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DTSTART;TZID=America/New_York:20191115T200000
DTEND;TZID=America/New_York:20191115T230000
DTSTAMP:20190906T135040Z
CREATED:20190906T135040Z
LAST-MODIFIED:20190906T135040Z
UID:6343-1573848000-1573858800@peoplesbanktheatre.com
SUMMARY:Chris Janson
DESCRIPTION:With Special Guest: Josh Melton\nChris Janson’s a “live legacy in the making” (Rolling Stone). Breakout country star Janson is a platinum-selling recording artist\, high-octane entertainer\, multi-instrumentalist\, and award-winning singer/songwriter. In the four years since the release of his debut album\, the three-time CMA nominee has collected prestigious accolades that place him amongst country music greats\, including two No. 1 singles. He most recently took home the trophy for ACM Video of the Year for his Gold-certified\, inspiring hit song “Drunk Girl\,” which also earned the Song of the Year title at the 2018 MusicRow Awards. His chart-topping\, double-Platinum smash “Buy Me A Boat” was named the iHeartRadio Music Awards Country Song of the Year and declared one of the “Ten Songs I Wish I’d Written” by NSAI. Now its onto new music for Janson: “Good Vibes\,” the flagship single from his forthcoming album due this fall\, is approaching Top 20 at country radio. In addition to his own successes\, the talented songwriter has lent his pen to his industry peers. Tim McGraw (“Truck Yeah\,” “How I’ll Always Be”)\, LOCASH (“I Love This Life”) and the legendary Hank Williams Jr. (“God Fearin’ Man\,” “Those Days Are Gone”) are among those who have taken his songs to great heights.
URL:https://peoplesbanktheatre.com/event/chris-janson/
LOCATION:Main Header
CATEGORIES:2019 Summer-Fall,Music
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DTSTART;TZID=America/New_York:20191114T193000
DTEND;TZID=America/New_York:20191114T210000
DTSTAMP:20190703T140046Z
CREATED:20190703T140046Z
LAST-MODIFIED:20190703T140046Z
UID:6135-1573759800-1573765200@peoplesbanktheatre.com
SUMMARY:Julie Zickefoose
DESCRIPTION:Introducing her new book on Jemima\, the Blue Jay\nNaturalist/artist/writer Julie Zickefoose thinks of herself as an unsung\, minor\, rather dirty superhero. Her superpower: saving small\, economically worthless wildlife that would otherwise die. An orphaned jay named Jemima was one such foundling. Spending nearly a year healing\, studying and raising the young blue jay for release opened the door to their world for Julie. She began writing and illustrating Saving Jemima: Life and Love With a Hard-luck Jay immediately upon becoming her foster mother. More than a wildlife rehab story\, it’s the story of life\, love and dealing with great loss; of finding grace and redemption in bonding with a wild bird.
URL:https://peoplesbanktheatre.com/event/julie-zickefoose/
CATEGORIES:Esbenshade Series
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DTSTART;TZID=America/New_York:20191102T200000
DTEND;TZID=America/New_York:20191102T220000
DTSTAMP:20190422T140057Z
CREATED:20190422T140057Z
LAST-MODIFIED:20190422T140057Z
UID:5502-1572724800-1572732000@peoplesbanktheatre.com
SUMMARY:Asleep at the Wheel
DESCRIPTION:Asleep at the Wheel with special guests The Quebe Sisters \nRay Benson founded Asleep at the Wheel in Paw Paw\, West Virginia 47 years ago. Now based in Austin\, the band holds 10 Grammy awards\, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award-winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full-length Bob Wills tribute album. Featuring 22 acclaimed collaborations\, the all-star line up includes legends such as Willie Nelson\, Merle Haggard and George Strait and newcomers like The Avett Brothers\, Amos Lee\, Old Crow Medicine Show and many other fine talents. \nAsleep at the Wheel is bringing a fresh look and sound into 2019. Now traveling as an 8-piece band\, recent additions Katie Shore (fiddle\, vocals)\, Dennis Ludiker (fiddle\, mandolin) Connor Forsyth (keyboard\, vocals) and Josh Hoag (Bass) have instilled a newfound energy and their own unique style within the band. Between those Texas Twin Fiddles and Boogie Piano\, you can bet you’ll be dancin’ down the aisles and swingin’ all night long when the Wheel rolls into town! \n \nThe Quebe Sisters\nWith over fifteen years of touring to date\, The Quebe Sisters have delivered their authentic triple fiddle and three-part harmony sound to the concert halls and festivals of North America\, Europe\, and Russia. \nGrace\, Sophia\, and Hulda Quebe front an innovative Progressive Western Swing band of archtop guitar\, upright bass\, fiddles and sibling harmony. The Dallas-based five-piece presents a unique Americana blend of Western Swing\, Jazz-influenced Swing\, Country\, Texas-Style Fiddling\, and Western music. The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds once found in Texas dance halls and honky-tonks. Combine the musical stylings of The Mills Brothers\, Ray Price\, Count Basie\, Willie Nelson\, and you have none other than The Quebe Sisters.
URL:https://peoplesbanktheatre.com/event/asleep-at-the-wheel/
CATEGORIES:2019 Summer-Fall,Music
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DTSTART;TZID=America/New_York:20191031T200000
DTEND;TZID=America/New_York:20191031T220000
DTSTAMP:20170906T155559Z
CREATED:20170906T155559Z
LAST-MODIFIED:20170906T155559Z
UID:2532-1572552000-1572559200@peoplesbanktheatre.com
SUMMARY:The Rocky Horror Picture Show
DESCRIPTION:Fasten your garter belt! It’s a Halloween night screening of The Rocky Horror Picture Show! Starring Tim Curry\, Barry Bostwick\, Susan Sarandon and rock star Meat Loaf\,  The Rocky Horror Picture Show\, is considered one of the most popular cult classics of all time. \nWhile driving home during a rain filled night straight-laced\, newly-engaged lovebirds Brad (Barry Bostwick) and Janet (Susan Sarandon)\, by chance\, end up at the castle of one Dr. Frank-N-Furter (Tim Curry) and his strange and bizarre entourage to find that he’s having a party. This is no ordinary party and no ordinary night. This is the unveiling of the Doctor’s latest creation: Rocky; A man-made Adonis that will give…absolute pleasure. This is an exceedingly grand visual and musical camp satire of the golden days of the B-movie horror and science-fiction genres. Projected along with a musical soundtrack to give “audience participation” a new meaning. \nCome dressed to impress as your favorite Rocky Horror character. Check out the film’s official fan site\, http://www.rockyhorror.com\, for costume inspiration\, Time Warp dance moves\, and other thrilling trivia tidbits about this riotous farce. \nCome up to the lab and see what’s on the slab! \nPLEASE NOTE: Peoples Bank Theatre will offer 250 goodie bags of approved props at the concession counter for $5 (first come\, first served). While we encourage everyone to have a fabulous time\, certain items will not be allowed in the theatre. APPROVED props are as follows: newspapers\, bubbles\, flashlights\, rubber gloves\, noisemakers\, toilet paper\, neoprene toast\, party hat\, bell\, cards\, hot dogs – neoprene only\, prunes – neoprene only. The following items should NOT be brought to the theatre: rice\, candles\, confetti\, squirt guns\, glitter\, real food items such as toast\, hot dogs\, and prunes. We ask that you please respect our historic theater and refrain from throwing anything at the screen. \nRun time 1h 41min. (Rated R)
URL:https://peoplesbanktheatre.com/event/the-rocky-horror-picture-show/
CATEGORIES:Film
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DTSTART;TZID=America/New_York:20191026T170000
DTEND;TZID=America/New_York:20191026T230000
DTSTAMP:20190903T183449Z
CREATED:20190903T183449Z
LAST-MODIFIED:20190903T183449Z
UID:6434-1572109200-1572130800@peoplesbanktheatre.com
SUMMARY:PBT Family Trick or Treat Festival
DESCRIPTION:Join us for the first annual PBT Family Trick or Treat Festival! Our two-part festival includes a multitude of events for people of all ages!\nStarting at 5 pm\, we will be closing down Putnam Street for the little ones to enjoy a street party filled with jumpy houses\, hot dogs and soda\, carnival games\, and more! Then\, when you need a break from the gut-busting good time outside\, you can enter the not-so-spooky haunted house inside! \nHowever\, once the sun begins to set at 7 pm\, the ghouls will come out. For all of you young adults looking for a spooktacular time\, join us for a Disco Monster Mash\, and a night-time of scares! There will be a DJ\, costume contests\, drinks & snacks\, games\, prizes\, and more! \n 
URL:https://peoplesbanktheatre.com/event/trick-or-treat-fest/
LOCATION:Main Header
CATEGORIES:Other
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DTSTART;TZID=America/New_York:20191025T190000
DTEND;TZID=America/New_York:20191025T233000
DTSTAMP:20180806T192106Z
CREATED:20180806T192106Z
LAST-MODIFIED:20180806T192106Z
UID:4398-1572030000-1572046200@peoplesbanktheatre.com
SUMMARY:Heroes & Villains Unite!
DESCRIPTION:A Super Halloween Event\nHosted by Brad & LeeAndra Smith\nJoin us—if you dare—for the 12th Annual Smith Halloween Party\, Friday\, October 25\, 7:00 p.m. – midnight. Hosted by Brad & LeeAndra Smith to benefit the continued preservation of Peoples Bank Theatre and its mission-driven programs. Tickets: $25 (Must be 21 or older with valid ID) \nThe evening includes: \n• Beer\, wine\, and specialty drinks\n• Light hors d’oeuvre\n• Entertainment\n• Music\n• Contests\n• Prizes\n• and more! \nCome dressed for battle. This year’s theme is Heroes and Villains! \nEntertainment\n\nFrankster & Co. Party to Go will be our ghoulish DJ for the night\nSadie Johnson Band will be performing\nand more!\n\nCostume Contest\nEntry to the costume contest portion of the evening is Best Couple\, Funniest\, Scariest\, Most Original. Winners from each category will go on to compete for BEST OVERALL. Prizes to be announced!
URL:https://peoplesbanktheatre.com/event/halloween2019/
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191018T200000
DTEND;TZID=America/New_York:20191018T230000
DTSTAMP:20190824T140050Z
CREATED:20190824T140050Z
LAST-MODIFIED:20190824T140050Z
UID:6326-1571428800-1571439600@peoplesbanktheatre.com
SUMMARY:Scotty McCreery
DESCRIPTION:With Special Guest Dylan Brady\nPeoples Bank Theatre welcomes Scotty McCreery back to our stage! McCreery has become one of country music’s hottest stars with more than 3 million albums sold and two recent back-to-back No. 1 Platinum-certified hits: “Five More Minutes” and “This is It.” Those songs\, along with his current single “In Between\,” are from his album Seasons Change\, as is his song “Barefootin’\,” which hit No. 1 on the Beach Music Top 40 Chart. McCreery co-wrote all 11 songs on the album\, a first for him. \n \nMcCreery recently celebrated his first wedding anniversary with his wife Gabi\, his high school sweetheart whom he met on the first day of kindergarten. Their engagement was the subject of his song “This is It” and the music video was filmed at their wedding in the mountains of North Carolina. The couple recently adopted a yellow Labrador named Moose.  When not at home with his wife and puppy\, the singer/songwriter can be found performing concerts to packed crowds across the country.  He will embark on his first shows in the United Kingdom and Germany later this year.  After becoming a national sensation by winning “American Idol\,” McCreery went on to become an ACM\, BMI\, Carolina Beach Music\, CMT\, and NSAI Award winner. He has earned both a Platinum and Gold album\, one Gold and five Platinum singles\, and authored the book Go Big or Go Home: The Journey Toward the Dream. \n  \n \n  \nDylan Brady \nSinger-songwriter Dylan Brady has a sound that is back to the future. While maintaining the live instrumentation and storytelling integrity of early country\, his music drips with new-age soaring melodies and pop breakdowns. \nA New York native\, Dylan Brady transplanted to Nashville\, TN in 2016. He has since seen success including opening for Zac Brown Band\, collaborating with Joe Don Rooney of Rascal Flatts and cutting a track written by Shay Mooney of Dan + Shay. He has also represented ASCAP at CMA Fest and has co-written with Ido Zmishlany (Shawn Mendes) & Mike Campbell (Dierks Bentley\, Daya\, Great Big World) as well as performing on Grace VanderWaal ‘s album Just the Beginning. Diagnosed with Tourettes at the age of 13\, Dylan found surprising relief from the neurobiological disorder’s symptoms when he would play music. His drive to help young kids feel included despite their differences caught the eye of Disney channel. Dylan was later featured on the series Make Your Mark and debuted his first song on Radio Disney. \nHe’s since emerged beyond his Disney Channel days and is coming into his own\, crafting an addictive style of country music. Inspired by his mother’s southern upbringing\, his influences growing up included Rascal Flatts\, Tim McGraw\, and Billy Currington; later growing to love Ed Sheeran\, Bruno Mars and Jason Mraz it is no wonder his music is an interesting blend of pop and country. \nhttps://www.dylancbrady.com/ \n \n 
URL:https://peoplesbanktheatre.com/event/scotty-mccreery-2019/
LOCATION:Main Header
CATEGORIES:Music
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DTSTART;TZID=America/New_York:20191013T150000
DTEND;TZID=America/New_York:20191013T163000
DTSTAMP:20190703T140030Z
CREATED:20190703T140030Z
LAST-MODIFIED:20190703T140030Z
UID:6130-1570978800-1570984200@peoplesbanktheatre.com
SUMMARY:Daniel Hsu
DESCRIPTION:Characterized by the Philadelphia Inquirer as a “poet…[with] an expressive edge to his playing that charms\, questions\, and coaxes\,” American pianist Daniel Hsu captured the bronze medal and prizes for best performance of both the commissioned work and chamber music at the 2017 Van Cliburn International Piano Competition. Also a 2016 Gilmore Young Artist\, first prize winner of the 2015 CAG Victor Elmaleh Competition\, and bronze medalist of the 2015 Hamamatsu International Piano Competition\, he is increasingly recognized for his easy virtuosity and bold musicianship. \n \nA native of the San Francisco Bay Area\, Daniel Hsu began taking piano lessons at age 6 with Larisa Kagan. He made his concerto debut with the Fremont Symphony Orchestra at age 8\, and his recital debut at the Steinway Society of the Bay Area at age 9\, before being accepted into the Curtis Institute of Music at the age of 10\, along with his two older siblings. Since then\, he has made his debuts with the Philadelphia Orchestra (2016) and Carnegie Hall (2017) as part of the CAG Winners Series at Weill Recital Hall. He has appeared in recitals at the Dame Myra Hess Memorial Concerts\, Krannert Center for the Performing Arts\, and Gilmore International Keyboard Festival\, as well as in concerts in Philadelphia\, Chicago\, Denver\, Los Angeles\, Portland\, and New York. With orchestra\, Daniel has collaborated with the Tokyo\, North Carolina\, Grand Rapids\, New Haven\, and Fort Worth Symphony Orchestras\, working with conductors Leonard Slatkin\, Nicholas McGegan\, Cristian Măcelaru\, Ruth Reinhardt\, and Marcelo Lehninger. \nDaniel’s chamber music performance with the Brentano String Quartet earned him the Steven de Groote Memorial Award for the Best Performance of Chamber Music. The Dallas Morning News praised “his impassioned\, eloquently detailed Franck Quintet\,” proclaiming it to be “a boldly molded account\, with a natural feeling for the rise and fall of intensity\, the give and take of rubato. Both he and the Brentano seemed to be channeling the same life force.” He regularly tours the United States with the Verona String Quartet and in duo piano with his brother\, Andrew\, and appears frequently in chamber music festivals. \nDecca Gold digitally launched Daniel’s first album featuring live recordings from the Cliburn Competition of Mussorgsky’s Pictures at an Exhibition and Beethoven’s Piano Sonata\, op. 110\, as well as his award-winning performance of Marc-André Hamelin’s Toccata on “L’homme armé.” He has also been featured in interviews and performances for WQXR\, APM’s Performance Today\, and Colorado Public Radio. \nNow 21 years old\, Daniel is currently the Richard A. Doran Fellow at the Curtis Institute of Music\, where he has studied with Gary Graffman\, Robert McDonald\, and Eleanor Sokoloff. \nHe is a Marvel film buff and enjoys programming. He contributed to the creation of Workflow\, a popular productivity app that allows users to automate tasks on iPhone\, iPad\, and Apple Watch\, which won the coveted 2015 Apple Design Award and was acquired by Apple in March 2017.
URL:https://peoplesbanktheatre.com/event/daniel-hsu/
CATEGORIES:Esbenshade Series
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DTSTART;TZID=America/New_York:20191006T190000
DTEND;TZID=America/New_York:20191006T203000
DTSTAMP:20190422T140042Z
CREATED:20190422T140042Z
LAST-MODIFIED:20190422T140042Z
UID:5495-1570388400-1570393800@peoplesbanktheatre.com
SUMMARY:Cirque Mechanics
DESCRIPTION:42FT – A Menagerie of Mechanical Marvels\nAt the center of every circus rests a 42ft ring full of thrills\, laughs and excitement. 42FT – A Menagerie of Mechanical Marvels\, is the latest invention from the creative minds of Cirque Mechanics. The company dares us to leap into the circus ring and experience the timelessness of this evolving art form. The shows’ unique mechanical interpretation of the traditional\, and its story full of the lore of the historic one-ring circus\, create a welcoming place\, like a big top\, where we can be amazed. The action in 42FT is full of theatricality and a modern sensibility\, showcasing a galloping mechanical metal horse and a rotating tent frame for strongmen\, acrobats and aerialists. \nhttps://vimeo.com/292723946 \nCirque Mechanics\, inspired by modern circus\, finds its roots in the mechanical and its heart in the stories of American industrial ingenuity. The shows\, imbedded in realism\, display a raw quality rarely found in modern circus. Cirque Mechanics signature style is wrapped in acrobatics\, mechanical marvels\, and a bit of clowning around. 42FT follows the great successes of Birdhouse Factory\, Boomtown\, and Pedal Punk. \nStep right up ladies and gentlemen\, boys and girls\, to the Cirque Mechanics world of gears and canvas\, pulleys and sawdust- within 42FT. \nAbout Cirque Mechanics\nCirque Mechanics was founded in 2004 by Boston native and German Wheel artist\, Chris Lashua\, after the success of his collaborative project with the Circus Center of San Francisco\, Birdhouse Factory. Cirque Mechanics quickly established itself as a premiere American circus\, with its unique approach to performance\, inspiring storytelling and innovative mechanical staging. Spectacle Magazine hailed it as “the greatest contribution to the American circus since Cirque du Soleil”.
URL:https://peoplesbanktheatre.com/event/cirque-mechanics/
CATEGORIES:2019 Summer-Fall,Other
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191004
DTEND;VALUE=DATE:20191005
DTSTAMP:20190422T140052Z
CREATED:20190422T140052Z
LAST-MODIFIED:20190422T140052Z
UID:5488-1570147200-1570233599@peoplesbanktheatre.com
SUMMARY:Bill Engvall
DESCRIPTION:TWO SHOWS: Shows at 7:00pm & 9:15pm!  Engvall is a Grammy nominated\, multi-platinum selling recording artist and one of the top comedians in the country. Most recently\, Bill was a contestant on season 17 of ABC’s Dancing with the Stars\, and as a fan favorite\, he made it to the finals. Earlier this year\, Bill lent his voice to the animated comedy series Bounty Hunters\, which aired on CMT. He previously starred in\, and executive produced\, the TBS sitcom The Bill Engvall Show. Bill was part of the enormously successful Blue Collar Comedy concert films\, which sold over nine million units and received a Grammy nomination. He also starred on the WB’s hit sketch comedy show Blue Collar TV and in several solo specials for Comedy Central. In 2012 he reunited with Jeff Foxworthy and Larry the Cable Guy on the Them Idiots Whirled Tour\, which aired as a special on CMT. \nBill’s first album\, Here’s Your Sign\, is certified platinum and held the #1 position on the Billboard Comedy Chart for 15 straight weeks. His second album\, Dorkfish\, also debuted at #1 on Billboard’s Comedy Chart\, as did his subsequent comedy albums. Bill has written several books\, including his 2007 autobiography Bill Engvall –Just A Guy. \n \nA native of Galveston\, Texas\, Bill moved to Dallas and worked as a disc jockey with plans of becoming a teacher.  While in a nightclub one evening\, he tried his hand at stand-up comedy and found that making people laugh was truly his forte.  Soon after\, he moved to Los Angeles and went on to star in the Showtime special\, A Pair of Joker’s\, hosted A&E’s Evening at the Improv and appeared on The Tonight Show and Late Show with David Letterman. In 1992\, Bill won the American Comedy Award for “Best Male Stand-up Comedian.” He appeared in several episodes of Designing Women and co-starred in Delta and The Jeff Foxworthy Show. Bill resides in Southern California with his family. More information is available at www.billengvall.com
URL:https://peoplesbanktheatre.com/event/bill-engvall/
CATEGORIES:2019 Summer-Fall,Comedy
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2019/04/BillEngvall-1500.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190929T150000
DTEND;TZID=America/New_York:20190929T170000
DTSTAMP:20180905T174924Z
CREATED:20180905T174924Z
LAST-MODIFIED:20180905T174924Z
UID:4545-1569769200-1569776400@peoplesbanktheatre.com
SUMMARY:River Cities Symphony Pops Concert
DESCRIPTION:“Hometown Pops”\nMARIETTA – Get ready for great orchestral pops music\, this time with a Marietta twist. The River Cities Symphony brings the tunes and talent you know and love to a great local venue. Selections include Hoagy Carmichael’s “Stardust”\, Rogers & Hammerstein’s “Carousel”\, “No\, No\, Nannette”\, and Hamlish’s “The Way We Were”. Maestro Turizziani has even found a local connection\, with selections from the musical “Naughty Marietta”\, as well as Marietta’s own “Battle Hymn”. \nContinuing in the RCSO’s tradition of featuring outstanding young musicians\, local clarinetist Kell Campbell will also perform the 3 rd movement of Weber’s Concerto for Clarinet. Kell is a sophomore at WVU\, where he plays in the Wind Symphony\, and is a former WV Youth Symphony player\, PHS student\, and Allstate Band winner. \nThe RCSO’s Pops Concert will be held at 3:00 PM on September 29th\, at the Peoples Bank Theatre\, 222 Putnam Street\, Marietta. Tickets are $15\, $20 and $25 and may be purchased online at www.peoplesbanktheatre.com\, by phone at 740-371-5152 or at the ticket office. \nCorporate sponsors are the Marietta Hampton Inn\, WesBanco and the Hippodrome Colony Theatre Association. Community support provided by Artsbridge. \nFor additional information call (740) 371-4140.
URL:https://peoplesbanktheatre.com/event/rcso-pops-2019/
CATEGORIES:RCSO
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190927T200000
DTEND;TZID=America/New_York:20190927T213000
DTSTAMP:20190823T163735Z
CREATED:20190823T163735Z
LAST-MODIFIED:20190823T163735Z
UID:6382-1569614400-1569619800@peoplesbanktheatre.com
SUMMARY:Bob Thompson at the Stage Door
DESCRIPTION:Bob Thompson Presented By The Stage Door’s Listening Room Series\nWV Music Hall of Fame Inductee heard weekly on Mountain Stage Radio Show. \nThe Stage Door’s Listening Room Series is proud to present Bob Thompson in a very intimate setting. \nMoving to West Virginia in the mid-’60s to attend then West Virginia State College\, pianist Bob Thompson is perhaps the state’s best-loved musician and ambassador of jazz. He has touched many people’s lives both as an entertainer and a teacher. \nGrowing up in NY\, he sang in street corner doo-wop bands and originally attended WVSC on a scholarship to study trumpet and music education. After switching to piano\, he quickly became a staple on the local scene with bands like the Modern Jazz Interpreters and Joi. \nAfter some independent releases\, he signed to Capitol Records subsidiary Intima and later to the Ichiban label. Two of his albums climbed into the Top 25 in Billboard’s contemporary jazz chart while four of his releases made their way into the Top 10 on the Radio and Records jazz chart. Those nationally released works furthered his reputation significantly. \nIn the meantime\, he performed in Brazil\, South Africa and Scandinavia. Appearances on BET\, as the house pianist on the NPR show Mountain Stage\, and several tours abroad have made Thompson a visible presence in the jazz world for more than 40 years. In addition\, for the past decade Thompson’s annual holiday jazz show ‘Joy to the World’\, has become a regular feature of Public Radio International’s holiday programming.
URL:https://peoplesbanktheatre.com/event/bob-thompson-at-stage-door/
LOCATION:Main Header
CATEGORIES:2019 Summer-Fall,Music,Stage Door
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190926T190000
DTEND;TZID=America/New_York:20190926T210000
DTSTAMP:20190716T140021Z
CREATED:20190716T140021Z
LAST-MODIFIED:20190716T140021Z
UID:6195-1569524400-1569531600@peoplesbanktheatre.com
SUMMARY:Manhattan Short Film Festival
DESCRIPTION:Over 100\,000 Film Lovers\nAcross the Globe\nUnite for One Week\nFor One Film Festival \nDon’t miss the 22nd annual Manhattan Short Film Festival coming to Peoples Bank Theatre on Thursday\, September 26! Screening begins at 7:00 p.m. Film finalists will be announced at the end of August. \nMANHATTAN SHORT is not a touring Festival; rather\, it is an instantaneous celebration that occurs simultaneously across the globe\, bringing great films to great venues and allowing the audiences to select their favorites. \nUpon entry at all participating venues\, festival attendees are handed a Voting Card and an Official Program and asked to vote for the ONE Film and Actor they feel should win. Votes are tallied by each host venue then emailed to the festival’s NYC headquarters. \nIf the Film Festival experience truly is about getting great works in front of as many eyes as possible\, MANHATTAN SHORT offers the ultimate platform — one that sees its films screened in Sydney\, Mumbai\, Moscow\, Vienna\, Cape Town to cinemas in all fifty states of the United States and beyond. \nTickets are just $10. Student tickets available at the door $8 (with valid id). \nAttention Parents: These films are not rated. Some films may contain strong language or graphic scenes. Recommended for audiences 18 years and older.
URL:https://peoplesbanktheatre.com/event/manhattan-short-film-festival/
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190816T200000
DTEND;TZID=America/New_York:20190816T200000
DTSTAMP:20190422T140045Z
CREATED:20190422T140045Z
LAST-MODIFIED:20190422T140045Z
UID:5478-1565985600-1565985600@peoplesbanktheatre.com
SUMMARY:Jon Anderson of YES
DESCRIPTION:JON ANDERSON OF YES! \nA full retrospective of Anderson’s hits from YES\, Jon & Vangelis\, his solo career\, and music from his new album “1000 Hands.” with special guests The Paul Green Rock Academy at 7:30 \nhttps://youtu.be/OiQUeJWyoK8 \nJon Anderson is undoubtedly one of the most recognizable voices in progressive rock as the lead vocalist and creative force behind Yes. Anderson was the author and a major creative influence behind the ground-breaking album “Fragile” as well as the series of epic\, complex pieces such as “Awaken”\, “Gates of Delirium” and especially “Close to the Edge” which were central to the band’s success. Additionally\, Anderson co-authored the group’s biggest hits\, including “I’ve Seen All Good People”\, “Roundabout”\, and “Owner Of A Lonely Heart”. If you asked Jon\, he would say that he loves the adventure in making music\, as evidenced in 50 years of success in the music business\, working not only with many variations of Yes\, but also with very successful collaborations with Vangelis and Kitaro\, and more recently with Roine Stolt and Jean-Luc Ponty. His collaboration with Vangelis produced a number of hit records\, including “Friends of Mr Cairo” which was groundbreaking in its use of narrative voiceover\, creating a phenomena that was copied by many artists and producers\, most notably Michael Jackson and Quincy Jones with “Thriller”. As Jon would say\, “We all copy each others musical dreams\, it’s the cross-pollenation of music that keeps the world spinning around”. \n \nIn the mid 70s he created a pure solo album\, in every sense of the word: performing all the music\, playing every instrument\, writing a storyline\, and of course singing all the vocals in the critically acclaimed “Olias of Sunhillow”… a milestone in recording and adventurous creativity. You only need to look at his output of solo albums over the years to see how inventive his life in music has been\, from “Animation” to “Song of Seven”\, “Three Ships” to “Toltec”\, “City of Angels” to “The More You Know”\, to name just a few. All of these albums marked his own progression and adventure through music…leading up to 2009 following his near death\, the release of the life affirming album “Survival and Other Stories”. \nIn 2015\, Jon partnered with his dear friend\, world renowned jazz violinist Jean Luc Ponty\, creating a wonderful fusion of jazz and progressive rock in the album “Better Late than Never”. In 2016\, Jon joined forces with well known prog rock guitarist and producer Roine Stolt\, to create “Invention of Knowledge”\, an album with reached great acclaim with critics and fans alike. In 2017 Jon reformed YES with former band members Trevor Rabin and Rick Wakeman … YES Featuring ARW has toured the world to rave reviews and released “Live At The Apollo” CD/DVD in September 2018. \nhttps://youtu.be/HekdjPayAvk \nNever to stand still musically\, he is currently releasing an album he started 28 years ago\, now called “1\,000 Hands” a reference to the fact that numerous guest musicians perform on the album\, including Ian Anderson\, Billy Cobham\, Jean Luc Ponty\, Chick Corea\, Zap Momma\, Chris Squire\, Alan White\, Steve Howe and many more. This album produced by his friend Michael Franklin really speaks to the power of a musical life still in the throes of a fervent artistic endeavor\, always wanting new experiences in music\, always wanting to surprise the listener. The album was released in March 2019. \nFinally\, in Jon’s words: “Music is our spiritual connection to the soul\, that’s why people all over the world connect to Music and to each other through Music”. \nVIP Meet & Greet Packages Available\nAdd a VIP Meet & Greet package to your ticket for $125 per person and meet Jon Anderson before the concert! Select “VIP” option  when ordering your ticket or contact the box office at 740-371-5152. \n-Pre-Show Meet & Greet at 7:00 p.m.\n-Photo Op\n-Poster\n-Tour Laminate \nhttps://youtu.be/4JqYFP5UUp8 \nJon Anderson will be appearing after special guest\, the nationally acclaimed Paul Green Rock Academy\, which will be taking the stage at 7:30. Come a little early to support some of the best young musicians in the country! \nhttps://www.paulgreenrock.com/ \n 
URL:https://peoplesbanktheatre.com/event/jon-anderson/
CATEGORIES:2019 Summer-Fall,Music
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190727
DTEND;VALUE=DATE:20190728
DTSTAMP:20190523T144333Z
CREATED:20190523T144333Z
LAST-MODIFIED:20190523T144333Z
UID:5907-1564185600-1564271999@peoplesbanktheatre.com
SUMMARY:Missoula Children's Theatre: Aladdin
DESCRIPTION:Peoples Bank Theatre is excited to welcome Missoula Children’s Theatre for a summer production of Aladdin. Performances are scheduled for Saturday\, July 27 at 3 p.m. and 5:30 p.m. \nIs your child interested in being on stage as part of the production? See our audition notice. Auditions will be Monday\, July 22\, 10:00 a.m.– 12:00 p.m. \nFor Aladdin it’s not easy to find a magic lamp but it’s even harder to get a date! It’s a swirling sandstorm of famous Arabian Tales from Ali Baba to Scheherazade\, and even Sinbad the Sailor\, as Aladdin journeys to find a magic lamp in a Cave of (not-so-great) Wonders. Along his way Aladdin seeks answers and advice from wise Genies\, a powerful Sultan\, and his own Mother to find a way to meet the Princess. However\, even with the lamp in hand\, Aladdin will have to learn that it takes more than a wish to make a good impression. Full of memorable characters\, from lost Penguins to talking Palm Trees\, this is an adventure worthy of 1\,001 laughs. \nThe Missoula Children’s Theatre is a non-profit organization based in Missoula\, Montana. This coming year more than 65\,000 cast members across the globe will take to the stage to the delight and applause of their families\, friends\, community\, neighbors and teachers!
URL:https://peoplesbanktheatre.com/event/missoula-childrens-theatre-aladdin/
CATEGORIES:Theatre
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190721T190000
DTEND;TZID=America/New_York:20190721T213000
DTSTAMP:20190422T140004Z
CREATED:20190422T140004Z
LAST-MODIFIED:20190422T140004Z
UID:5540-1563735600-1563744600@peoplesbanktheatre.com
SUMMARY:Mountain Stage
DESCRIPTION:Featuring Charlie Hunter & Lucy Woodward\,\nJohn Paul White\,\nMolly Tuttle\,\nCharley Crockett\,\n& Jeff Black\nMountain Stage returns to Marietta\, Ohio! \nFor more than 30 years\, Mountain Stage with Larry Groce has been the home of live music on public radio. Produced by West Virginia Public broadcasting and distributed by NPR Music\, each two-hour episode of Mountain Stage can be heard every week on more than 200 stations across America\, and around the world via NPR Music and mountainstage.org. Recorded in front of a live audience\, Mountain Stage features performances from seasoned legends and emerging stars in genres ranging from folk\, blues\, and country; to indie rock\, synth pop\, world music\, alternative\, and beyond. \nCharlie Hunter & Lucy Woodward\n\n\n\n \nAn exhilarating blast of blues\, soul and funk\, Music!Music!Music! marks the recorded debut of the musical partnership between guitarist Charlie Hunter and vocalist Lucy Woodward. \nThe duo first performed together in January 2018\, when Woodward — fresh off supporting her fourth solo album\, 2016’s Til They Bang on the Door — joined forces with Hunter as a last- minute fill-in on a tour he’d originally booked with Mexican singer-songwriter Silvana Estrada (whose visa application had been denied by the U.S. Department of Homeland Security). Bonded by their shared love of blues\, Hunter and Woodward quickly constructed a setlist of favorite songs and hit the road. Within less than a week of playing shows together\, they realized that they’d hit upon something very special\, indeed. \nRecorded in November 2018 at Stephen Lee Price’s studio in High Point\, NC\, with longtime Hunter collaborator Derrek Phillips on the drums\, Music!Music!Music! features eleven radically reworked covers of songs by artists ranging from Blind Willie Johnson and Bessie Smith to Nina Simone and Terence Trent D’Arby. Soulful\, spacious and deliciously in the pocket\, Music!Music!Music! showcases the dazzling interplay between Hunter’s funky guitar and Woodward’s powerful voice\, while also reflecting the spontaneity and good vibes of the duo’s live performances. \nHunter and Woodward will return to the road this spring to take Music!Music!Music! to the people. The tour for the album will stretch over much of 2019\, with the duo going to Europe and Japan as well as all over North America. \nJohn Paul White\n \nJohn Paul White grew up in tiny Loretto\, Tennessee\, and now lives in Florence\, Alabama\, not far\nfrom Muscle Shoals. He has cultivated his career in Nashville for two decades\, first as a songwriter for a major publisher\, then as half of The Civil Wars – a groundbreaking duo that won four Grammy Awards before disbanding in 2012. Because The Civil Wars were so hard to categorize\, White has earned a fan base among indie rock listeners\, folk audiences\, Americana outlets\, and AAA radio. \nMolly Tuttle\n \nA virtuosic\, award-winning guitarist with a gift for insightful songwriting\, Molly Tuttle evolves her signature sound with boundary-breaking songs on her compelling debut album\, When You’re Ready. Already crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her EP\, Tuttle has broken boundaries and garnered the respect of her peers\, winning fans for her incredible flatpicking guitar technique and confessional songwriting. Graced with a clear\, true voice and a keen melodic sense\, the 26-year-old seems poised for a long and exciting career. When You’re Ready\, produced by Ryan Hewitt (The Avett Brothers\, The Lumineers) showcases her astonishing range and versatility and shows that she is more than simply an Americana artist. \nCharley Crockett\n \nGrowing up with a single mother in San Benito\, Texas\, the hometown of Tejano star Freddy Fender was not easy for blues singer Charley Crockett. Hitchhiking across the country exposed Crockett to the street life at a young age\, following in the footsteps of his relative\, American folk hero Davy Crockett\, who also lived a wild life on the American frontier. After train hopping across the country\, singing on the streets for change in New Orleans’ French Quarter\, busking in New York City and performing across Texas and Northern California\, Crockett set off to travel the world and lived on the streets of Paris for nearly a year before searching for home in Spain\, Morocco\, and Northern Africa. \nThe blues artist returned home to Texas and released his debut solo album titled A Stolen Jewel in 2015\, receiving critical acclaim in Dallas and ultimately landing him a Dallas Observer Music Award that year for “Best Blues Act”. A record “rich with Southern flavor\, a musical gumbo of Delta blues\, honky-tonk\, gospel and Cajun jazz\,” Jewel proved that Crockett\, born into poverty in the Rio Grande\, had come home to make his musical mark on the South. Crockett\, who is self-described as elusive\, rebellious and self-taught\, has been compared to legends like Bill Withers\, Merle Haggard\, and Gary Clark Jr. \nHe released his sophomore record In The Night\, an admirable nod to his Texas country and Louisiana blues roots\, on June 4 and ended 2016 having played over 125 shows. “In the Night” and Crockett’s song “I Am Not Afraid” received international recognition from top tastemakers after being picked by NPR Music as one of the “Top 10 Songs Public Radio Can’t Stop Playing” and selected by David Dye to be featured on World Cafe in late July. The Fort Worth Star-Telegram called it “an impressive calling card\, full of Crockett’s plaintive soulfulness and swinging tempos” and Central Track noted the artist as having “the well-rounded songwriting capabilities of Van Morrison and a vocal approach that finds common ground between Bill Withers and early Dr. John.” Crockett graced the cover of Buddy Magazine in May 2016\, who called him “the archetype of the new American vagabond.” \nHe has shared the stage with artists like Turnpike Troubadours\, Leon Bridges\, Justin Townes Earle\, Citizen Cope\, Alejandro Escovedo\, Joe Ely\, Sean Hayes\, Tab Benoit\, Ace Enders and others. \nJeff Black\n \n“His words and voice hold down center stage with a craft so deeply in the artistic pocket that it obscures anything outside” \n– No Depression \nIt’s the truth behind what an artist does and the way they choose to do it that defines their art. And while the ways in which audiences get their music has changed\, the reasons why a certain kind of artist makes music have remained the same. Call it an uncompromising commitment\, an inspired motivation\, or just the need to share with and connect to those who listen. For Jeff Black\, it is his life’s work that has driven him to build a career like few other singer/songwriters in the business. Boston’s WUMB listeners voted Jeff Black as one of the top 100 most important Folk artists of the last 25 years. \nBlack’s songs have earned GRAMMY recognition\, radio chart-topping stats and numerous BMI awards. Although flying below the radar as a performer himself\, he has been recognized by NPR as a musical pioneer in the digital age and his catalogue of critically acclaimed albums continues to grow. Composing music for film and television\, his credits include numerous indie-film soundtracks and a repertoire of songs cut by artists as diverse as Alison Krauss & Union Station\, Waylon Jennings\, BlackHawk\, Dierks Bentley\, Jon Randall\, John Oates\, Jerry Douglas and Sam Bush. Black has forged a reputation as a true folk troubadour entertaining audiences globally for over three decades. A master songwriter and performer in the tradition of the great storytellers\, his passionate\, soul driven live performances of songs from his vast catalog are not to be missed. \nFolklore is the 10th release from the prolific songwriter. Recorded over a 2 day period in Nashville\, Tennessee at Arcana Studios\, Jeff Black arms himself with a guitar\, harmonica and a banjo to traverse the clay-dust roads that trace the cutting edge of pop culture\, delivering a collection of modern folk and acoustic classics. \n“The tradition of an artist delivering songs that are damn near perfectly crafted and filled with the wisdom of the ages.”\n– Jedd Beaudoin | PopMatters
URL:https://peoplesbanktheatre.com/event/mountain-stage/
CATEGORIES:2019 Summer-Fall,Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190719T200000
DTEND;TZID=America/New_York:20190719T213000
DTSTAMP:20190528T140016Z
CREATED:20190528T140016Z
LAST-MODIFIED:20190528T140016Z
UID:5947-1563566400-1563571800@peoplesbanktheatre.com
SUMMARY:Dionne Warwick
DESCRIPTION:Dionne Warwick is a six-time Grammy Award-winning music legend who has earned more than 75 charted hit songs and sold over 100 million records. She was discovered by Burt Bacharach and Hal David in 1961\, and went on to record 18 consecutive Top 100 singles (“Don’t Make Me Over\,” Walk on By\,” “Say a Little Prayer\,” “A House is Not a Home\,” “Alfie\,” “Heartbreaker\,” “Déjà Vu\,” among countless others). She received her first Grammy in 1968 for “Do You Know the Way to San Jose?”. Ms. Warwick became the first African-American solo female artist of her generation to win the prestigious award for Best Contemporary Female Vocalist Performance. \nIn 1985\,Dionne Warwick participated in the recording of “That’s What Friends Are For\,” which became a number-one hit worldwide and raised awareness and major funds for AIDS research\, which she continues to support\, among other causes such as The Starlight Foundation\, children’s hospitals\, world hunger\, disaster relief\, and music education for which she has been honored and has raised millions of dollars. Ms. Warwick also participated in the all-star charity single\, “We Are the World” and performed at “Live Aid.” \nDionne Warwick has been honored by AMFAR\, the Desert Aids Project\, and Clive Davis at his pre-Grammy party. Ms. Warwick was also inducted into The Grammy Museum where a special 50th Anniversary career exhibit was unveiled. Most recently\, Ms. Warwick released a star-studded duets album entitled\, “Feels So Good\,” featuring collaborations with some of today’s greatest artists. Most recently\, Warwick was the recipient of the coveted and prestigious 2017 Marian Anderson Award for her career accomplishments and philanthropy. She was honored in a 2018 PBS Television Special\, “Then Came You\,” was named 2019 Ambassador to the Smithsonian Institute’s Year in Music and is a 2019 Grammy Lifetime Achievement Award recipient. \nVIP Packages\nDionne Warwick – Front Row Meet & Greet Package\nPackage price: $345 (includes ticket) \n\nOne premium reserved seat located in the first row\nPriority VIP entry into the venue\nAccess to an intimate preshow soundcheck\nExclusive meet & greet with Dionne Warwick\nPersonal photograph with Dionne Warwick\nCollectible tour poster; autographed by Dionne Warwick (limited print)\nSpecially designed Dionne Warwick tote bag\nCustom commemorative ticket\nExclusive VIP merchandise item\nOfficial meet & greet laminate\nVery limited availability\nA portion of the proceeds will be donated to Dionne Warwick Institute of Economics & Entrepreneurship\n\nDionne Warwick – Meet & Greet Package\nPackage price: $259 (includes ticket) \n\nOne premium reserved seat located in rows 2-5\nPriority VIP entry into the venue\nAccess to an intimate preshow soundcheck\nExclusive meet & greet with Dionne Warwick\nPersonal photograph with Dionne Warwick\nCollectible tour poster; autographed by Dionne Warwick (limited print)\nSpecially designed Dionne Warwick tote bag\nCustom commemorative ticket\nExclusive VIP merchandise item\nOfficial meet & greet laminate\nVery limited availability\nA portion of the proceeds will be donated to Dionne Warwick Institute of Economics & Entrepreneurship\n\nDionne Warwick – Soundcheck Package\nPackage price: $185 \n\nOne premium reserved seat located in rows the first 15 rows\nPriority VIP entry into the venue\nAccess to an intimate preshow soundcheck\nCollectible tour poster (limited print)\nSpecially designed Dionne Warwick tote bag\nCustom commemorative ticket\nExclusive VIP merchandise item\nOfficial soundcheck laminate\nLimited availability\nA portion of the proceeds will be donated to Dionne Warwick Institute of Economics & Entrepreneurship\n\n*Seat Sponsors please note: Due to the nature of the artist’s contract and VIP package/fan club sales\, we cannot guarantee your sponsored seat will be available for this show. However\, Seat Sponsors will have early access to reserve available seating during the Seat Sponsor & Member Presale May 29-30. \n*Members please note: Complimentary tickets may not be redeemed for VIP Packages. All members will have early access to reserve available seating during the Seat Sponsor & Member Presale Presale May 29-30.
URL:https://peoplesbanktheatre.com/event/dionne-warwick/
CATEGORIES:2019 Summer-Fall
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190711T200000
DTEND;TZID=America/New_York:20190711T213000
DTSTAMP:20190422T140026Z
CREATED:20190422T140026Z
LAST-MODIFIED:20190422T140026Z
UID:5525-1562875200-1562880600@peoplesbanktheatre.com
SUMMARY:Sam Bush
DESCRIPTION:With special guest JD Hutchison to open\nThere was only one prize-winning teenager carrying stones big enough to say thanks\, but no thanks to Roy Acuff. Only one son of Kentucky finding a light of inspiration from Bill Monroe and his Blue Grass Boys and catching a fire from Bob Marley and The Wailers. Only one progressive hippie allying with like-minded conspirators\, rolling out the New Grass revolution\, and then leaving the genre’s torch-bearing band behind as it reached its commercial peak. \nThere is only one consensus pick of peers and predecessors\, of the traditionalists\, the rebels\, and the next gen devotees. Music’s ultimate inside outsider. Or is it outside insider? There is only one Sam Bush. \n \nOn a Bowling Green\, Kentucky cattle farm in the post-war 1950s\, Bush grew up an only son\, and with four sisters. His love of music came immediately\, encouraged by his parents’ record collection and\, particularly\, by his father Charlie\, a fiddler\, who organized local jams. Charlie envisioned his son someday a staff fiddler at the Grand Ole Opry\, but a clear day’s signal from Nashville brought to Bush’s television screen a tow-headed boy named Ricky Skaggs playing mandolin with Flatt and Scruggs\, and an epiphany for Bush. At 11\, he purchased his first mandolin. \nAs a teen fiddler Bush was a three-time national champion in the junior division of the National Oldtime Fiddler’s Contest. He recorded an instrumental album\, Poor Richard’s Almanac as a high school senior and in the spring of 1970 attended the Fiddlers Convention in Union Grove\, NC. There he heard the New Deal String Band\, taking notice of their rock-inspired brand of progressive bluegrass. \n \nAcuff offered him a spot in his band. Bush politely turned down the country titan. It was not the music he wanted to play. He admired the grace of Flatt & Scruggs\, loved Bill Monroe- even saw him perform at the Ryman- but he’d discovered electrified alternatives to tradition in the Osborne Brothers and manifest destiny in The Dillards. \nSee the photo of a fresh-faced Sam Bush in his shiny blue high school graduation gown\, circa 1970. Tufts of blonde hair breaking free of the borders of his squared cap\, Bush is smiling\, flanked by his proud parents. The next day he was gone\, bound for Los Angeles. He got as far as his nerve would take him- Las Vegas- then doubled back to Bowling Green. \n“I started working at the Holiday Inn as a busboy\,” Bush recalls. “Ebo Walker and Lonnie Peerce came in one night asking if I wanted to come to Louisville and play five nights a week with the Bluegrass Alliance. That was a big\, ol’ ‘Hell yes\, let’s go.'” \nBush played guitar in the group\, then began playing after recruiting guitarist Tony Rice to the fold. Following a fallout with Peerce in 1971\, Bush and his Alliance mates- Walker\, Courtney Johnson\, and Curtis Burch- formed the New Grass Revival\, issuing the band’s debut\, New Grass Revival. Walker left soon after\, replaced temporarily by Butch Robins\, with the quartet solidifying around the arrival of bassist John Cowan. \n“There were already people that had deviated from Bill Monroe’s style of bluegrass\,” Bush explains. “If anything\, we were reviving a newgrass style that had already been started. Our kind of music tended to come from the idea of long jams and rock-&-roll songs.” \nShunned by some traditionalists\, New Grass Revival played bluegrass fests slotted in late-night sets for the “long-hairs and hippies.” Quickly becoming a favorite of rock audiences\, they garnered the attention of Leon Russell\, one of the era’s most popular artists. Russell hired New Grass as his supporting act on a massive tour in 1973 that put the band nightly in front of tens of thousands. \nAt tour’s end\, it was back to headlining six nights a week at an Indiana pizza joint. But\, they were resilient\, grinding it out on the road. And in 1975 the Revival first played Telluride\, Colorado\, forming a connection with the region and its fans that has prospered for 45 years. \nBush was the newgrass commando\, incorporating a variety of genres into the repertoire. He discovered a sibling similarity with the reggae rhythms of Marley and The Wailers\, and\, accordingly\, developed an ear-turning original style of mandolin playing. The group issued five albums in their first seven years\, and in 1979 became Russell’s backing band. By 1981\, Johnson and Burch left the group\, replaced by banjoist Bela Fleck and guitarist Pat Flynn. \nA three-record contract with Capitol Records and a conscious turn to the country market took the Revival to new commercial heights. Bush survived a life-threatening bout with cancer\, and returned to the group that’d become more popular than ever. They released chart-climbing singles\, made videos\, earned Grammy nominations\, and\, at their zenith\, called it quits. \n“We were on the verge of getting bigger\,” recalls Bush. “Or maybe we’d gone as far as we could. I’d spent 18 years in a four-piece partnership. I needed a break. But\, I appreciated the 18 years we had.” \nBush worked the next five years with Emmylou Harris’ Nash Ramblers\, then a stint with Lyle Lovett. He took home three-straight IBMA Mandolin Player of the Year awards\, 1990-92\, (and a fourth in 2007). In 1995 he reunited with Fleck\, now a burgeoning superstar\, and toured with the Flecktones\, reigniting his penchant for improvisation. Then\, finally\, after a quarter-century of making music with New Grass Revival and collaborating with other bands\, Sam Bush went solo. \nHe’s released seven albums and a live DVD over the past two decades. In 2009\, the Americana Music Association awarded Bush the Lifetime Achievement Award for Instrumentalist. Punch Brothers\, Steep Canyon Rangers\, and Greensky Bluegrass are just a few present-day bluegrass vanguards among so many musicians he’s influenced. His performances are annual highlights of the festival circuit\, with Bush’s joyous perennial appearances at the town’s famed bluegrass fest earning him the title\, “King of Telluride.” \n“With this band I have now I am free to try anything. Looking back at the last 50 years of playing newgrass\, with the elements of jazz improvisation and rock-&-roll\, jamming\, playing with New Grass Revival\, Leon\, and Emmylou; it’s a culmination of all of that\,” says Bush. “I can unapologetically stand onstage and feel I’m representing those songs well.” \nJD Hutchison\n \nJ.D. Hutchison is a native of the Appalachian region of southeastern Ohio. He was born\, the second of four sons to John Williams and Emma Jane Harper Hutchison\, in a tiny three-room house located one mile west of the town square in the village of Barnesville. His was a musical family. His father was a well-known guitarist and fiddler in the community; he often appeared with his wife (J.D.’s mother) as a singing duo at public functions in the area. There seemed to be an unfailing congregation of local players nearby every week at someone-or-another’s house where a plentiful table would be at the ready and music would prevail until all were played out. These conditions imbued JD from early childhood with a strong affection and affinity for tradition-based string music. \nLearn more: http://www.jdhutchison.com \n 
URL:https://peoplesbanktheatre.com/event/sam-bush/
CATEGORIES:2019 Summer-Fall,Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190628
DTEND;VALUE=DATE:20190707
DTSTAMP:20190529T152920Z
CREATED:20190529T152920Z
LAST-MODIFIED:20190529T152920Z
UID:5966-1561680000-1562457599@peoplesbanktheatre.com
SUMMARY:Bye Bye Birdie
DESCRIPTION:Presented by Marietta College\nPerformance Dates: \n\nFriday\, June 28 at 8:00 p.m.\nSaturday\, June 29 at 2:00 p.m.\nFriday\, July 5 at 8:00 p.m.\nSaturday\, July 6 at 8:00 p.m.\n\nA loving send-up of the early 1960s\, small-town America\, teenagers\, and rock & roll\, BYE BYE BIRDIE remains as fresh and vibrant as ever. Teen heartthrob superstar Conrad Birdie has been drafted\, so he chooses All-American girl Kim MacAfee for a very public farewell kiss…much to the dismay of her father George and her boyfriend Hugo. Will Sweet Apple\, Ohio ever be the same? Featuring the beloved songs “Put on a Happy Face”\, “Kids”\, and “One Last Kiss” this classic American musical remains as fresh and vibrant as ever. \nA program of Marietta College\, The Pioneer Summer Theatre Festival continues the tradition of professional summer stock theatre in Marietta. One dynamic company made up of local community members\, college theatre artists from across the country\, and professional directors and designers present a Broadway style musical inside the historic Peoples Bank Theatre along with a free Shakespeare production in Muskingum Park. This year the Pioneer Summer Theatre Festival is pleased to present Bye\, Bye\, Birdie along with Romeo & Juliet in the park as they welcome the Ohio Valley Shakespeare Conference to Marietta during opening weekend.
URL:https://peoplesbanktheatre.com/event/bye-bye-birdie/
CATEGORIES:Theatre
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190627T193000
DTEND;TZID=America/New_York:20190627T210000
DTSTAMP:20190517T195628Z
CREATED:20190517T195628Z
LAST-MODIFIED:20190517T195628Z
UID:5768-1561663800-1561669200@peoplesbanktheatre.com
SUMMARY:Craig Heath - Eric Gnezda - John Walsh
DESCRIPTION:Join us at The Stage Door for an intimate listening room concert with Craig Heath\, Eric Gnezda\, and John Walsh. Only 50 general admission tickets will be sold. \n  \nCraig Heath\n \nCraig S. Heath is a four-time Ohio Music Awards winner based in the Hocking Hills region of southeastern Ohio. Craig has made multiple appearances at the renowned Bluebird Cafe in Nashville\, TN and has also been a featured performer on the PBS national broadcast of Songs at the Center.  His music has been heard on television shows like Broad & High as well as documentaries and films. His songs have also been featured on NPR’s “Crossing Boundaries”. He has toured/performed in 30 states\, Ireland\, and England as well as the African continent. He has opened for the likes of Livingston Taylor\, Joe Crookston\, and Jill Andrews and is a three-time winner of the Columbus Songwriters Association showcase. His recording career began in 2006 with “Fate of Foreigners”\, a full-length CD that signaled his arrival on the songwriting scene.  Other projects include “Big Green Mountain” and “Celtic Ballads” as well as collaborative projects like “The Great Divide” and “Simple Song”.  He has begun work on the 2019 release “Wayward Son”\, which promises to be his most personal project to date. \nEric Gnezda\n \nSinger-Songwriter Eric Gnezda is creator and host of the American Public Television series\, Songs at the Center\, airing on more than 300 stations coast to coast. A regular performer at Nashville’s Bluebird Café\, Eric is a recipient of the Ohioana Citation for Music Composition\, joining Michael Feinstein (American Songbook)\, Jorma Kaukonen (Jefferson Airplane)\, and Chip Davis (Mannheim Steamroller). An Emmy-nominated TV journalist\, Eric has seen success with a wide range of songwriting styles – from inspirational anthems\, to country\, to comedy. Eric and his work have been featured on media around the globe\, including ESPN\, Entertainment Tonight\, and NPR (Car Talk\, and All Things Considered). His latest single\, “Separation\,” was named one of the Top 25 Songs of 2018 by Detroit Radio’s Phil Maq\, of WFHR-FM. \nJohn Walsh\n \nA well-known Mid-Ohio Valley musician\, John Walsh’s songwriting has been described as “intensely personal\,” “he sang what I wanted to say…” and\, “the lyrics read like a painting…”  Both an artist and facilitator of the arts in the MOV\, Walsh currently serves as a board member of the West Virginia Music Hall of Fame; formerly served on the Hippodrome/Colony Historic Theatre Association board; and\, was instrumental in the development and opening of The Adelphia Music Hall. In 2013\, John released The Fields of Gettysburg to coincide with the sesquicentennial anniversary of Gettysburg.  John’s all original song cycle brought real historical characters to life\, enabling the listener to get to know people of the day on a personal level.  The record\, co-produced by Parkersburg singer/songwriter\, Todd Burge\, brought together an impressive ensemble of musicians\, including Mountain Stage’s Larry Groce and Michael Lipton\, two-time Grammy winner Tim O’Brien\, Jessica Baldwin\, Colton Pack and Justin Arthur.  Met with wide critical acclaim\, The Fields of Gettysburg was featured on NPR’s Mountain Stage and at The Gettysburg National Park’s Museum Gift Store.  The album is currently available at Tamarack’s “The Best of West Virginia.”
URL:https://peoplesbanktheatre.com/event/heath-gnezda-walsh/
CATEGORIES:Stage Door
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2019/05/Heath-Gnezda-Walsh.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190621T200000
DTEND;TZID=America/New_York:20190621T213000
DTSTAMP:20181022T140044Z
CREATED:20181022T140044Z
LAST-MODIFIED:20181022T140044Z
UID:4717-1561147200-1561152600@peoplesbanktheatre.com
SUMMARY:Amy Grant [SOLD OUT]
DESCRIPTION:with special guest Joshua Lee\nConventional wisdom has it that Amy Grant put Contemporary Christian Music on the map\, becoming the first CCM artist to have a platinum record\, the first to hit No. 1 on the Pop charts\, and the first to perform at the GRAMMY Awards. Since then\, Amy Grant has been strumming her way through a 30-plus year adventure as a singer-songwriter\, author\, television host and speaker. \nEarly on\, Amy Grant’s iconic voice became instantly recognizable in both the Christian and pop worlds\, some even dubbing her the “Queen of Christian Pop.” Over the years\, she has sold more than 30 million albums worldwide\, including three multi-platinum\, six platinum\, and four gold. Her chart performance has also been consistent throughout her career\, boasting six No. 1 hits\, 10 “Top 40” pop singles\, 17 “Top 40” adult contemporary tracks and multiple contemporary Christian chart toppers. In recognition of such success\, Grant has received 6 GRAMMY Awards and 26 Dove Awards\, a star on the Hollywood Walk of Fame\, and a star on the Music City Walk of Fame. Additionally\, she was most recently inducted into the Gospel Music Hall of Fame in Nashville. \nStepping out from behind her guitar\, Amy Grant found herself hosting the NBC prime time series “Three Wishes” in 2005\, bringing her into millions of living rooms across America every Friday night. The people she met and stories she collected proved to be great inspiration for creating new music and even writing a book. Two years later\, Grant’s first book\, Mosaic: Pieces of My Life So Far\, was published. She continues to share her stories with audiences all over the country as a keynote and inspirational speaker. \nIn April 2016\, Amy Grant celebrated the 25th anniversary of her first pop hit\, “Baby Baby”\, with a worldwide release of a new version of the song featuring pop sensation and fellow Capitol Music Group recording artist Tori Kelly. Growing her wildly popular Christmas brand\, Grant then released “Tennessee Christmas” in October 2016\, her first all-new Christmas album in nearly twenty years. She looks forward to national arena symphony Christmas tours each November and December with long-time friend Michael W. Smith\, as well as an annual Christmas residency at the world-famous Ryman Auditorium in Nashville with country superstar husband Vince Gill. \nGrant resides with her family in Nashville\, Tennessee\, and is widely known for her philanthropy and tireless involvement in local causes and charitable organizations. Her own organization\, The Helping Hands Foundation\, has afforded her the opportunity to identify needs around her and the resources to help meet them\, which has proven to be the sweetest reward of all. \nJoshua Lee\n \nAfter 14 years of fifteen-passenger vans\, tour buses\, and side man gigs\, Joshua Lee left Nashville with his young family and headed to West Virginia\, trading screaming fans for screaming kids. After a difficult transition\, Lee nearly left the music life behind entirely\, but he began to write again and in doing so found his own musical voice. In his old life\, Lee might have sought collaborators to start a band\, but having difficulty finding enough like-minded musicians\, he focused instead on discovering himself as a solo artist\, something he’d never tried before. Playing solo shows in the Ohio Valley area led to a new confidence in his ability as a singer-songwriter and to a new group of musical collaborators. \nOn his debut EP\, Promise Land (June 2017)\, Joshua wrestles with questions of loss and cautiously reaches for hope rather than despair. Recorded mostly at home\, and self-produced along with Trae Gunter (Randy Montana\, Jacob Thomas Jr.)\, he finds himself searching for his own sound by mining the territories of folk rock and heartland rock and blending in synths and ambient guitars. Hints of The National supplement more traditional song forms in the spirit of Ryan Adams and Tom Petty. \nNow based in Marietta\, Ohio\, Joshua Lee is performing solo and full band in the Mid-Ohio Valley region as he’s beginning work on his next project. \nWebsite: http://joshualeemusic.com/ \nFacebook: https://www.facebook.com/imightbejoshualee/ \nInstagram: https://www.instagram.com/imightbejoshualee/
URL:https://peoplesbanktheatre.com/event/amy-grant/
CATEGORIES:2019 Winter-Spring,Music,Spotlight Series
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190620T150000
DTEND;TZID=America/New_York:20190620T163000
DTSTAMP:20190605T145848Z
CREATED:20190605T145848Z
LAST-MODIFIED:20190605T145848Z
UID:6035-1561042800-1561048200@peoplesbanktheatre.com
SUMMARY:Creature from the Black Lagoon
DESCRIPTION:Presented by the Marietta High School Class of 1954 \nLove is strange. Especially when the monstrosity known as the Gill-Man falls hard for Kay (Julia Adams) while she’s on a geology expedition in the Amazon! After changing the world ten times over with movies like DRACULA\, FRANKENSTEIN\, and THE WOLF MAN\, Universal took inspiration from real-life prehistoric beasts for the iconic CREATURE FROM THE BLACK LAGOON. And horror history was ever the same again. Confidently directed by sci-fi maestro Jack Arnold (TARANTULA) and featuring gorgeous creature designs by Milicent Patrick\, it’s not surprising that Guillermo del Toro once referred to this movie as\, “the most beautiful I’ve ever seen.” \nCREATURE FROM THE BLACK LAGOON has its roots\, of all places\, at a party hosted by Orson Wells. Producer William Alland was engaging in some small talk when he met a cinematographer who claimed to have seen photographic evidence of a fish-man that lived in the Amazon. Alland\, looking for a new project to develop at Universal\, took this story – Amazon fish-man seeks the yearly sacrifice of a beautiful young woman – and immediately knew what to do with it: he would remake KING KONG! Yes\, Alland’s original vision for the movie skewed very closely to the story of KING KONG. Scientists would capture the gill-man through the use of live bait (a beautiful woman\, naturally) and take it back to civilization where it would rampage before eventually being killed due to its love for a woman that it could never know. In fact\, if you watch CREATURE FROM THE BLACK LAGOON and REVENGE OF THE CREATURE back-to-back\, you get the story of KING KONG in almost its entirety. \nWhen it came time to film the movie\, CREATURE was shot simultaneously on the Universal back lot (everything in the film that takes place above sea is on a stage) and in Florida for the undersea scenes. Two individuals played the Gill-Man – Ben Chapman played the creature when it was on land (his feet were weighed down with lead in order to give the creature a shuffling walk) and Ricou Browning played the creature for the underwater scenes. Browning was a cave diver who helped give Arnold a tour of Florida during location scouting. His landing of the Gill-man role was completely by chance. It led to a fruitful career in Hollywood\, though. Among Browning’s later contributions to Hollywood would be creating the show FLIPPER. \nOne of the more interesting aspects of CREATURE OF THE BLACK LAGOON is the fact that it cast a scientist as the film’s hero. You have to remember that in the early part of the ‘50s\, scientists were more often than not cast as the villain. If a character was a scientist\, he was usually insane\, bent on world domination or just generally up to no good. CREATURE is remarkable in Richard Carlson’s portrayal of Dr. David Reed as an adventurous\, buff and heroic scientist. Essentially this was the same role he played in IT CAME FROM OUTER SPACE – meaning Carlson\, Alland and Arnold are all partially to thank for the modern depiction of the hero scientist. \nAny talk about CREATURE FROM THE BLACK LAGOON would be incomplete without mention of Millicent Patrick. The design of the film’s monster was – by most accounts – a collaborative process. While Bud Westmore\, Universal’s head of the makeup department\,  would seek sole credit for the design of the Creature\, people who worked on the film describe Westmore’s involvement as strictly limited. Millicent Patrick\, a beautiful young woman who dabbled in such areas as design\, modeling\, animation and acting\, is said to have been the one to truly help finalize the look of the Creature as we know him today. When Westmore felt that she was getting too much credit in the press\, though\, he had her blackballed and – for all intents and purposes – drove her out of the design business. While Patrick would continue to act\, she never again contributed to a film’s production or costume design. Her fate is still a mystery – nobody quite knows what exactly became of her after she quit acting in the ‘60s. \n 
URL:https://peoplesbanktheatre.com/event/creature-from-the-black-lagoon/
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190611T190000
DTEND;TZID=America/New_York:20190611T190000
DTSTAMP:20190201T160019Z
CREATED:20190201T160019Z
LAST-MODIFIED:20190201T160019Z
UID:5215-1560279600-1560279600@peoplesbanktheatre.com
SUMMARY:The Suitcase Junket [SOLD OUT]
DESCRIPTION:Live at THE STAGE DOOR\nThe Suitcase Junket is Matt Lorenz: artist\, tinkerer\, swamp yankee\, one-man band. His is the road-worn voice rising over the grind of a tube-amped dumpster guitar\, and the wild double pitches of throat singing. From Lorenz’ penchant for thrift and ingenuity comes this full-length Signature Sounds debut of original rock anthems\, mountain ballads\, blues manifestos and dance-hall festivity. It is magnificent\, rousing\, image-driven songwriting\, laid out on instruments built of broken bottles\, thrift store forks\, dried bones\, gas cans\, shoes\, saw blades\, a toy keyboard\, salvaged instruments\, and an overhead compartment’s worth of luggage.  \n \nMatt was raised in Cavendish\, Vermont\, the son of schoolteachers. He learned to sing by copying his sister Kate; the siblings are two-thirds of the touring trio Rusty Belle. Lorenz graduated from Hampshire College in Amherst\, Massachusetts\, in 2004\, having taught himself to throat-sing\, inspired by a South Indian cooking class. On moving day\, he pulled a guitar\, filled with mold and worse for wear\, from a dorm dumpster. He fixed it up and started pulling songs out of it. That was the beginning.    \nSince then\, The Suitcase Junket has built a powerful fan base in his native New England and far beyond. \nThe latest album from The Suitcase Junket\, Mean Dog\, Trampoline is populated by characters in various states of reverie: leaning on jukeboxes\, loitering on dance floors\, lying on the bottoms of empty swimming pools in the sun. Despite being deeply attuned to the chaos of the world\, singer/songwriter/ multi instrumentalist Matt Lorenz imbues those moments with joyful wonder\, an endless infatuation with life’s most subtle mysteries. And as its songs alight on everything from Joan Jett to moonshine to runaway kites\, Mean Dog\, Trampoline makes an undeniable case for infinite curiosity as a potent antidote to jadedness and despair. \nProduced by Steve Berlin (Jackie Greene\, Rickie Lee Jones\, Leo Kottke) of Los Lobos\, Mean Dog\, Trampoline marks a deliberate departure from the self recorded\, homespun approach of The Suitcase Junket’s previous efforts. In creating the album\, Lorenz pulled from a fantastically patchwork sonic palette\, shaping his songs with elements of jangly folk\, fuzzed out blues\, oddly textured psych rock. Engineered by Justin Pizzoferrato (Dinosaur Jr.\, Speedy Ortiz) and mixed by Vance Powell (Jack White\, Houndmouth)\, Mean Dog\, Trampoline rightly preserves The Suitcase Junket’s unkempt vitality\, but ultimately emerges as his most powerfully direct album so far.
URL:https://peoplesbanktheatre.com/event/the-suitcase-junket/
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190606T200000
DTEND;TZID=America/New_York:20190606T213000
DTSTAMP:20190326T140001Z
CREATED:20190326T140001Z
LAST-MODIFIED:20190326T140001Z
UID:5413-1559851200-1559856600@peoplesbanktheatre.com
SUMMARY:Todd Rundgren
DESCRIPTION:The Individualist Tour\nPeoples Bank Theatre welcomes legendary songwriter\, musician\, interactive artist\, producer and nominee for the Rock N’ Roll Hall Of Fame\, Todd Rundgren. \nBorn and raised in Philadelphia\, Rundgren began playing guitar as a teenager\, going on to found and front Nazz\, the quintessential `60s psychedelic group. In 1969\, he left the band to pursue a solo career\, recording his debut offering\, Runt. But it was 1972’s seminal Something/Anything?\, on which he played all the instruments\, sang all the vocal parts\, and acted as his own producer\, that catapulted Todd into the superstar limelight\, prompting the press to unanimously dub him ‘Rock’s New Wunderkind’. It was followed by such landmark LPs as The Hermit of Mink Hollow and A Wizard\, A True Star\, as well as such hit singles as I Saw The Light\, Hello It’s Me\, Can We Still Be Friends\, and Bang The Drum. \nRundgren’s myriad production projects include albums by Patti Smith\, Cheap Trick\, the Psychedelic Furs\, Meatloaf\, and XTC. Rounding out his reputation as rock’s renaissance man\, Rundgren composed all the music and lyrics for Joe Papp’s 1989 Off-Broadway production of Joe Orton’s Up Against It (the screenplay was commissioned by the Beatles for what was meant to be their third film). He also has composed the music for the hit film Dumb and Dumber\, as well as a number of television series\, including Pee Wee’s Playhouse and Crime Story. \nRundgren penned his first ever autobiography\, released December 2018\, reflecting on both his phenomenal career as well as his rollercoaster of a personal life with pages of recollections\, structured into bite-sized single-page three-paragraph chapters\, about encounters with rock royalty including Janis Joplin\, Brian Wilson\, Ringo Starr\, Patti Smith\, The NY Dolls\, and Meat Loaf along with numerous photos never before published. \nIn conjunction with the release\, Rundgren will be embarking on the world’s first hybrid concert/book tour this coming spring\, highlighting both hits and “deep tracks” spanning his 50- year career\, which will include shows in North America\, the UK\, Europe\, and Japan. \nConsistent with his history of innovation\, Todd writes in the introduction to his book: “So in order to get myself and the reader through this process with a minimum of chaos\, the book will take on the form of this page: [paragraph #1] a recollection of something that I witnessed\, [paragraph #2] a subjective assessment of my state of mind in either experiencing or remembering the episode (or a haphazard combination of both)\, and as in this 3rd paragraph\, a conclusion\, a statement of plain facts or simply soap-box proselytizing. I suggest scanning the book in whatever manner one’s taste and temperament dictate.” \nVIP Packages\nAvailable for purchase until May 30 \nTodd Rundgren – Front Row + Meet & Greet Package\nPackage price: $325 (Includes one Orchestra Pit ticket)\nNote: Select “Best Available” when ordering to access this option.\nPackage includes: \n\nOne Orchestra Pit ticket at the foot of the stage\nExclusive preshow meet & greet with Todd Rundgren\nPersonal photograph with Todd Rundgren\nHardcover copy of Todd Rundgren’s autobiography The Individualist; personally autographed by Todd\nThe Individualist bookmark\nSpecially designed Todd Rundgren tote bag\nExclusive Todd Rundgren VIP merchandise item\nOfficial meet & greet laminate\nOn-site VIP host\nVery limited availability\n\nTodd Rundgren – Meet & Greet Package\nPackage price: $250  (Includes one ticket) \n\nOne premium reserved ticket\nExclusive preshow meet & greet with Todd Rundgren\nPersonal photograph with Todd Rundgren\nHardcover copy of Todd Rundgren’s autobiography The Individualist; personally autographed by Todd\nThe Individualist bookmark\nSpecially designed Todd Rundgren tote bag\nExclusive Todd Rundgren VIP merchandise item\nOfficial meet & greet laminate\nOn-site VIP host\nVery limited availability\n\nTodd Rundgren – VIP Tour Package\nPackage price: $150 (Includes one ticket) \n\nOne premium reserved ticket\nHardcover copy of Todd Rundgren’s autobiography The Individualist; autographed by Todd\nThe Individualist bookmark\nSpecially designed Todd Rundgren tote bag\nExclusive Todd Rundgren VIP merchandise item\nCommemorative tour laminate\nOn-site VIP host\n\n*Seat Sponsors please note: Due to the nature of the artist’s contract and VIP package/fan club sales\, we cannot guarantee your sponsored seat will be available for this show. However\, Seat Sponsors will have early access to reserve available seating during the Seat Sponsor & Member Presale March 27-28. \n*Members please note: Complimentary tickets may not be redeemed for VIP Packages. All members will have early access to reserve available seating during the Seat Sponsor & Member PresaleMarch 27-28.
URL:https://peoplesbanktheatre.com/event/todd-rundgren/
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2019/03/rundgren-1500.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190531T190000
DTEND;TZID=America/New_York:20190531T200000
DTSTAMP:20190408T032656Z
CREATED:20190408T032656Z
LAST-MODIFIED:20190408T032656Z
UID:5445-1559329200-1559332800@peoplesbanktheatre.com
SUMMARY:David McCullough: The Pioneers - SOLD OUT
DESCRIPTION:Marietta College presents an evening with Pulitzer Prize–winning historian David McCullough\, whose new book\, The Pioneers\, rediscovers an important and dramatic chapter in the American story—the settling of the Northwest Territory by dauntless pioneers who overcame incredible hardships to build a community based on ideals that would come to define our country. \nThere will not be a book signing at this event. Pre-signed and unsigned books will be available for purchase. For additional event information\, call the Marietta College Legacy Library at 740-376-4757. \nOverflow viewing:\nMarietta College will offer an overflow viewing area in the Alma McDonough Auditorium\, which is located on campus in the McDonough Center for Leadership and Business. Admission to McDonough for this event starts at 6:15 p.m.\, and will be available on a first-come\, first-served basis. Click here for full details. \nAbout the Book\nAs part of the Treaty of Paris\, in which Great Britain recognized the new United States of America\, Britain ceded the land that comprised the immense Northwest Territory\, a wilderness empire northwest of the Ohio River containing the future states of Ohio\, Indiana\, Illinois\, Michigan\, and Wisconsin. A Massachusetts minister named Manasseh Cutler was instrumental in opening this vast territory to veterans of the Revolutionary War and their families for settlement. Included in the Northwest Ordinance were three remarkable conditions: freedom of religion\, free universal education\, and most importantly\, the prohibition of slavery. In 1788 the first band of pioneers set out from New England for the Northwest Territory under the leadership of Revolutionary War veteran General Rufus Putnam. They settled in what is now Marietta on the banks of the Ohio River. \nMcCullough tells the story through five major characters: Cutler and Putnam; Cutler’s son Ephraim; and two other men\, one a carpenter turned architect\, and the other a physician who became a prominent pioneer in American science. They and their families created a town in a primeval wilderness\, while coping with such frontier realities as floods\, fires\, wolves and bears\, no roads or bridges\, no guarantees of any sort\, all the while negotiating a contentious and sometimes hostile relationship with the native people. Like so many of McCullough’s subjects\, they let no obstacle deter or defeat them. \nDrawn in great part from a rare and all-but-unknown collection of diaries and letters by the key figures\, The Pioneers is a uniquely American story of people whose ambition and courage led them to remarkable accomplishments. This is a revelatory and quintessentially American story\, written with David McCullough’s signature narrative energy. \nAbout the author\nDavid McCullough has twice received the Pulitzer Prize\, for Truman and John Adams\, and twice received the National Book Award\, for The Path Between the Seas and Mornings on Horseback. His other acclaimed books include The Johnstown Flood\, The Great Bridge\, Brave Companions\, 1776\, The Greater Journey\, and The Wright Brothers. He is the recipient of numerous honors and awards\, including the Presidential Medal of Freedom\, the nation’s highest civilian award. Visit DavidMcCullough.com. \nPeoples Bank Theatre Seat Sponsors please note: This event is presented by a third-party promoter. Access to sponsored seats is not guaranteed. You may place your ticket order online or contact the box office for current seat availability.
URL:https://peoplesbanktheatre.com/event/david-mccullough/
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190524T200000
DTEND;TZID=America/New_York:20190524T213000
DTSTAMP:20190430T172200Z
CREATED:20190430T172200Z
LAST-MODIFIED:20190430T172200Z
UID:5623-1558728000-1558733400@peoplesbanktheatre.com
SUMMARY:Sadie Johnson & Rod Abernethy
DESCRIPTION:The Stage Door Listening Room Series\nJoin us at The Stage Door for an intimate listening room concert with Rod Abernethy & Sadie Johnson. Only 50 general admission tickets will be sold. \nSadie Johnson\n \nSadie Johnson is an established blues guitarist/vocalist and a senior at Marietta College. Sadie has been performing since she was 13 years-old\, touring the US with The Sad Sam Blues Jam\, performing in Europe with Ruf Records Blues Caravan: Girls With Guitars\, and sharing the stage with the likes of Samantha Fish\, Delbert McClinton\, Blue Oyster Cult\, and Blues Traveler. While performing will always be her passion\, Sadie’s heart is in music therapy. Sadie has helped pioneer a music therapy program at Marietta College and continues involvement with Blue Star Connection – a non-profit organization that gives music instruments to kids with life-threatening illnesses. \nRod Abernethy\n \nRod Abernethy’s latest album “The Man I’m Supposed To Be” reached to No.9 in June 2018 and No.35 for the year 2018 on Folk Alliance International’s Folk DJ charts. He’s an authentic southern folk troubadour\, storyteller\, master guitarist\, and award winning soundtrack composer for film\, TV  and video games. Rod has returned to his early roots writing both songs and guitar instrumentals that harken back to his early folk artist days with new songs that revolve around family\, friends and places across his home state of North Carolina and the Deep South.
URL:https://peoplesbanktheatre.com/event/sadie-johnson-rod-abernethy/
CATEGORIES:Stage Door
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T200000
DTEND;TZID=America/New_York:20190517T220000
DTSTAMP:20190213T150042Z
CREATED:20190213T150042Z
LAST-MODIFIED:20190213T150042Z
UID:5262-1558123200-1558130400@peoplesbanktheatre.com
SUMMARY:Billy Ray Cyrus
DESCRIPTION:Billy Ray Cyrus is currently at the top of the charts on Spotify\, Billboard\, and Apple Music with Old Town Road: \n \nBilly Ray Cyrus continues captivating audiences with his distinctive vocal style and charismatic stage presence. Throughout the course of nearly three decades\, Cyrus has achieved worldwide success as a singer\, songwriter\, actor and producer. The Flatwoods\, Kentucky native exploded onto the music scene when his first album\, Some Gave All\, debuted on the all-genre Billboard album charts at No. 1 and stayed there for a record-breaking 17 weeks in 1992. The lead single\, “Achy Breaky Heart\,” became a phenomenon as the single went multi-platinum. Some Gave All also went on to sell 9 million copies. Along the way\, Cyrus charted 35 singles\, 16 of which are Top 40 hits\, including “Could’ve Been Me\,” “Where’m Gonna Live When I Get Home\,” “She’s Not Cryin\,” “Some Gave All\,” “Ready\, Set\, Don’t Go” and many more. Cyrus has also enjoyed a successful career as an actor in “Doc” and “Still The King\,” as well as the Disney series “Hannah Montana” with his daughter Miley Cyrus. In 2019\, Cyrus will release his new album\, The SnakeDoctor Circus\, a collaboration with legendary\, all-star musicians\, including Muscle Shoals Swampers\, Don Von Tress and many more. \nhttps://youtu.be/dYw4RysmcqE
URL:https://peoplesbanktheatre.com/event/billy-ray-cyrus/
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://peoplesbanktheatre.com/wp-content/uploads/2019/02/billy-ray-cyrus-1500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190511T200000
DTEND;TZID=America/New_York:20190511T213000
DTSTAMP:20181022T140036Z
CREATED:20181022T140036Z
LAST-MODIFIED:20181022T140036Z
UID:4713-1557604800-1557610200@peoplesbanktheatre.com
SUMMARY:Connie Smith
DESCRIPTION:Connie Smith is considered by many to be one of the best vocalists in country music history.  “Once a Day\,” “Just in Time\,” “Then and Only Then\,” and “Ain’t Had No Lovin’\,” are just a few of her many hits.  This Country Music Hall of Fame inductee has earned 11 Grammy nominations\, and landed on the Billboard Top Ten country singles charts 20 times. \nA Hall of Fame Lifetime of Singing\nDolly Parton once noted\, famously\, that there were just three real female singers around—Barbra Streisand\, Linda Ronstadt\, and Connie Smith. “The rest of us\,” she said\, “are only pretending.” It’s less-well known that when Connie Smith was introduced to Keith Richards\, he grabbed fellow Connie Smith fan (and Rolling Stone) Ron Wood and brought him up to meet her\, too\, exclaiming “She’s the real deal!” \nWhat the singers she’s been influencing for decades spot in Connie Smith’s performances—besides her genius for phrasing\, perfect diction and a vocal range which have all long been envied—is her fervent joy in singing itself\, her love for the emotional and physical act of letting loose a song\, which is as evident on her recordings as it is in front of audiences at the Grand Ole Opry\, on RFD TV’s weekly Marty Stuart Show\, or on the road. \nIn 2012\, Connie’s singular contributions to country music were recognized conclusively when she received the field’s highest honor\, induction into the Country Music Hall of Fame. As the Hall’s inductee portrait says of her\, “Smith’s greatness extends beyond vocal brilliance. It encompasses her song selection\, her connection to great musicians (especially steel guitarists)\, her classy demeanor\, and a spiritual bearing that serves as her foundation. Connie Smith is one of country music’s most admired artists not because of one of her talents\, but because of how they form such a distinct whole.” \nMerle Haggard said\, as he conducted her induction her into the\, “I can’t remember any of Connie’s records that I didn’t like. I admire her sincerity and her spirit and her commitment to traditional country music. If you’re talking about a country singer\, there just isn’t any better.” \nMerle singled out “Long Line of Heartaches\,” Connie’s most recent recording\, as a special favorite. In recent decades\, the appearance of a new Connie Smith record has been a rare\, much-anticipated event; Long Line of Heartaches on Sugar Hill\, is her first since 1996 and only her second since 1978\, and her 53rd album to date. Still the urge to sing and share the joy she finds in doing it has never waned. \n“I may have put off making a new record for quite a while\,” Connie says\, “but I still love to sing just as much as I ever did. I really feel that it’s my destiny; I heard the saying\, one time\, ‘Do what God tells you ’til he tells you something else\,’ and He hasn’t told me anything else yet. So I think I’ll still be singing till I hear different!” \nWhat she sings on this return to disc is the same broad range of traditional country moods\, themes\, rhythms and sounds that marked her remarkable run of hit records and classic country albums in the 1960s and ’70s. Keeping that music alive\, well and in the public ear was an important motivation in breaking this most recent recording hiatus: \n“I feel so fortunate to have been introduced to Nashville in the early sixties. It was a magical time in country music; country artists were encouraged to bring their individuality and culture to the microphone\, not to back away from them\, and the songwriters of the era were just the best. But I feel that the music as it was has been slipping away—and much\, much faster than I’m ready for. The only thing I know to do about it now is to keep singing what I’ve always loved.” \nConnie has always been the sort of singer who\, much as Frank Sinatra did in saloon singer pop\, emphasizes crediting the writers who created the emotionally direct songs she chooses to sing. Songs by songwriters she’s long favored\, including icons Bill Anderson\, Harlan Howard\, Johnny Russell\, Kostas\, and Dallas Frazier (whose “A Heart Like You” on this record was one of the first he’d written in 30 years\, and the 69th Frazier song Connie’s had on record) are featured on this new release. Her own songwriting\, which had been something she’d found little time for early in her career\, came more to the foreground when she began co-writing with Marty Stuart; five of their collaborations appear on Long Line of Heartaches\, including the title track. \n“I had written a few of the songs I and others had recorded over the years\, but I’d never even begun to think I could write enough to do a whole album. Marty believed I could. We found other good songs\, too; it can be a bad idea to only do your own songs. I don’t cut a song because Bill\, Harlan\, Dallas or I wrote it\, I cut it because I think it’s the best song that I can find at the time.” \n“If I hadn’t had Marty as producer and Mick Conley\, as outr engineer\, working with me\, this record couldn’t have happened like it did. When we got 5 of the songs Marty and I wrote coupled with the 7 great songs from other writers\, we got serious and knew it was time to record. The songs had to come first. Then the work was just a joy. \nA first-time occurrence on this album is the appearance of Connie’s daughters Julie\, Jeanne and Jodi with her\, adding striking family harmonies to the contemporary hymn “Take My Hand.” “My five kids all know every word to every one of my songs\,” Connie notes\, “and we always sang at home. You’ll hear that my daughters are really good; they just never had the desire to be professionals. Neither did my two sons\, Darren and Kerry\, who also sing well.” \nThat Connie Smith always prioritized family life over career (and with no conflict about that\, she notes) is one reason she may be better known in the households of long-time traditional country music lovers than some others. She’d taken a break from appearances and recording to raise those kids\, and\, as she puts it “never went back into business in full force\,” though she has been a much-loved mainstay at the Grand Ole Opry. \nIt is a Nashville legend that Connie’s first record\, the aching and unforgettable “Once a Day\,” written by Bill Anderson and recorded on July 16\, 1964 when she was just 23\, became one of the most celebrated singles in country music history—the first debut single by a female country singer to go to Number One\, a position it held for eight weeks. Forty-seven years later it is still the only first single ever to have done that. When Connie sang “Once A Day” in the all-star B-movie musical Second Fiddle to a Steel Guitar the following year\, she was introduced on-screen as “The Cinderella of Country Music.” “Once A Day\,” and her stunning rendition of “How Great Thou Art” remain the two most requested songs by her fans to this day. Connie’s memorable string of hits would include “You and Your Sweet Love” “If It Ain’t Love” “Where Is My Castle?” “Run Away Little Tears” “Just One Time” and “I Never Once Stopped Loving You.” \nThe passion for singing and for the songs\, and the singular vocal precision in delivering them that marked those standards-to-be are fully on display in this return to recording. “If you add up all the songs on this album\,” Connie Smith says\, “it would add up to my personality. It’s me talking again\, after so many years\, with a message no different than I’ve always had. It’s just that I love you\, and I want that love to come back.”
URL:https://peoplesbanktheatre.com/event/connie-smith/
CATEGORIES:2019 Winter-Spring,Music,Spotlight Series
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DTSTART;TZID=America/New_York:20190509T153000
DTEND;TZID=America/New_York:20190509T170000
DTSTAMP:20190430T131612Z
CREATED:20190430T131612Z
LAST-MODIFIED:20190430T131612Z
UID:5618-1557415800-1557421200@peoplesbanktheatre.com
SUMMARY:100th Anniversary Ribbon Cutting
DESCRIPTION:What a century it has been! Join us in commemorating our historic theatre’s 100th Anniversary on Thursday\, May 9\, 2019 at 3:30 p.m. \nWe will celebrate this milestone at Peoples Bank Theatre with a special ribbon cutting by the Marietta Area Chamber of Commerce and the unveiling of the theatre’s Ohio Historical Marker created by Marietta’s own Sewah Studios\, Inc. Reception to follow. \nPlease RSVP with our box office at 740-371-5152 or email tickets@peoplesbanktheatre.com.
URL:https://peoplesbanktheatre.com/event/100th-anniversary-ribbon-cutting/
CATEGORIES:100th Anniversary,Other
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DTSTART;TZID=America/New_York:20190503T200000
DTEND;TZID=America/New_York:20190503T220000
DTSTAMP:20181202T013015Z
CREATED:20181202T013015Z
LAST-MODIFIED:20181202T013015Z
UID:4881-1556913600-1556920800@peoplesbanktheatre.com
SUMMARY:Chicago - SOLD OUT
DESCRIPTION:Doors open at 6:30 p.m.\nSinger/songwriter Tim Stop to open at 7:15 p.m.\nChicago in concert at 8:00 p.m. \nChicago comes to Marietta! For our 100th Anniversary\, Peoples Bank presents Chicago in one of the most intimate settings they’ve ever played. \nHailed as one of the “most important bands in music since the dawn of the rock and roll era\,” Chicago came in at #4 in Billboard Magazine’s recent Top Bands And Duos\, the highest charting American band in the chart’s history. Inducted into the Rock and Roll Hall of Fame in 2016\, Chicago is the first American rock band to chart Top 40 albums in six consecutive decades. \nChicago’s first album\, Chicago Transit Authority\, was inducted into the GRAMMY Hall Of Fame in 2014\, and the band performed on the Grammy stage for the first time that year. \nRobert Lamm and James Pankow have become the latest inductees of the Songwriters Hall of Fame in 2017. These legendary songwriters wrote mega-hits such as\, “25 or 6 to 4\,” “Saturday In The Park\,” “Feelin’ Stronger Every Day\,” “Make Me Smile\,” and many others. \nMore than 40 years after its debut\, Chicago still sounds like nothing else. Released in 1970\, Chicago’s second album brims with confidence and inspiration as it draws on everything from orchestral music to heavy rock. It spawned a trio of Top Ten hits\, and the timeless classic has been remastered to reveal unprecedented clarity and definition. For the first time a new stereo remix\, created by British musician and producer Steven Wilson from the 16-track multi-track tapes\, made it possible to bring out elements that were muffled or submerged in the mix. The result is a new stereo version of CHICAGO II that boasts clearness\, punch and definition that it didn’t have before. It has recently been released by Rhino Records on CD and vinyl. \nCHICAGO’s award-winning documentary film\, Now More Than Ever: The History Of Chicago premiered on CNN. The documentary film was originally shown at the Sedona International Film Festival in February\, 2016\, and won the Film Festival’s Best of Fest Audience Choice Award. The band opened the festival with back-to-back sold-out performances. \nAdditionally\, Now More Than Ever: The History of Chicago won three awards in April\, 2016\, at the 10th Annual Fort Myers Beach Film Festival\, taking home top prizes in the Documentary and Audience Award categories. Director Peter Pardini was awarded the festival’s Rising Star Award in direction and was on hand to accept all three awards. Earlier that month the documentary was the runner-up for Audience Award at the Sarasota Film Festival. \nChicago’s newest record of new studio tracks\, “NOW” CHICAGO XXXVI\, was released on Frontiers Records. It includes eleven brand new songs\, recorded on the road. Chicago has built a new recording system that is flexible\, portable\, powerful and musical. This new “recording rig” travels with the band. They have even created an online collaboration portal that allows even more performances to be worked on around the clock from remote locations. The CD package is a six-panel digipack with a beautiful 16-page full color lyric booklet. \nChicago’s lifetime achievements include two Grammy Awards\, two American Music Awards\, Founding Artists of the John F. Kennedy Center for the Performing Arts\, a star on the Hollywood Walk of Fame\, a Chicago street dedicated in their honor\, and keys to and proclamations from an impressive list of US cities. Record sales top the 100\,000\,000 mark\, and include 21 Top 10 singles\, 5 consecutive Number One albums\, 11 Number One singles and 5 Gold singles. An incredible 25 of their 36 albums have been certified platinum\, and the band has a total of 47 gold and platinum awards. \nChicago have toured every year since the beginning – they’ve never missed a year. The original four band members are Robert Lamm on keyboards and vocals\, Lee Loughnane on trumpet and vocals\, James Pankow on trombone and Walt Parazaider on woodwinds. The band line-up also includes Wally Reyes\, Jr. on drums\, Keith Howland on guitar and vocals\, Lou Pardini on keyboards and vocals\, Ray Herrmann on sax and flute\, Neil Donell on vocals\, Brett Simons on bass and Ramon “Ray” Yslas on percussion. \nFor five years\, Chicago raised over a quarter of a million dollars to fight breast cancer for the American Cancer Society by having a winning bidder come on stage and sing “If You Leave Me Now” in concert. Chicago generously support other charitable causes\, donating a portion of ticket sales to Kelly Cares\, established by Notre Dame head coach Brian Kelly and his wife Paqui\, to support local\, national and global organizations that strive to improve their communities in the areas of health and education. Portions of ticket sales also benefit the Ara Parseghian Medical Research Foundation\, which seeks a cure for a fatal children’s disease\, Niemann-Pick Type C. Chicago manager Peter Schivarelli\, who played football for Coach Parseghian\, is on Notre Dame’s Board Of Directors for their Athletic Commission. Chicago has also associated with Hannah & Friends\, an organization that serves children and adults with special needs. Hannah & Friends is the personal mission of Maura Weis and her husband\, Charlie Weis\, the former coach at the University of Kansas. \nFrom the signature sound of the Chicago horns\, their iconic Vocalists\, and a few dozen of ever-Classic Songs\, this band’s concerts are celebrations. 2019 marks the band’s 52nd consecutive year of touring\, without missing a single concert date! \nChicago continue to be true ambassadors for their beloved hometown\, carrying the city’s name with pride and dignity around the world. \n\n*Seat Sponsors please note: Due to the nature of the artist’s contract and fan club sales\, we cannot guarantee your sponsored seat will be available for this show. However\, Seat Sponsors will have early access to reserve available seating during the Seat Sponsor & Member Presale December 12-13. \n*Members please note: Complimentary tickets may not be redeemed for this concert. All members will have early access to reserve available seating during the Seat Sponsor & Member Presale December 12-13. \n\nVIP Packages\nVIP Package 1 – $450: \n\nOne front row ticket\nExclusive Meet & Greet with members of Chicago\nPersonal photo op with members of Chicago\nAutographed Chicago Tour Program\nChicago VIP merchandise\nCommemorative Chicago VIP Meet & Greet Laminate\n\nVIP Package 2 – $375: \n\nOne ticket in row B\, C\, or D\nExclusive Meet & Greet with members of Chicago\nPersonal photo op with members of Chicago\nChicago VIP merchandise\nCommemorative Chicago VIP Meet & Greet Laminate
URL:https://peoplesbanktheatre.com/event/chicago/
CATEGORIES:100th Anniversary,Music
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