_top=’30px’ custom_margin_bottom=’30px’ icon_select=’yes’ custom_icon_color=” icon=’ue808′ font=’entypo-fontello’ av_uid=” custom_class=” admin_preview_bg=”] \n\n \nChris Haddox\nChris Haddox is Morgantown\, WV-based singer/songwriter who has been writing songs since he was in grade school. His debut album\, released in March 2022\, climbed to the #11 spot on the Folk Alliance International airplay chart and landed him a Mountain Stage performance of one of his songs with Kathy Mattea.  His catalog of songs covers a variety of topics\, including courthouse squares\, shoes\, fiddles\, hurricanes\, firearms\, county fairs\, and\, of course\, love. His wry sense of humor is evident in many of his lyrics\, and his songs are funny\, sad\, sarcastic\, but above all\, they are heartfelt. His honest delivery may leave you laughing\, crying\, curious\, or just scratching your head as you ask yourself “what made him write that?” Learn more about Chris Haddox at chrishaddoxmusic.com. \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/josh-turner-2023/
LOCATION:Main Header
CATEGORIES:Music
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DTSTAMP:20220808T120005Z
CREATED:20220808T120005Z
LAST-MODIFIED:20220808T120005Z
UID:12455-1670702400-1670709600@peoplesbanktheatre.com
SUMMARY:Scotty McCreery
DESCRIPTION:Scotty McCreery released his fifth studio album Same Truck on September 17\, 2021. The first single\, “You Time\,” hit No. 1 on both the Billboard and Mediabase country radio charts later that month\, and the second single “Damn Strait” is out now. McCreery co-wrote 10 of the 12 songs on the album. \nThe North Carolina native achieved new heights in the last few years by earning three back-to-back No. 1 hits from his most recent album Seasons Change\, the RIAA Gold-certified project which debuted at No. 1 on the Billboard Country Album chart: the RIAA Double Platinum-certified “Five More Minutes\,” the RIAA Platinum-certified “This Is It\,” which stayed at the top of the charts for two weeks\, and RIAA Gold-certified “In Between.” McCreery co-wrote all 11 songs on Seasons Change\, which Rolling Stone named as one of the “40 Best Country and Americana Albums of 2018.” \nMcCreery’s current combined album sales surpass 3 million copies. He’s earned one Double Platinum\, four Platinum and two Gold singles; won the 10th season of “American Idol” in 2011; was named the ACM New Artist of the Year in 2011; won the CMT Music Award for Breakthrough Video of the Year (“The Trouble with Girls”) in 2012; American Country Awards for New Artist of the Year in 2011 and Breakthrough Artist of the Year in 2013; BMI Awards for writing One of the Top 50 Country Songs of the Year three times (in 2015 for “See You Tonight\,” in 2018 for “Five More Minutes\,” and in 2019 for “This is It”); a Carolina Beach Music Award for National Dance/Shag Song of the Year (“Barefootin’”) in 2018; and the NSAI Nashville Songwriter Award for One of the Top Ten Songs I Wish I’d Written (“Five More Minutes”) in 2018. McCreery released his first book\, Go Big or Go Home: The Journey Toward the Dream\, in 2016; it was re-released in paperback in 2020. \nMcCreery launched his recording career by making history in 2011 as both the first country artist and the youngest male artist of any genre to debut his first studio album\, the Platinum-certified Clear as Day\, at No. 1 on the all-genre Billboard Top 200 Albums chart. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/scotty-mccreery-2022/
LOCATION:Main Header
CATEGORIES:Music
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DTEND;TZID=America/New_York:20221120T170000
DTSTAMP:20221004T120036Z
CREATED:20221004T120036Z
LAST-MODIFIED:20221004T120036Z
UID:12415-1668956400-1668963600@peoplesbanktheatre.com
SUMMARY:Esbenshade Series: Dirty Dozen Brass Band
DESCRIPTION:Celebrating over 40 years since their founding in 1977\, New Orleans-based Dirty Dozen Brass Band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz\, Funk and R&B/Soul. This unique sound\, described by the band as a “musical gumbo\,” has allowed the Dirty Dozen to tour across 5 continents and more than 30 countries\, record 12studio albums and collaborate with a range of artists from Modest Mouse to Widespread Panic to Norah Jones. Forty-plus years later\, the Dirty Dozen Brass Band is a world-famous music machine whose name is synonymous with genre-bending romps and high-octane performances. \nRoger Lewis-Baritone Sax/Vocals\nKevin Harris-Tenor Sax/Vocals\nGregory Davis-Trumpet/Vocals\nKirk Joseph-Sousaphone\nTJ Norris-Trombone/Vocals\nJulian Addison-Drums\nTakeshi Shimmura-Guitar \nThe History of the Dirty Dozen Brass Band\nIn 1977\, The Dirty Dozen Social and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud\, but antiquated\, traditions at the time: social and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance\, and the clubs would provide proper funeral arrangements. Brass bands\, early predecessors of jazz as we know it\, would often follow the funeral procession playing somber dirges\, then once the family of the deceased was out of earshot\, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late ’70s\, few of either existed. The Dirty Dozen Social and Pleasure Club decided to assemble this group as a house band\, and over the course of these early gigs\, the seven-member ensemble adopted the venue’s name: The Dirty Dozen Brass Band. \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/esbenshade-series-dirty-dozen-brass-band/
LOCATION:Main Header
CATEGORIES:Esbenshade Series,Music
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DTSTART;TZID=America/New_York:20221118T200000
DTEND;TZID=America/New_York:20221118T220000
DTSTAMP:20220519T181032Z
CREATED:20220519T181032Z
LAST-MODIFIED:20220519T181032Z
UID:11791-1668801600-1668808800@peoplesbanktheatre.com
SUMMARY:Blue Öyster Cult
DESCRIPTION:Featuring special opening guest: William Matheny\nFor five decades\, Blue Öyster Cult has been thrilling fans of intelligent hard rock worldwide with powerful albums loaded with classic songs. Indeed\, the Long Island\, NY-based band is revered within the hard rock and heavy metal scene for its pioneering work. Blue Öyster Cult occupies a unique place in rock history because it’s one of very few hard rock/heavy metal bands to earn both genuine mainstream critical acclaim as well as commercial success. \nThe band is often cited as a major influence by other acts such as Metallica\, and BÖC was listed in VH1’s countdown of the greatest hard rock bands of all time. \nUpon the release of BÖC’s self–‐titled debut album in 1972\, the band was praised for its catchy-yet-heavy music and lyrics that could be provocative\, terrifying\, funny or ambiguous\, often all in the same song. BÖC’s canon includes three stone-cold classic songs that will waft through the cosmos long after the sun has burned out: The truly haunting “(Don’t Fear) The Reaper” from 1976’s Agents of Fortune\, the pummeling “Godzilla” from 1977’s Spectres and the hypnotically melodic “Burnin’ for You” from 1981’s Fire of Unknown Origin. Other notable BÖC songs include “Cities on Flame with Rock and Roll\,” “Then Came the Last Days of May\,” “I Love the Night\,” “In Thee\,” “Veteran of the Psychic Wars\,” “Dominance and Submission\,” “Astronomy\,” “Black Blade\,” and “Shooting Shark.” \nThe intense creative vision of BÖC’s original core duo of vocalist/lead guitarist Donald “Buck Dharma” Roeser\, and vocalist/rhythm guitarist Eric Bloom are complemented by Richie Castellano on guitar and keyboards\, and the longtime rhythm section of bass guitarist Danny Miranda\, and drummer Jules Radino. \nWe realized we’re a “classic rock” band. That’s what we are\, that’s what we do best\, and that’s what we know. The band members are proud of BÖC’s classic sound\, and pleased the band is creating vibrant work for disenfranchised music lovers who don’t like the homogenized\, prefabricated pop or sound-alike\, formulaic rap-metal\, which monopolizes the radio airwaves and best-seller charts. \nBÖC has always maintained a relentless touring schedule and an album of new material THE SYMBOL REMAINS was released October 9th\, 2020 to rave reviews. \nWilliam Matheny\nWilliam Matheny may be the best songwriter working\, and is at a minimum the best songwriter you might have never heard of. For those who haven’t had that good fortune\, let’s go\, as Warner Wolfe used to say\, to the videotape. Consider his 2018 standout single “Christian Name\,” which is like Tom Petty’s “Runnin’ Down A Dream” if it had been “Runnin’ Down A Nightmare.” Or reckon with “Living Half to Death\,” the comically terrifying instant classic from 2017’s Strange Constellations in which he apologizes for “abusing all his friendships and drinking all their beer.” \nOver the past four years\, he has assembled a wondrous catalog which situates itself amongst the indelible tradition of roots-rock misfits like Guy Clark and Lowell George\, with just enough Jackson Browne-craft and Springsteen-triumphalism to make the thing potentially huge. You can’t talk about Matheny without talking about West Virginia\, although it is sometimes true that he would prefer not to discuss it. Matheny is from Mannington\, population smaller than your average small town. Like most of the state\, Mannington fought on the side of the Union in the Civil War and represented a crucial strategic stronghold as one of the stops on the B&O Railroad. The correct side\, not that it helped all that much. They say history is written by the winners\, but in spite of upholding the Union\, history was not written by Mannington. Heavy industry: logging and coal. An oil boom in the 1910s. Comfortable lives and then the Great Depression. Bankers and foreclosures. History was written by Mannington and then history was written on Mannington. That grand old feeling\, indeed. \nAnd while he might not always want to talk about it\, West Virginia is a central character in Matheny’s songs. The dirty snow falling on the Coffindaffer Crosses\, the Moundsville guards\, the doomed shout-outs to Stoney Cooper\, the unhappily married lovers at the Elks Lodge and the tapes from Go-Mart melting on the dashboard all enforce the notion that the man can travel wide and far from Mannington\, but Mannington never leaves the man. Like so many before him — Elvis from Tupelo or the Mekons from Leeds — he can check out any time he likes. But he can never et cetera\, et cetera. Or as he once elegantly put it\, “Moon over Mannington/ Moon over Spain/ Moon over happiness/ Moon over pain.” \n[av_video src=’https://youtu.be/EplkKRWUyUg’ mobile_image=” attachment=” attachment_size=” format=’16-9′ width=’16’ height=’9′ conditional_play=” av_uid=” custom_class=”] \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/blue-oyster-cult-2022/
LOCATION:Main Header
CATEGORIES:Music
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DTEND;TZID=America/New_York:20221117T220000
DTSTAMP:20220223T200122Z
CREATED:20220223T200122Z
LAST-MODIFIED:20220223T200122Z
UID:10472-1668715200-1668722400@peoplesbanktheatre.com
SUMMARY:Nitty Gritty Dirt Band
DESCRIPTION:July 19 Update: \nSome members of the Nitty Gritty Dirt Band have contracted COVID\, and unfortunately\, they must postpone their appearance on Thursday\, July 21\, at Peoples Bank Theatre in Marietta\, Ohio.  \nThis show has now been rescheduled to Thursday\, November 17\, at 8:00 pm. All previously purchased tickets will be honored for the new show date.  \nThe band is truly sorry for the inconvenience to their fans! \n[av_hr class=’short’ height=’50’ shadow=’no-shadow’ position=’center’ custom_border=’av-border-thin’ custom_width=’50px’ custom_border_color=” custom_margin_top=’30px’ custom_margin_bottom=’30px’ icon_select=’yes’ custom_icon_color=” icon=’ue808′ font=’entypo-fontello’ av_uid=” custom_class=” admin_preview_bg=”] \nFeaturing special opening guest: Megan Bee\nWith a refreshed lineup and newfound energy\, The Nitty Gritty Dirt Band remains one of the most accomplished bands in American roots music. \nFollowing an extended 50th anniversary tour\, the ensemble grew to a six-piece in 2018 for the first time since their early jug band days. The group now includes Jeff Hanna (acoustic guitar\, electric guitar)\, Jimmie Fadden (drums\, harmonica)\, Bob Carpenter (keyboards)\, Jim Photoglo (bass\, acoustic guitar)\, Ross Holmes (fiddle\, mandolin)\, and Jaime Hanna (electric and acoustic guitar). All six members also sing\, and when their voices merge\, the harmonies add a powerful new component for the legendary band. And with the father-son pairing of Jeff and Jaime Hanna\, the band carries on a country music tradition of blood harmony. \nJeff Hanna says\, “It’s like when you throw a couple of puppies into a pen with a bunch of old dogs. All of a sudden\, the old dogs start playing\, you know? That’s kind of what’s happened with us. The basic vibe is so up and positive\, and the music– we’re hearing surprises from Jaime and Ross all night. And they’re encouraging us in the same way to take more chances. It’s opened a lot of doors for us\, musically\, and the morale is really great. That’s important for a band that’s been out there for over 53 years.” \nThe Nitty Gritty Dirt Band played their first gig in 1966 in Southern California as a jug band and by 1969 had become a cornerstone of the burgeoning country-rock community. Their career breakthrough came in 1970 with the release of the record Uncle Charlie & His Dog Teddy and the single “Mr. Bojangles\,” a folksy Top 10 pop hit that remains a staple of their live show. During a tour stop in Nashville around that time\, Earl Scruggs and his family came backstage to say hello. That introduction led to a friendship and some of the connections the band needed to record Will the Circle Be Unbroken. That three-disc album brought Nitty Gritty Dirt Band together with a number of country\, folk\, and bluegrass legends. Heroes like Roy Acuff\, Mother Maybelle Carter\, Jimmy Martin\, Merle Travis\, and Doc Watson joined the scruffy\, young band to record country music standards such as “I Saw the Light” and “Keep on the Sunnyside.” The acclaimed project is considered a landmark recording in American music. \nNitty Gritty Dirt Band earned a pop resurgence in 1980 with “An American Dream” and “Make a Little Magic.” Those singles also found traction on the country chart\, setting the stage for a major run at country radio. The band secured 16 Top 10 country hits between 1983 and 1990\, including three No. 1 singles: “Long Hard Road (The Sharecropper’s Dream)\,” “Modern Day Romance\,” and “Fishin’ in the Dark.” Bernie Leadon\, a founding member of The Eagles\, played in the band from 1986 to 1988 filling a vacancy by longtime member John McEuen. \nWith so much material to work with\, the band is making it a point to shuffle the set lists more often\, meaning that this isn’t the same Dirt Band show from years past. “We’re fortunate that we’ve got a deep songbook. That’s been on our list\, to resurrect some of the tunes we haven’t done in a while\, in addition to some new stuff\,” Hanna says. \nAt the peak of their country career\, the band toured Europe with Johnny Cash and June Carter Cash\, who hinted that they’d love to appear on a sequel to Will the Circle Be Unbroken\, if the band ever decided to make one. That gesture convinced the band to get back in the studio to record another all-star album. Circle Volume II featured Johnny and June\, as well as Rosanne Cash\, Emmylou Harris\, Levon Helm\, John Hiatt\, Bruce Hornsby\, John Denver\, Ricky Skaggs\, New Grass Revival\, and many other marquee names – not to mention encore performances by Roy Acuff\, Jimmy Martin\, and Earl Scruggs. Released in 1989\, the album won three Grammys and a CMA Award for Album of the Year. \nAs the country music landscape shifted toward a youth market\, the Nitty Gritty Dirt Band kept on touring and recording. They played on two projects by The Chieftains\, cut a song with Karla Bonoff for an album dedicated to the 1996 Olympics\, and contributed “Maybe Baby” to a Buddy Holly tribute\, Not Fade Away. Another collaborative album\, Will the Circle Be Unbroken\, Volume III\, arrived in 2003. Soon after\, the band earned an additional Grammy for “Earl’s Breakdown\,” which they recorded with Earl Scruggs\, Randy Scruggs\, Vassar Clements and Jerry Douglas. Meanwhile\, both “Mr. Bojangles” and Will the Circle Be Unbroken were inducted into the Grammy Hall of Fame. \nThe Nitty Gritty Dirt Band took a moment to acknowledge their incredible history by filming a 50th anniversary concert event at the Ryman Auditorium in Nashville. Guests for that Circlin’ Back special included early Dirt Band member Jackson Browne\, Sam Bush\, Rodney Crowell\, Vince Gill\, Alison Krauss\, John Prine\, Jerry Douglas\, Byron House\, Jerry Jeff Walker\, and longtime Dirt Band member Jimmy Ibbotson. The concert aired as a nation-wide PBS Pledge special in 2016 and won a regional Emmy for Special Event Coverage. Today\, the Nitty Gritty Dirt Band consists of Jeff Hanna\, Jimmie Fadden\, Bob Carpenter\, for years known as “the new guy\,” and Jim Photoglo\, a friend of the band whose credits include cowriting “Fishin’ in the Dark”\, as well as touring and recording with Carole King\, Dan Fogelberg\, and Vince Gill. Newest members Jaime Hanna and Ross Holmes also bring years of experience to the band. Hanna toured and recorded with The Mavericks and Gary Allan\, while Holmes toured and recorded with Mumford & Sons and Bruce Hornsby. \n“The energy these days is so up — and our fans have responded in a really great way\,” Hanna says. “As a fan of other bands\, I know how complicated it can be when members come and go. You can either embrace that or you don’t. Our fans are really gracious and I appreciate that. It’s been a really good run and there’s a lot of daylight ahead of us.” \n  \nMegan Bee\nSinger-songwriter Megan Bee writes with an unquenchable wanderlust and a deep love for the land. Her fourth studio album “Cottonwood” has been called “as real as it gets – a raw and real telling of engaging\, relatable stories.” Based in Athens\, Ohio and frequently roaming the country\, her music is influenced by the collision of Appalachian folk and modern songwriting. She is a blend of distinctly homespun vocals\, acoustic simplicity\, yearning soulfulness\, and winsome storytelling. She has been awarded The Ark of Music album of the year\, The Ohio Music Awards Best Americana and Best Singer-Songwriter Albums\, and a finalist spot in the USA Songwriting Competition. \n \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/nitty-gritty-dirt-band-2022/
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CATEGORIES:Music
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UID:10537-1668196800-1668204000@peoplesbanktheatre.com
SUMMARY:Little River Band
DESCRIPTION:The Eagles founding member\, the late Glenn Frey\, knew what he was saying when he dubbed Little River Band “the best singing band in the world.” The current lineup of LRB takes that accolade to heart each and every time they perform. \nThrough the ‘70’s and ‘80’s\, LRB enjoyed huge chart success with multi-platinum albums and chart topping hits like: \n\n“Reminiscing\,” “Cool Change\,” “Lonesome Loser\,” “The Night Owls\,” “Take It Easy On Me\,” “Help Is on Its Way\,” “Happy Anniversary\,”  “We Two\,” “Man On Your Mind\,” “The Other Guy\,” and “It’s A Long Way There.” \nWorldwide album and CD sales now top 30 million. And in 1982 LRB set a record for having had Top 10 hits for 6 consecutive years – In fact\, they were the very first band to achieve that remarkable plateau! According to BMI\, “Reminiscing” has garnered rare status with over 5 million air plays on American radio\, and “Lady” is close behind with over 4 million air plays. \nBassist/vocalist Wayne Nelson joined the band in 1980\, and worked alongside founding members with some of the most distinctive harmonies and vocal abilities\, creating the unique LRB sound. In 1981\, Nelson was recognized by world renowned Beatles producer Sir George Martin whom\, while producing ‘Time Exposure’\, chose Nelson to record lead vocals on two of the band’s biggest hits\, “The Night Owls” and “Take It Easy On Me.” Later that same year\, guitarist extraordinaire Stephen Housden joined LRB bringing a rock element into the band’s sound and helped contribute to their string of Top 10 hits. As band members departed one by one\, Housden and Nelson worked together to bring LRB into the new millennium.    \nTo date\, Nelson’s vocal and bass guitar talents are included on 23 Little River Band Albums/CD’s.  Although Housden has retired from touring\, LRB continues to perform to sold out audiences\, and Stephen continues to write and participate in all things Little River Band.  \nIn 2004 LRB was inducted into the Australian Recording Industry Association Hall of Fame at the 18th Annual ARIA Music Awards. And in September 2015\, the band was awarded Casino Entertainer of the Year at the G2E Gaming Expo in Las Vegas Nevada.  \nTurning the page brings us to the current lineup of Little River Band…  \nKeyboardist Chris Marion is a Dove Award winning producer. Chris is the creator of all the orchestral arrangements and charts on The Big Box. It is amazing to watch him play\, sing\, and conduct from his riser!  \nLead Guitarist Rich Herring is a highly skilled player\, singer\, and producer of many Nashville artists…not to mention a great songwriter. He and Wayne have co-produced every LRB project since he joined the band.  \nDrummer Ryan Ricks has locked down the rhythm section\, and rounds out the vocals with his incredible range. Great singing drummers are rare…and LRB is lucky to have Ryan as part of that all-important vocal blend.  \nNashville Guitarist Colin Whinnery plays rhythm and lead guitar\, and shares lead vocal duties with Wayne. He brings a brand new voice and a fresh outlook to the rhythm section.  \nEarly 2014 saw the release of Little River Band’s\, ‘Cuts Like a Diamond\,’ on Frontiers Records.  “What If You’re Wrong\,” went to #1 and stayed there for 3 weeks says Jim Shoe of CLASSX Radio.  “Forever You\, Forever Me\,” and “You Dream\, I’ll Drive\,” both climbed into the station’s TOP 3.   \nIn November of 2016\, LRB released\, ‘The Hits…Revisited\,’ on Wurld Records –  a CD consisting of 9 re-recorded hits along with 2 new songs\, written by Wayne\, Chris\, and Rich.   Kris Kristofferson attended one of their concerts in California. He came backstage after the concert and he told LRB that their harmonies are “better than the Beatles.”  \nMay of 2017 brought the release of ‘The Big Box’ –  a box set consisting of 6 disc’s and featuring a DVD with live footage from their 40th Anniversary Tour. \nIn 2020\, lead singer and bass player Wayne Nelson celebrated a personal and professional milestone of being a member of Little River Band for 40 years. That makes Wayne Nelson the longest standing member in the history of LRB. In partnership with Time Life\, the band released a “Live” orchestral accompanied CD of the hits called “Black Tie.” This masterpiece of audio golden nuggets continues to thrill and sooth today. \nIn 2021\, the CD Fan Favorites was released to the fans after they voted on their favorite songs from albums released since the year 2000. This album is a fan exclusive and continues to receive rave reviews from the beloved “Night Owls.” \nBringing their vocal and musical energy along with great arrangements to their timeless classic hits\, each show creates new memories for the audience.  The band enjoys watching their fans fall in love with the songs all over again as they are swept up by the show’s powerful performance and the volume of hits from LRB’s history.  \nWith over 100 dates scheduled or being scheduled for their 2021-22 tour\, Little River Band is hotter than ever—selling out shows and making music from coast to coast—continuing their legacy of being “the best singing band in the world.” \nLittle River Band is:  \nWayne Nelson:  Lead Vocals/Bass\nChris Marion:  Keyboards/Vocals\nRich Herring: Lead Guitar/Vocals\nRyan Ricks: Drums/Percussion/Vocals\nColin Whinnery: Guitar/Lead Vocals \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/little-river-band/
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CATEGORIES:Music
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UID:10719-1668110400-1668117600@peoplesbanktheatre.com
SUMMARY:Lewis Black: Off The Rails
DESCRIPTION:Known as the King of Rant\, Lewis Black uses his trademark style of comedic yelling and finger pointing to expose the absurdities of life. His comedic brilliance makes people laugh at life’s hypocrisies and the insanity he sees in the world. A GRAMMY Award-winning stand-up\, Lewis Black performs his critically acclaimed shows more than 200 nights annually\, to sold-out audiences throughout Europe\, New Zealand\, Canada\, and the United States. He is one of a few performers to sell out multiple renowned theaters\, including Carnegie Hall\, Lincoln Center\, Brooks Atkinson Theatre\, New York City Center\, the Main Stage at the Mirage in Las Vegas\, and a sold-out Broadway run at the Richard Rodgers Theatre in New York City. \nSince 2014 Lewis Black has done over 400 live streaming shows\, called THE RANT IS DUE\, at the end of each of his standup performances. Adding his own unique style\, Lewis delivers audience-written Rants which have been submitted from the fans at his show and throughout the world. These rants are now available on Lewis Black’s podcast\, Rant Cast. Black is the longest-running contributor to THE DAILY SHOW on Comedy Central. He has had comedy specials on HBO\, Comedy Central\, Showtime\, and Epix. \nIn 2001\, he won Best Male Stand-Up at the American Comedy Awards. His newest special Thanks for Risking Your Life (streaming premiere October 6\, 2020) was his last live performance before the Covid lockdown. He has released eight comedy albums\, including the 2007 GRAMMY Award-winning The Carnegie Hall Performance. He won his second GRAMMY Award for his album Stark Raving Black and has published three bestselling books: Nothing’s Sacred (Simon & Schuster\, 2005)\, Me of Little Faith (Riverhead Books\, 2008)\, and I’m Dreaming of a Black Christmas (Riverhead Books\, 2010). In 2012\, he performed eight sell-out shows at Richard Rodgers Theatre on Broadway as well as did one of his two HBO Specials BLACK ON BROADWAY. In 2015\, Black notably voiced the character “Anger” in the Academy Award-winning film from Pixar\, Inside Out. \nA published playwright\, he’s written over 40 plays and has found his work performed throughout the country\, including at the A.C.T. Theatre\, the Magic Theatre\, The Williamstown Theatre Festival\, and The Public Theatre. In addition to his professional pursuits\, Lewis is dedicated to a number of charitable organizations including the Cystic Fibrosis Foundation\, The Rogosin Institute\, and The 52nd Street Project. He’s also deeply committed to supporting our troops. A seasoned USO tour veteran\, he’s performed for the troops on three Christmas tours in Iraq and Afghanistan. \n \nEnjoy all of our upcoming performances on our new Byrider Stage!\n \n 
URL:https://peoplesbanktheatre.com/event/lewis-black-2022/
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CATEGORIES:Comedy
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UID:12566-1667678400-1667685600@peoplesbanktheatre.com
SUMMARY:Collin Raye
DESCRIPTION:Special co-production with the Washington County Foster Families Foundation\nFeaturing special opening guest: Jake Binegar\nCollin Raye has always been a great storyteller and he’s built a multi-platinum career bringing interesting characters to life. Who can forget the struggling alcoholic in “Little Rock” or the devoted couple celebrated in “Love\, Me?” On his new album Scars\, Raye is once again wrapping his distinctive voice around a compelling collection of tunes\, but this time in addition to writing nearly every song on the 14-track set\, Raye has also embarked on a new musical direction and has enlisted Miranda Lambert\, Vince Gill and the Black Keys Dan Auerbach to join the journey. \n“I’d thought about doing an Americana record for years because\, to me\, Americana means no rules\,” Raye says. “Americana is kind of country\, kind of bluegrass\, kind of folk\, kind of R&B. It’s anything you want it to be. I thought how fun would that be to make a record knowing that cut number one can sound totally different than cut number two and cut number three\, number four\, etc. And that’s exactly what I set out to do.” \nWorking with producer David “Fergie” Ferguson (Johnny Cash\, John Prine\, Sturgill Simpson)\, Scars is Raye’s first album of all-new music in over a decade. It’s a bold musical manifesto that sees the veteran hitmaker delivering an eclectic set filled with memorable stories and engaging melodic textures. “Fergie and I talked about it and I said\, ‘I want it to be just really different. I want there to be songs on there that sound like Collin Raye and what you might expect\, but I want there to be stuff that no one would expect as well\,’” Raye says.  “The more we talked about it\, he said\, ‘I really don’t want to cut anything that you didn’t write.’ And I was like\, ‘Wow! Really?’” \nAs a result\, Raye wrote or co-wrote 12 of the 14 tracks on Scars. There are only two outside cuts and they came from the pen of his brother Scotty Wray (the original spelling of the family surname).  “Most of the stuff I wrote was new\, written just for this record\, and for that reason\, I’m extremely proud of it because it’s very personal to me\,” says the 10-time Male Vocalist of the Year nominee (ACM and CMA). “Instead of just being the singer of someone else’s words\, I’m the singer of my own words. I’ve always liked writing\, but I was never prolific. I was never one of those guys who wrote two or three times a week.  If you look at my Sony albums\, I would always have one or two cuts on there\, but I never wrote half or more of an album so this was a definite turn for me. I had to really work for this\, roll my sleeves up and prove to myself that I’m a good writer. I’m really happy with it. This was such a fun record to make and I’ve never felt so creative on any album.” \nThat is saying a lot\, considering Raye has already amassed an impressive body of work. Since signing with Epic Records in 1990\, Raye has placed more than 30 singles on the chart\, including such No. 1 hits as “Love\, Me\, “In This Life\,” “My Kind of Girl” and “I Can Still Feel You.” His debut album\, All I Can Be\, was the first of four consecutive albums released by Raye to achieve platinum certification in the United States\, signifying sales of one million copies each. “Little Red Rodeo\,” “That’s My Story\,” “I Think About You\,” “One Boy\, One Girl” and “Not That Different” are among the hits that have kept him busy on the road. \nProceeds from this concert will benefit Washington County foster children and foster parents.\n“Our vision for this benefit concert is to assist foster parents by providing funding to be used for normal childhood activities not covered by county funds\, in hopes of enhancing these children’s lives.” \n“Foster/adoptive caregivers are concerned individuals who are dedicated to providing the needs of Washington County’s children whose lives have been disrupted due to abuse and neglect. They offer food\, housing\, guidance\, acceptance\, understanding\, and support for children who are unable to stay with their families. Without these committed individuals\, abused and neglected children would not have a safe place to call home.” \n  \nJake Binegar\nJake Binegar is a country music artist from Southeastern Ohio. His music is a mix of Appalachian mountain music with a touch of that Nashville twang. He started playing guitar at the age of 13 and leading country bands at the age of 18. His music has been heard all across the east coast with his first radio release single\, “I Wasn’t Me.” \n“Jake is a gifted singer-songwriter. He has a unique way of making you ‘feel’ a song. When you hear Jake\, you hear what’s real. His songwriting captures the moment\, and his vocals compel you to live that moment with him. What you see is what you get and what you get is something special.” -Rodney “The Big O” Ortiz\, US 107 WNUS\, Froggy 99.1 \n \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/collin-raye-2022/
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CATEGORIES:Music
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UID:11827-1667592000-1667599200@peoplesbanktheatre.com
SUMMARY:Best of the Eagles (BOTE) - The Eagles Tribute Band
DESCRIPTION:Best of the Eagles (BOTE) was established in 2012 by guitarist/vocalist Joe Vadala and a group of professional New Jersey musicians who individually have an auspicious pedigree\, are passionate about their love of the Eagles music and who have all worked with numerous national touring artists. \nBest of the Eagles (BOTE) is the most exact interpretation of the music of the Eagles in America\, bar none! Each member mirrors his counterpart in the Eagles instrumentally and vocally. However\, this is no simple copy band or impersonator act but rather a group of excellent musicians who expertly and authentically re-create the songs\, the music\, the vocals and the magical aura of one of America’s greatest rock bands. The band has sold out so many venues throughout the East Coast and Mid-West including the 1700 Count Basie Theater in NJ\, The Gateway and Ike’s Hall at West Point in NY\, The Academy Center for the Arts in VA\, The Tibbits Opera House in MI\, The Alhambra Theater in FL and so many others. If you love the music of the Eagles\, you will not want to miss BOTE.
URL:https://peoplesbanktheatre.com/event/best-of-the-eagles-bote-the-eagles-tribute-band/
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CATEGORIES:Music
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UID:10662-1667505600-1667512800@peoplesbanktheatre.com
SUMMARY:38 Special
DESCRIPTION:Featuring special opening guest: Of The Dell\nAll tickets purchased for the May 19 show will be honored on the rescheduled November 3 date.\n \nAfter more than four decades\, 38 SPECIAL continues to bring their signature blast of Southern Rock to over 100 cities a year. At each and every show\, thousands of audience members are amazed by the explosive power of the band’s performance. \nTheir many Gold and Platinum album awards stand in testament to the endurance of a legendary powerhouse. \nWith sales in excess of 20 million\, most associate the band with their arena-rock pop smashes\, “Hold On Loosely\,” “Rockin’ Into the Night\,” “Caught Up in You\,” “Fantasy Girl\,” “If I’d Been the One\,” “Back Where You Belong\,” “Chain Lightnin’\,” “Second Chance\,” and more – Timeless hits that remain a staple at radio\, immediately recognizable from the first opening chord\, and paving the way to their present-day touring regimen. \nGuitarist/vocalist DON BARNES says it’s all about maintaining that intensity in their live shows. “We never wanted to be one of those bands that had maybe gotten a little soft or complacent over the years. We’re a team\, and it’s always been kind of an unspoken rule that we don’t slack up\, we stack up. We go out there every night to win.” \nCompleting the team are bassist BARRY DUNAWAY\, drummer GARY MOFFATT\, and keyboardist/vocalist BOBBY CAPPS. The most recent addition to the band is legendary virtuoso guitarist and vocalist JERRY RIGGS. \nFor 38 Special onstage\, it is a celebration of camaraderie and brotherhood\, a precision unit bringing the dedication and honesty to a long history of classic songs\, as well as surprisingly fresh new material. \nSince 1976\, the band has released more than 15 albums. And from the start\, they’ve toured relentlessly\, bringing their signature brand of “muscle and melody” to fans worldwide. \nIt is that steely determination that lives on in the hearts of these ‘Wild-Eyed Southern Boys.’ \nBarnes adds\, “This music keeps our wheels on the road. We’re a band that’s tried to stay honest with what has driven us over the years. We started out with nothing but bold determination to make our own history and to endure. Looking back now\, it has been our greatest pride to have persevered and attained that level of success and longevity. For us\, it’s the ultimate validation.” \n“The magic’s still there\,” adds Barnes. “It’s an emotional high for us to keep ‘bringing it’ after all these years. When those lights go down and we all walk up those steps to the stage and hear that crowd roar\, it’s a real rush to the head. It feels like we’re getting ready to strap ourselves in and it just takes off from there.” \n\nOf The Dell\nOf The Dell arrive\, raise hell\, and leave. Made up of twin brothers Corey and Cody Hatton\, and joined by powerhouse drummer Jeffrey McClelland\, the group joins a legacy of small bands with big sounds. With guitar twang that feels like the best power-pop bands turned up their amps and headed into overdrive\, the band sounds as if Alex Chilton decided to make a The Who album. On their debut album\, “As Soon As Possible\,” Of The Dell covers love\, life\, and most importantly—having a good time. \n \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/38-special/
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CATEGORIES:Music
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UID:12378-1667142000-1667149200@peoplesbanktheatre.com
SUMMARY:River Cities Symphony Orchestra: Masterworks Concert #1
DESCRIPTION:This event has been cancelled. Contact our administrative office at 740-373-0894 with any questions. \nThe River Cities Symphony Orchestra is excited to return to Peoples Bank Theatre for its Masterworks Concert #1\, featuring music by composers Zara Simon-Ogan\, Maurice Ravel\, and Georges Bizet.
URL:https://peoplesbanktheatre.com/event/river-cities-symphony-orchestra-masterworks-concert-1/
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UID:12507-1667073600-1667080800@peoplesbanktheatre.com
SUMMARY:The Rocky Horror Picture Show
DESCRIPTION:Fasten your garter belt! It’s a screening of The Rocky Horror Picture Show\, just in time for the Halloween season! Starring Tim Curry\, Barry Bostwick\, Susan Sarandon\, and rock star Meat Loaf\, The Rocky Horror Picture Show is considered one of the most popular cult classics of all time. \nWhile driving home during a rain filled night straight-laced\, newly-engaged lovebirds Brad (Barry Bostwick) and Janet (Susan Sarandon)\, by chance\, end up at the castle of one Dr. Frank-N-Furter (Tim Curry) and his strange and bizarre entourage to find that he’s having a party. This is no ordinary party and no ordinary night. This is the unveiling of the Doctor’s latest creation: Rocky; A man-made Adonis that will give…absolute pleasure. This is an exceedingly grand visual and musical camp satire of the golden days of the B-movie horror and science-fiction genres. Projected along with a musical soundtrack to give “audience participation” a new meaning. \nCome up to the lab and see what’s on the slab! Dress to impress as your favorite Rocky Horror character and get ready to do the Time Warp again. \nPLEASE NOTE: Peoples Bank Theatre will offer bags of approved props at the concession counter for $7 (first come\, first served). The following items should NOT be brought to the theatre: rice\, candles\, confetti\, squirt guns\, glitter\, and real food items such as toast\, hot dogs\, and prunes. We ask that you please respect our historic theater and refrain from throwing anything at the screen. \nRun time 1h 41min. (Rated R) \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/the-rocky-horror-picture-show-2022/
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CATEGORIES:Film
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DTSTART;TZID=America/New_York:20221022T200000
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DTSTAMP:20220725T120052Z
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UID:12017-1666468800-1666476000@peoplesbanktheatre.com
SUMMARY:John Michael Montgomery
DESCRIPTION:Featuring special opening guest: Eric Gnezda\nJohn Michael Montgomery has turned an uncanny ability to relate to fans into one of country music’s most storied careers. Behind the string of hit records\, the roomful of awards\, and the critical and fan accolades that have defined his phenomenal success lies a connection that goes beyond his undeniable talent and his proven knack for picking hits. Since the days when “Life’s A Dance” turned him from an unknown artist into a national star\, John Michael’s rich baritone has carried that most important of assets: believability. Few artists in any genre sing with more heart than this handsome Kentucky-born artist. \nIt is readily apparent in love songs that have helped set the standard for a generation. Songs like “I Swear\,” “I Love the Way You Love Me” and “I Can Love You Like That” still resonate across the landscape: Pop icon and country newcomer Jessica Simpson cited “I Love The Way You Love Me” as an influence in a recent interview. It is apparent in the 2004 hit “Letters From Home\,” one of the most moving tributes to the connection between soldiers and their families ever recorded\, and in “The Little Girl\,” a tale of redemption that plumbs both the harrowing and the uplifting. It is apparent even in the pure fun that has always found its way into John Michael’s repertoire: songs like “Be My Baby Tonight” and “Sold (The Grundy County Auction Incident)\,” where John Michael’s vocal earnestness takes musical whimsy to another level. \nJohn Michael’s origins lie in deceptively modest beginnings. He was born in Danville\, Kentucky\, to parents who imparted a lifelong love of music. “Where most people have chairs and sofas in their living rooms\,” laughs John Michael\, “we had amplifiers and drum kits.” \nThe family band played on weekends throughout the area\, and John Michael and his brother Eddie eagerly soaked up everything about it. \n“To a certain extent\,” he says\, “my dad always had a natural ability to draw fans and entertain people; I don’t care if it was on the front porch\, the living room\, or on a stage. I think that transitioned to me and my brother being able to do that on stage.” John Michael took over lead singing chores after his parents divorced\, and he performed for a while in a band called Early Tymz with Eddie and their friend Troy Gentry. Nashville talent scouts began hearing about and then seeing John Michael perform and by the early ’90s he had a record deal. \nThe hits followed steadily\, with songs like “Rope The Moon\,” “If You’ve Got Love\,” “No Man’s Land\,” “Cowboy Love\,” “As Long As I Live\,” “Friends” and “How Was I To Know” establishing him as one of the elite acts of the era. He received the CMA Horizon award and was named the ACM’s Top New Vocalist\, setting off a long series of awards that included the CMA’s Single and Song of the Year\, Billboard’s Top Country Artist\, and a Grammy nomination. Heavy touring meant he kept the close touch with fans he had begun in the clubs back home. \n“You get to know your fans and what they like more and more through the years\,” he says\, “and you kind of gravitate towards one another.” \nIndeed\, he has always had an extraordinarily close relationship with his fans\, and they have stayed with him through good and bad times. \nAsked what he thinks gave him the edge in a career that calls millions but gives stardom to just a few\, he pauses\, then thinks back to the legacy of his parents. \n“I reckon it was good genes and good blood\,” he says with a smile. Few who know the depth and breadth of his own growing legacy would disagree. \nEric Gnezda\nEric Gnezda (NEZZ-da) is an award-winning singer-songwriter and the creator and host of the PBS series\, Songs at the Center\, which airs on over 400 stations across the U.S. He writes a wide range of songs\, both serious and humorous. A native Ohioan\, Eric is a recipient of the Ohioana Citation for Music Composition and has performed more than 40 times at Nashville’s iconic venue for songwriters\, The Bluebird Cafe. \nWe are pleased to welcome Eric back to the Peoples Bank Theatre\, where he shot his PBS series with area songwriters a couple years ago. Eric and his musical works have been featured on such broad media as ESPN\, Entertainment Tonight\, and NPR’s All Things Considered and Car Talk. He will be accompanied by violinist Arkadiy Gips\, who has performed on two world tours with Madonna. \n[av_video src=’https://youtu.be/XYyPx9ynge8′ mobile_image=” attachment=” attachment_size=” format=’16-9′ width=’16’ height=’9′ conditional_play=” av_uid=” custom_class=”] \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/john-michael-montgomery/
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CATEGORIES:Music
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DTSTART;TZID=America/New_York:20221015T150000
DTEND;TZID=America/New_York:20221015T190000
DTSTAMP:20220725T120030Z
CREATED:20220725T120030Z
LAST-MODIFIED:20220725T120030Z
UID:12159-1665846000-1665860400@peoplesbanktheatre.com
SUMMARY:Jonathan Burns: Life of the Party
DESCRIPTION:Two shows at 3:00 pm and 7:00 pm!\nBorn with the gifts of curiosity\, flexibility\, and goofiness\, Jonathan Burns combines these unique talents to astonish audiences around the globe with his unique family-friendly comedy show. Jonathan has wow’d the AMERICA’S GOT TALENT judges\, been told by Penn he was “absolutely fabulous” (Teller said nothing) on their show FOOL US\, dazzled on THE LATE LATE SHOW with James Corden\, among many others. The New York Times called him “Extremely Funny: and Campus Activities Magazine named him “Variety Artist of the Year” — TWICE! When he’s not performing he can usually be found in an airport terminal or spending time with his beautiful family. \n \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/jonathan-burns-life-of-the-party/
LOCATION:Main Header
CATEGORIES:Comedy
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DTSTART;TZID=America/New_York:20221007T180000
DTEND;TZID=America/New_York:20221007T200000
DTSTAMP:20220725T120034Z
CREATED:20220725T120034Z
LAST-MODIFIED:20220725T120034Z
UID:10656-1665165600-1665172800@peoplesbanktheatre.com
SUMMARY:First Friday: Cutler Station
DESCRIPTION:This free\, DORA-friendly event will be held outside on Putnam Street in front of Peoples Bank Theatre. Lawn chairs are welcome! \nIf you listen closely\, you’ll hear an irresistible cacophony erupting from the Appalachian foothills: it’s powerpop\, it’s synth rock–it’s even got a backbone made up of your dad’s two favorite kinds of music: country\, and western.  \nIt’s Vincent\, OH’s six-piece musical dynamos: Cutler Station!  \nAll your favorite characters dot Cutler Station’s sonic landscape: the mysterious Mothman of Point Pleasant\, the youth culture of your local small-town AutoZone parking lot\, even the multifaceted and much-loved moms of the American Midwest.  \nLet the sweet essence of Cutler Station wander through the canyons of your mind. You’ll soon find they’ve settled somewhere right near your heart.  \nRight where they should be.  \nThe group’s genre-defying discography of oddball earworms comes to you courtesy of the talents of members John Evans (bass/vocals)\, Kirby Evans (guitar/keys/vocals)\, Steve Lipscomb (guitar/keys/vocals)\, Jason Swiger (drums)\, Jacob Dunn (guitar/keys/vocals)\, and John Borchard (pedal steel guitar).
URL:https://peoplesbanktheatre.com/event/first-friday-cutler-station/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20221001T200000
DTEND;TZID=America/New_York:20221001T220000
DTSTAMP:20220418T174102Z
CREATED:20220418T174102Z
LAST-MODIFIED:20220418T174102Z
UID:11346-1664654400-1664661600@peoplesbanktheatre.com
SUMMARY:Red Wanting Blue with River Cities Symphony Orchestra
DESCRIPTION:Featuring special opening guest: Angela Perley\n\nThe music industry is a destructive animal where even the fittest isn’t guaranteed unscathed survival. That means indie rock band Red Wanting Blue is rare indeed. A quarter-century of steady artistic grow this virtually unheard of in the volatile world of rock music\, whether it’s an underground band struggling to find the key to success or a multi-million-selling supergroup buckling from the excesses of fame. \nRed Wanting Blue\, formed in 1996 in Athens\, Ohio\, is composed of Scott Terry on lead vocals\, tenor guitar\, and ukulele; Mark McCullough on bass\, chapman stick\, and vocals; Greg Rahm on guitar\, keyboards\, and vocals; Eric Hall on guitar\, lap steel\, and vocals; and Dean Anshutz on drums and percussion. Together the five musicians have forged a creative path that grows and expands with each successive recording. \nBy gradually morphing from self-sufficient\, independent outfit to skirting the mainstream without losing underground cred\, Red Wanting Blue earned the right to enjoy the benefits of longevity. The band’s music followed suit. Take melodic heartland rock ‘n’ roll sprinkled with dashes of down-home Americana and dip it in the modern\, metropolitan rock world. Then add muscle\, from a robust rhythm section to the full-throttle vocals of frontman Scott Terry. \nIt’s no surprise that American Songwriter dubbed them “Midwestern rock heroes\,” andthe band has made appearances everywhere from Late Night with David Letterman to NPR. Then there’s the recorded catalog–five independent albums beginning with1996’s Velveteen\, five modern rock era efforts including 2012’s From the Vanishing Point\, and 2014’s Little America\, and the most recent studio opus\, 2018’s The Wanting. \nThe Wanting\, released on Blue Élan Records\, features the heart-wrenching ballad “I’ve Got a Feeling It Hurts\,” a powder-keg duet with soulful vocalist Liz Brasher. The video for the tune is racking up views on YouTube with more than 24\,000 so far. \nThat’s merely one example of the Red Wanting Blue sonic prowess. This is a band that has never been afraid to expand its creative reach while always remaining true to its muse. There is a reason why RWB remains alive\, active\, and viable 25 years after its inception. Now there’s a music industry story worth telling. Red Wanting Blueis: Scott Terry(Vocals\, Tenor Guitar\, Ukulele)Mark McCullough(Bass\, Chapman Stick\, Vocals)Greg Rahm(Guitar\, Keyboards\, Vocals)Eric Hall(Guitar\, Lap Steel\, Vocals)Dean Anshutz(Drums & Percussion) \n\nAngela Perley\n“Angela Perley’s dreamy mix of Americana\, Country and Rock and Roll is the perfect soundtrack for long nighttime journeys between imagined gigs at the Grand Ole Opry and the Roadhouse bar in Twin Peaks.”— PopDose \nAngela Perley hails from Columbus\, Ohio and has spent the past decade onstage and on the road\, creating her own cosmic swirl of alt-country\, psychedelic rock\, and amplified Americana along the way. She has graduated from barroom gigs in the midwest to hard-won opening slots for Willie Nelson\, Lucinda Williams\, Tyler Childers and CAAMP. From dusty bar rooms to the occasional arena gig\, Perley is a homegrown troubadour who’s never been shy about taking the road less traveled. \nOriginally launching her career as the frontwoman of Angela Perley and the Howlin’ Moons\, Perley has since gone solo\, funneling the sonic stomp that ran throughout 2014’s Hey Kid and 2016’s Homemade Vision into the personal\, poignant punch of solo records like 2019’s 4:30 and recent singles “Here for You” (2021) and “Star Dreamer” (2022). \nIn describing Perley’s most recent album (4:30)\, Billboard said\, “The set’s 12 songs run the gamut from psychedelic garage rock to melodic pop and heartfelt country and Americana\, while the lyrics reflect what Perley calls ‘more of an existential kind of thing\, an internal\, searching theme.’ Indeed\, Perley is an ever-evolving artist to watch\, steadily winning over music critics\, DJs and music fans alike. \n \n  \nEnjoy all of our upcoming performances on our new Byrider Stage!
URL:https://peoplesbanktheatre.com/event/red-wanting-blue-with-river-cities-symphony-orchestra/
LOCATION:Main Header
CATEGORIES:Music
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